“A storyteller with a brush, a custodian of the past” is how illustrator Tom Lovell once described himself. Lovell is regarded as one of the 20th century’s leading Western artists, with his work including figurative paintings of important historical events, portraits of homespun American life and thought-provoking illustrations for publications such as Life, National Geographic and The Saturday Evening Post.
Born in 1909 in New York City, Lovell spent his childhood in Nutley, New Jersey, where he developed a keen interest in art and Native American culture. He often visited New York’s American Museum of Natural History, where he would sketch Native American clothing, weapons and artifacts.
Lovell studied art at Syracuse University, where he roomed with future well-known illustrator Harry Anderson. While there, he began his illustration career by selling his work to pulp magazines. Later, he illustrated for publications such as The American, Cosmopolitan and Women’s Home Companion.
During World War II, Lovell enlisted with the Marine Corps Reserve and created illustrations for the Marine Corps’s Leatherneck magazine and the Marine Corps Gazette. He also completed several large paintings chronicling historical military events; they are now displayed at the Marine Corps headquarters in Washington, DC.
After the war, Lovell continued illustrating for magazines like Collier’s, Redbook, Ladies’ Home Journal and McCall’s, which featured “Day of Yellow Flowers,” one of his better-known illustrations. He contributed a series of historical works, including his famous Civil War painting “Surrender at Appomattox,” to National Geographic.
Throughout the 1960s, he was increasingly fascinated with the American Southwest. In 1975, Lovell and his family moved to Santa Fe, New Mexico, where he found inspiration for his landscapes that depict Native American and Old West culture.
Lovell received numerous accolades throughout his career. In 1974, the Society of Illustrators named him a Hall of Fame Laureate. In 1992, the National Academy of Western Art and National Cowboy Museum honored him with a Lifetime Achievement Award. Lovell is the only artist to have won the National Cowboy Museum’s invitational Prix de West exhibition twice.
Lovell died in 1997. His illustrations and paintings continue to be prized by Western art and Americana collectors.
On 1stDibs, discover a range of Tom Lovell’s paintings.
$35,000
Bridal White
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed Lower Right and Titled on reverse Dimensions: 28.13" x 25.13" (71.45 cm x 63.83 cm) Literature: Temple Bailey, Bridal White, The American Mag...
Canvas, Oil
$125,000
“A Date for the Baby Sitter” Magazine story illustration for Good Housekeeping
By Tom Lovell
Located in Fort Washington, PA
Story illustration for “A Date for the Baby Sitter” by Eileen Herbert Jordan for Good Housekeeping, published December 1958, illustrated pages 58-59 The full caption reads: “Thus Peggy went forth—sailed might be the better word—escorted by part of the Navy.” The snowy scene features a woman and two sailors leaving the house at Christmas time. Exhibited: The Triumph of Winter, National Arts Club, New York, December 16, 2013- January 5, 2014 Date: 1958 Medium: Oil on Board Dimensions: 23.20" x 33.50" Signature: Signed Lower Left A Native American finding a Raggedy Ann doll...
Oil, Board
Love in the Mist, Magazine Illustration
By Tom Lovell
Located in Fort Washington, PA
Love in the Midst, Magazine Story Illustration Ladies Home Journal, June 1959 Tom Lovell had an extreme attention for detail and rarely completed more then a dozen major oil pa...
Board, Oil
Blondin Crossing Niagara
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Masonite Signature: Signed Lower Left This piece was published as an illustration in True Magazine titled "Blondin Crossing Niagara" in 1953. Born Jean-François Grave...
Masonite, Oil
Below Deck Gouache Painting, Realist Style, Signed, 1950s, 15.2x32
By Tom Lovell
Located in Miami, FL
Charles Martignette Heritage Auctions, This is a Wonderfully rendered work with high level of detail and color saturation. Norman Rockwellesqu...
Gouache
“I had the pleasure of knowing your dear departed husband, ” Cosmopolitan
By Tom Lovell
Located in Fort Washington, PA
Magazine story illustration for “Saratoga Trunk” by Edna Ferber for Hearst’s International Combined with Cosmopolitan, published July 1941, pages 42-43....
Canvas, Oil
$75,000
Penobscot Bay Expedition, for “The Cowardly Career of Paul Revere” in True Mag
By Tom Lovell
Located in Fort Washington, PA
Editorial illustration for “The Cowardly Career of Paul Revere” for True, published March 1962. The full published caption reads: “Ordered to halt his flight from the scene of ba...
