Neoclassical Wall-mounted Sculptures

For your consideration, an antique logging tool is a two-man crosscut saw, commonly known as a "misery whip," used historically for felling large...

Early 20th Century Exceptional Framed Hand-Carved Wood Relief of the Last Super. Continental tropical baroque heavy solid wood frame, carved by a master carver. The piece has elaborately carved opulent heavy foliage frame around a meticulously hand carved fugures of Jesus and the 12 Apostles...

Twelve plaster casts for academic use. Historical academic casts (produced by renowned plaster cast galleries such as those in Florence and the Louvre) were often made in "sections" ...

Anonymous ca. 1790; Italy Wood panel and plaster, painted, gilt and lacquered Approximate size: 118.5 x 82.5 x 5 cm The present panel is probably of late 18th century origin,...

A handsome set of late 18th/early 19th century Georgian solid mahogany and veneered mahogany decorative wall hanging panels, each with a roundel to the centre depicting a profile por...

Stunning late 18th-early 19th century Italian painted and parcel carved giltwood architectural over door, architectural element or fragment. A ...

This is a late 20th century gilded neo-classical ceiling medallion designed by Versace for Rosenthal. It has a great look! I believe it could act as wall art too. It is marked and in...

Jean Baptist Stahl Pate-sur-Pate/ Phanolith neoclassical court scene charger Germany, circa 1899 An exceptional large pâte-sur-pâte/ phanol...

A late 19th century French neoclassical plaster relief sculpture of a toga clad figure with horse in faded polychrome.

A collection of antique Statuary Carrara marble chimneypiece/mantelpiece tablets from the 18th and 19th century’s. The collection consists of 41 carved elements, including centre ta...

"The Last Supper" metal relief. Relief measurements without frame: 24 in x 14 in.

Pair of Italian gilt carved wood, gesso, and painted hanging wall cherubs . Early 19th Century.

This is an Italian 1950s Italian carved pine and walnut arm form wall sconce. It is not electrified. The attention to detail is wonderful, noting the sinewy muscles and draped Roman ...

A large-scale antique Italian giltwood decorative wall hanging panel, deeply handcarved in relief with acanthus decoration. The largest of similar lots we are selling, this decorativ...

Unique brutalist mud 20 th c bronze tree sculpture for wall mounting in Curtis Jere style.

This vintage terracotta wall sculpture channels neoclassical grandeur, portraying a bearded male figure reminiscent of ancient mythological busts. Hand-crafted from terracotta, the p...

Vintage decorative embossed and hammered tin panel featuring a trophy urn with flowers, fleur de lis and acanthus accents. Dimensions: 28" x 52"

This is an Italian blue and white terracotta grotto inspired dolphin and shell form lavabo or wall fountain or even a planter. It is 3 pieces suspended on a stain poplar wall plaque....

A handmade one of a kind wall sculpture sconce in the shape of a male torso that is electrified from behind. Plaster in a dark green made to look antique.

An evocative nineteenth-century painted tôle fire screen or chimney panel, fashioned from shaped sheet metal and ornamented in the neoclassical taste....

I love this piece! It is an early Italian carved wood wall plaque done in Grand Tour styling. It depicts a male bust on a yellow background. It is unsigned. It is chippy all over but...

Add a touch of historical charm to your space with this exquisite vintage ceramic wall fountain mask, a captivating piece that blends artistry and functionality. Crafted with meticul...

Beautiful pair of rectangular vintage etched and cut out brass panels having figural busts, urns and curlicues in an elaborate symmetrical design.

Old solid iron stove, it is a very old stove is unknown the origin and manufacture, has slight details for the antiquity. It is very heavy and solid.

Pair of Neoclassical Terracotta Wall Plaques After Bertel Thorvaldsen A distinguished pair of relatively large wall plaques in terracotta, modeled after compositions by Bertel Thorv...

A fascinating Neoclassical piece of art from Austria (circa 1790), this oval panel has been hand-carved with a bombe (out curving) form that accentuates the bas-relief figures. The i...

This is an incredible pair of wall mounted Italian neo-classical style urns. They appear to be gilt and painted gesso over cast plaster. They are large in scale and unmarked. The urn...

This elegant shelf hand Crafted and features a decorated wall bracket, beautiful iron work of horses heads, horseshoes posted on solid wood back. The shelf is in very good condition.  

This painted wall pocket or sculpture is beautifully constructed and ornamented with an English Woman in the center. This piece would be a wonderful architectural element standing al...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

A monumental 19th century French hand carved white marble architectural bas-relief depicting two floating cherubs / cupids supporting a cartouche. The cartouche centered by a detaile...

A large-scale mid-18th century Italian giltwood wall hanging panel, deeply handcarved in relief with acanthus decoration. One of similar lots we are selling, this decorative carved p...

A pair of 19th century English mahogany carved panels. Hand carved in England circa 1890, this nautical themed Victorian carvings has a mix of floral themes with a pair of Neoclassi...