Board, Oil
"Every Sunday, Mowbray and the boy had dinner together"
By Tom Lovell
Located in Fort Washington, PA
Approximate Date: 1957 Medium: Oil on Board Signature: Signed Lower Left Size: 18.70" x 27.00" Story illustration for The Master Move by George Loveridge, published in Good Housekeeping, November 1957. An excerpt from the story reads: “In the evening Mowbray dined at a mahogany table designed to seat ten persons. To his left, in an intricate, gilded frame, hung an oil portrait of his father — a man with a majestic, full gray beard and the same beaked nose that his son had, but with milder eyes (p. 237)…Every Sunday, Mowbray and the boy had dinner together, the two of them at the long, broad, polished table under the eyes of Peter Mowbray. Mowbray often had to fly hundreds of miles to be on time for Sunday dinner with his son, but he did not once fail to be there.” (p. 239-240) A Native American finding a Raggedy Ann doll...
Board, Oil
"You love my island already” Story illustration for Woman’s Home Companion
By Tom Lovell
Located in Fort Washington, PA
Original magazine story illustration for “A Summer to Remember” by Marjorie Marks for Woman’s Home Companion, published January 1948, pages 20-21. The full caption reads: “‘You love ...
Canvas, Oil
$53,000
Attorney at Sea
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed TOM/LOVELL (lower left); also titled Attorney/at Sea (on the reverse)
Canvas, Oil
“He’s a dear, but a type you perhaps haven’t met before”
By Tom Lovell
Located in Fort Washington, PA
Magazine story illustration for “A Song for Miss Julie” by Michael Foster for Hearst’s International Combined with Cosmopolitan, published March 1944, page 39. The tale is described as: “A delicious story about a couple of Broadway playwrights who invade the Old South looking for scandal and come up drenched in magnolia.” The full caption reads: “I think someone should talk to you about men of Stephen’s type, my dear,’ said Mrs. Kimbro. ‘He’s a dear, but a type you perhaps haven’t met before.’ Miss Julie gasped. ‘But Mrs. Kimbro!’” A Native American finding a Raggedy Ann doll...
Canvas, Oil
Formal Affair
By Tom Lovell
Located in Fort Washington, PA
Date: July 1942 Medium: Oil on Canvas Dimensions: 36.00" x 26.00" Signature: Signed Lower Left Illustration for Cosmopolitan magazine. Tom Lovell’s illustrations range from adventur...
Canvas, Oil
“‘Richer’n horse manure!” Editorial illustration for True magazine’
By Tom Lovell
Located in Fort Washington, PA
Editorial illustration for “Lady Luck’s Favorite Boy” by Arnold Hoffman for True, published March 1951. The full published caption reads: “He held the quartz under my nose. ‘Richer...
Canvas, Oil
The Crime Scene, Original Magazine Story Illustration
By Tom Lovell
Located in Fort Washington, PA
Illustration for True magazine, presumably published February 1956. Nighttime scene of policemen and bloodhounds investigating a murder on a cobblestone street. Approximate Date: 1956 Medium: Oil on Board Signature: Signed Lower Right Size: 22.70" x 16.20" Tom Lovell Biography: A Native American finding a Raggedy Ann doll...
Board, Oil
Happy Endings
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Linen Signature: Signed and Dated Story illustration for "Farewell Without Regret" by Sarah-Elizabeth Rodger for Good Housekeeping, published July 1940, page 58. The...
Linen, Oil
The Glass Fortress
By Tom Lovell
Located in Fort Washington, PA
Signed Lower Right by Artist Lawrence Williams and Nell O’Day, “The Glass Fortress,” American Magazine, August 1950, illustrated, n.p. Daniel Zimmer, Tom Lovell: Illustrator, Decatu...
Oil
Trapper's Morning, Gouache Painting in Realist Style, Framed
By Tom Lovell
Located in Colorado Springs, CO
Trapper’s Morning by Tom Lovell (1909–1997) is an original gouache painting on illustration board measuring 12 by 18 inches, signed by the artist in the lower right corner. The mediu...
Gouache
Memoirs Of Casanova, Paperback Cover
By Tom Lovell
Located in Fort Washington, PA
Cover for The Memoirs of Casanova (Bantam books #FB-415, 1957): A New Edition of the French Translation by Lowell Blair Memoirs of Casanova, Paperback Cover, 1957 Tom Lovell ha...
Board, Oil
"Farewell Without Regret"
By Tom Lovell
Located in Fort Washington, PA
Signature: Signed Lower Left Medium: Oil Paint Story illustration for "Farewell Without Regret" by Sarah-Elizabeth Rodger for Good Housekeeping, published September 1940, page 47. ...
Oil
$3,475
H 35.5 in W 43.75 in D 3 in
Chinese Dim Sum Feast in the San Francisco Bay Area
Located in San Francisco, CA
Created in the mid 1970s by California artist Raymond Howell (1927–2002), “Chinese Dim Sum Feast,” depicts diners being served in a Chinese restaurant, ...
Masonite, Oil
$3,950
H 20 in W 18 in D 2 in
"Georgia Moonshiner, c. 1935" by Athos Menaboni (1895-1990) American WPA Era Oil
Located in Yardley, PA
A fantastic WPA-era painting of a Georgia moonshiner by famed Italian-American artist Athos Menaboni (1895-1990). This work depicts an older man sporting a brown hat, brown jacket, ...
Masonite, Oil
$500
H 11.62 in W 8.67 in D 0.4 in
Georgian Contemporary Art by Ilia Menabde - AR.4
Located in Paris, IDF
Oil on cardboard Ilia Menabde is a Georgian painter born in 2003 who lives and works in Tbilisi, Georgia. His practice explores the relationship between memory, time, place, and con...
Oil, Cardboard
$3,000Sale Price|20% Off
H 18 in W 15 in
1938 Cuban Illustration Gouache Painting Carteles Magazine Andres Garcia Benitez
Located in Buffalo, NY
An original illustration by Cuban artist Andres Garcia Benitez which was used for the cover of the iconic Carteles magazine in November of 1938. ...
Watercolor, Gouache, Illustration Board
$2,849
H 31.89 in W 39.38 in D 0.79 in
"The Naked Soil", Sweeping Ochre Farmland Impressionist Oil Painting on Canvas
By Yves Calméjane
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
A deep ochre warmth spreads across this generously scaled oil on canvas, measuring H 31.9 in x W 39.4 in x D 0.8 in, pulling the eye across an undulating rural landscape that breathe...
Canvas, Oil
$361,700
H 72 in W 85 in D 7 in
"The Walk Back Home" A Monumental "Exhibition" Painting by Carl Lasch
Located in Queens, NY
Carl Lasch (1822-1888 German) "The Walk Back Home" A Monumental Exhibition Painting, Oil on canvas laid to masonite in original gilt-wood frame. ...
Masonite, Oil
$3,000
H 25 in W 21 in D 3 in
Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures
By Maurice Becker
Located in New York, NY
Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures MAURICE BECKER (1889-1975) 'Neon Lighting 17 1/4 x 13 3/4 inches Oil on masonite Signed, dated 1936 and titled on verso BIO Maurice Becker, painter, political cartoonist and social reformer, was born in 1889 either in Gorky or Niznij Novgorod, in Russia. His family came to the United States in 1892, to New York City. After high school, Becker worked in a clothing factory. He studied with Ash Can School artist Robert Henri in 1908, and exhibited in the famous 1913 Armory Show in New York City when he was only twenty-four years of age. At the Armory show, Becker showed a drawing of a dog's head...
Masonite, Oil
The Dissidents: Discourse on the Golden Mean
By Michael Tole
Located in New Orleans, LA
Michael Tole says of his work… This work draws a connection between the didactic moralizing tendencies of Neo Classicism (represented in the style of the painting) and Modernism (represented in the architectural setting). Though modern art eschews the naturalistic imagery used by Neo Classicists, both movements pursued a self-important, austere, self-consciously masculine aesthetic that they saw as synonymous with virtue. Set in the MoMA courtyard, a passel of men lounge about, regarding a golden statue which looks terribly out of place in this modernist vitrine. The uncomfortable architectural setting, prisonlike and cold, provides a foil for the odalisque-like young men sprawled on hard stone benches and paying homage to the central idol. In my current work, The Revisionist Histories, I am writing letters to art history, literature, and mythology in an attempt to reflect the social changes that have reshaped our society over the past century. As part of this agenda, I explore the evolution of gender norms, power dynamics, and representation within Western visual culture and what this implies for the negotiation between pleasure, justice, and our culturally specific discourse on beauty. The seed for The Revisionist Histories was sewn when I caught a glimpse of my preteen daughters watching music videos on their iPad as I chopped veggies for dinner. Out of the corner of my eye I caught glimpses of music videos featuring Beyonce, Taylor Swift, Ariana Grande, Katy Perry, and Doja Cat gyrating across the tiny screen. A better parent might have snatched the iPad away, but I was overcome with hallucinatory visions of this pop diva...
Oil, Canvas
$3,900
H 30.25 in W 34.5 in D 1.5 in
"Strike" American Scene Social Realism 1930s WPA Modern Industrial Landscape
By Karl Metzler
Located in New York, NY
"Strike" American Scene Social Realism 1930s WPA Modern Industrial Landscape Karl Metzler (1909-1995) "Strike" 26 1/4 x 30 1/4 inches Oil and gesso on masonite, c. 1930 Signed and t...