This 19th century neoclassical hand carved giltwood eagle dates back to circa 1820. This majestic piece is carved with meticulous detail, possibly for a religious setting. Perched o...

19th century Italian Neoclassical style carved walnut panel with relief carvings of dolphins and fruit with a scroll design and a center crown.

A 17th century carved oak panel of an emperor. Skilfully carved in low relief, this unique work was created circa 1690. Highly stylised in a neoclassical manner, it is possibly a tri...

A French Neoclassical, large-sized, carved-wood wall panel from the 19th century. This antique wall decoration from France has an elongated rectangular-shape and has been hand-carved in an elegant Neoclassical design of pots à feu (fire urns), ribbon bow-ties, and foliate garlands. The more natural wood at center is complimented by the gray wash on the outer frame. This 19th century French Neoclassical panel...

19th c., Americana, a large scale gilt and forest green painted cast plaster eagle, depicted spread-wing, with crisply detailed overlapping feathers. With mounting bracket on reverse. This is a very handsome example of an iconic form. The combination of the gilt and forest green paint is striking. Depictions of eagles can be seen across American art. The national bird of the United States, the eagle has been used as a symbol of American freedom for centuries. This is a fine example in the style of John Haley Bellamy...

Early 19th century Italian carved wood gold gilded Eagle. Its wings spread and clutching a set of white gold gilded lightning bolt arrows in its talons.  

Celebrate the enduring grandeur of classical antiquity with this impressive vintage Roman Emperor plaster medallion, a striking wall sculpture inspired by the artistic traditions of ...

Framed Wedgwood Jasperware Cameo of Terpsichore, 20th Century This framed Wedgwood jasperware cameo depicts Terpsichore, the classical Muse of dance and choral song, standing besid...

This is a midcentury Italian neoclassical style three piece ceramic lavabo. It is a black Jasperware-like glaze with glint accents depicting chariots. It is unmarked and in very good...

Maxwell Roadster 1911 model made n brutalist style of Curtis Jere framed on a yellow velvet background in a gold tone frame. Impressive wall installation. Collectible decorative piece.

In this listing you will find an antique Mediterranean wall-mounted earthenware vessel executed in glazed ceramic with hand-painted cobalt blue foliate decoration. Likely originating...

An antique 19th century carved lime wood frieze panel. This architectural panel displays a scrolling design of foliage with a Neoclassical flair, showcasing a look of elegance and c...

The music lesson neoclassical style plaster wall roundel, after renowned Italian sculptor, Antonio Canova (1757 – 1822). This impressive, large scale sculpture wall plaque depicts t...

An antique 20th century plaster sculpture of a Nike, the Greek goddess of victory. Constructed from fibrous plaster with a painted finish, this unique sculpture depicts the headless...

Vintage multicolored blown glass ornaments Holiday wreath with tensil.

An attractive and most decorative Italian early 19th century Neo-Classical st. patinated Wood and Giltwood plaque. This wonderful octagon shaped wall decor panel displays Eros, other...

Massive bronze plaque depicting the act of "Netilat Lulav" that takes place during the Jewish holiday of Sukkot. The plaque was made and signed by Boris Schatz, who was part of the B...

An extremely elegant Italian 19th century Neo-Classical st. Giltwood wall decor. This stunning arbalest shaped carved Giltwood wall decor has a central berried laurel wreath above a ...

A French carved-wood wall plaque from the early 19th century. This antique wall decoration from France features the Neoclassical stylings of swirling leaves and florals splaying outw...

These exquisitely carved marble relief plaques, are notable for their large size and fine detailing, and were made after two famous plaques of the...

A late 18th / early 19th century framed Wedgwood black basalt plaque depicting ‘The Death of Meleager’ also known as ‘The Death of a Roman Warrior’. Impressed with maker’s mark to plaque reverse. Wedgwood first began creating black basalt wares in 1768. This dense and fine-grained stoneware was designed to imitate old bronze statues and remains to this day synonymous with fine quality. This plaque appears in the company’s 1773 catalogue. While the design continued to be made into the 19th century, this Wedgwood plaque was infrequently attempted due to firing challenges made difficult by the plaque’s elaborate detail and scale. This antique black basalt...

An extremely elegant Italian 19th century Neo-Classical st. Giltwood wall decor. This stunning arbalest shaped carved Giltwood wall decor has a central berried laurel wreath above a ...

Presenting a striking Vintage Art Deco Gilt Plaster Relief Sculpture, a piece that masterfully combines classical artistry with the distinctive flair of the Art Deco era. This relief...

Polychrome Ceramic Wall Sculpture of Athena.

A late 18th/early 19th century fruitwood carving depicting a neoclassical maiden. Historically part of a cabinet, this panel has an old keyhole and cut outs where hinges once were....

A charismatic pair of antique English oak wall hangings carved in the manner of neoclassical terms, circa 1900. This matching set sees two bearded figures with arms crossed over th...

O/4792 - Pair of antique golden leaves friezes. An idea : hanging above these friezes two parchment fans that can hide the electrical connections for tw...