Masonite, Oil
“The Wizard”
By Nahum Tschacbasov
Located in Southampton, NY
Here for your consideration is a mid century modern oil painting on masonite by the well known Russian/American artist, Nahum Tschacbasov. The painting depicts an old man with a long wispy beard holding a group of birds. Signed lower right and dated 1954. Presently unframed. Condition is very good. Provenance: The estate of the artist Nahum Tschacbasov. Nahum Tschacbasov Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur...
Masonite, Oil
$4,455Sale Price|70% Off
H 33.5 in W 26 in
Orientalist "Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto
Located in SANTA FE, NM
"Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto (Spanish, 1836-1898) Watercolor on paper Signed lower left "MGHispaleto" Original wood frame with gilded stucco 18 3/4 x 12 1/2 (33 1/2 x 26 frame) inches Manuel García Hispaleto, originally Manuel García y Martínez (22 November 1836, Seville -26 December 1898, Madrid) was a Spanish painter known for portraits and costumbrista (genre) scenes. His brother, Rafael García...
Watercolor, Handmade Paper
Red (Floral Still Life)
By Elizabeth Osborne
Located in Wilton Manors, FL
Elizabeth Osborne (American/Philadelphia, b. 1936) "Red." Watercolor on paper. 1991/1992. Signed and dated l.r.. Sight: 9" x 12". Frame: 18 1/4" x 21 1/2". Provenance: Purchased from Jane Haslem Gallery in 1994. From the collection of Nancy Elizabeth Stanley. 1936, born Philadelphia, Pennsylvania 1959, BFA, University of Pennsylvania, Philadelphia, Pennsylvania 1954-58, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania SOLO EXHIBITIONS Berry Campbell, New York, Elizabeth Osborne: A Retrospective, 2022. Locks Gallery, Philadelphia, Pennsylvania, Reflections: Painting Memory, 2017. Locks Gallery, Philadelphia, Pennsylvania, Watercolors: Five Decades, 2017. The Delaware Art Museum, Wilmington, Delaware, Elizabeth Osborne: The 1960s, 2016. Luther W. Brady Art Gallery, George Washington University, Washington, D.C., Color Bloc: Paintings by Elizabeth Osborne, 2015. The James A. Michener Art Museum, Doylestown, Pennsylvania, Veils of Color: Juxtapositions and Recent Work by Elizabeth Osborne, 2015. (Traveled to The Lancaster Museum of Art, Lancaster, Pennsylvania, 2016.) Locks Gallery, Philadelphia, Pennsylvania, Luminous Gestures: New Works by Elizabeth Osborne, 2013. Locks Gallery, Philadelphia, Pennsylvania, Elizabeth Osborne: Watercolors, 2011. Locks Gallery, Philadelphia, Pennsylvania, New Work, 2011. The Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, Elizabeth Osborne: The Color of Light, 2009. Locks Gallery, Philadelphia, Pennsylvania, Figurative ‘60s, 2007. Locks Gallery, Philadelphia, Pennsylvania, Floating Landscapes: 1971-1979, 2006. J. Cacciola Galleries, New York, Works on Paper, 2006. The Print Center, Philadelphia, Pennsylvania, Recent Prints, 2005. Locks Gallery, Philadelphia, Pennsylvania, 2004. Locks Gallery, Philadelphia, Pennsylvania, Elizabeth Osborne: 30 Years, Works on Paper, 2002. Locks Gallery, Philadelphia, Pennsylvania, Vantage, 2000. Old Main Art Museum, Northern Arizona University, Flagstaff, Arizona, 1998. Locks Gallery, Philadelphia, Pennsylvania, 1997. Locks Gallery, Philadelphia, Pennsylvania, 1994. Jane Haslem Gallery, Washington, D.C., 1994. North Dakota Museum of Art, Grand Forks, North Dakota, 1993-94. Locks Gallery, Philadelphia, Pennsylvania, 1992. Arronson Gallery, The University of Arts, Philadelphia, Pennsylvania, Watercolors, 1991. University of the Arts, Philadelphia, Pennsylvania, 1990. Marian Locks Gallery, Philadelphia, Pennsylvania, 1988. Fischbach Gallery, New York, 1988. Fischbach Gallery, New York, 1984. Fischbach Gallery, New York, 1982. Fischbach Gallery, New York, 1980. Marian Locks Gallery, Philadelphia, Pennsylvania, 1978. Marian Locks Gallery, Philadelphia, Pennsylvania, 1976. Gimpel & Weitzenhoffer, Ltd., New York, 1977. Gimpel & Weitzenhoffer, Ltd., New York, 1974. Marian Locks Gallery, Philadelphia, Pennsylvania, Landscapes, 1972. Makler Gallery, Philadelphia, Pennsylvania, 1970. American Consulate, Sao Paulo, Brazil, 1969. Peale Galleries, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1967. Perakis Gallery, Philadelphia, Pennsylvania, 1967. Perakis Gallery, Philadelphia, Pennsylvania, 1963. GROUP EXHIBITIONS Avery Galleries, Bryn Mawr, Pennsylvania, The Women of the Pennsylvania Academy of the Fine Arts: Past to Present, 2024. Berry Campbell, New York, Perseverance, 2024. Locks Gallery, Philadelphia, Pennsylvania, From Dusk Till Dawn, 2015. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, “Something Clicked in Philly”: David Lynch and His Contemporaries, 2014. Locks Gallery, Philadelphia, Pennsylvania, It’s Not the Numbers, 2014. Locks Gallery, Philadelphia, Pennsylvania, Works on Paper, 2013. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, The Female Gaze: Women Artists Making Their World, 2013. Philip and Muriel Berman Museum of Art, Ursinus College, Collegeville, Pennsylvania, Four Visions/Four Painters: Murray Dessner...
Watercolor, Rag Paper
$15,500
H 16 in W 20 in
Clementine Hunter Saturday Night Original Oil on Canvas Board Signed 1983
By Clementine Hunter
Located in Minneapolis, MN
Artist: Clementine Hunter Title: Saturday Night Medium: Original Oil Painting on Canvas Board Size: 16" x 20" Year: 1983 Inscription: Signed 'CH' on front lower right Verso: Inscribe...
Oil, Board
$2,000
H 27.56 in W 19.69 in D 1.19 in
Georgian Contemporary Art by Gia Khutsishvili - From Rome's History
Located in Paris, IDF
Oil on cardboard Gia Khutsishvili was born in Tbilisi, Georgia, on July 18, 1966, into a family of artists. He graduated from the Tbilisi State Academy of Fine Arts in 1989. Since 1...
Oil, Cardboard
$2,600
H 33.47 in W 19.69 in D 1.19 in
Georgian Contemporary Art by Gia Khutsishvili - Ancestor
Located in Paris, IDF
Oil on cardboard Gia Khutsishvili was born in Tbilisi, Georgia, on July 18, 1966, into a family of artists. He graduated from the Tbilisi State Academy of Fine Arts in 1989. Since 1...
Oil, Cardboard
“Suddenly he was the lover she’d sent away so long ago.”
By Tom Lovell
Located in Fort Washington, PA
Magazine story illustration for “Wherever You Walk” by Mary Thayer Muller for Cosmopolitan, published February 1956, page 26. The romantic story is introduced by the magazine as fol...
Paint
Up the Staircase
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed and Dated Lower Left Dimensions: Sight Size 30.50" x 34.75," Framed 36.00" x 39.50"
Canvas, Oil
Man and Woman Kissing in Swamp
By Tom Lovell
Located in Fort Washington, PA
Medium: Unknown Signature: Unsigned Contact for exact dimensions.
Paint
The Mutiny
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Board Signature: Signed lower Left
Oil, Board
Artist Muse
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed Lower Right
Canvas, Oil
Gondola In Venice, 1947
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Masonite Signature: Signed Upper Left Original Use: Interior Illustration for The American Magazine Excellent Condition This luminous, expressive oil on masonite wa...
Masonite, Oil
Balloonists Struggle to Escape a Doomed Gondola
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Board Signature: Signed Lower Left Provenance: Commissioned by the National Geographic Society. Exhibitions: Stockbridge, Massachusetts, The Norman Rockwell Museum,...
Oil, Board
"You're Not to Tell Anyone"
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Canvas Dimensions: 32.00" x 35.00" Signature: Signed Lower Right Story illustration for “Mrs. Parkington” by Louis Bromfield for Cosmopolitan, published November 1942, pages 56 and 57. The full caption reads: “‘And you’re not to tell anyone where you’re going or that you’re going away together,’ Mrs. Parkington said as she told Janie and Ned her plan.” A Native American finding a Raggedy Ann doll...
Canvas, Oil
Saturday Evening Post Story Illustration
By Tom Lovell
Located in Fort Washington, PA
Date: 1942 Medium: Oil on Canvas Dimensions: 36.00" x 26.00" Signature: Signed Lower Left Story illustration for Saturday Evening Post magazine, 1942, page 47. A Native American finding a Raggedy Ann doll...
Canvas, Oil