Serge Fontinsky Drawings and Watercolor Paintings

Rosanna Gaddoni 'Within' 66 x 48 cm Charcoal and graphite on Rives Arches Paper 175 gm2 crème white Framed the size is 80 x 60 cm ( Frame is included...

Joseph-Marie Vien (1716-1809) ‘Ambassadeur de Siam’ and ‘La Sultana Reine’ Both titled lower centre, the drawing of the ambassador inscribed with colours intended for the prints, e...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Untitled (Study for The Aerialists) Graphite on paper, 1932 Signed lower right in pencil: "John Steuart Curry" Dated: 1932 in pencil Exhibited: Schroeder Romero & Shredder, NYC (label), Master Drawings, Oct. 13, 2011-Nov. 12, 2011 (see photo of label) Arkansas Arts Center (label), 44th Collector Show & Sale, Nov. 30-December 30, 2012, Offered at $22,000. (see photo of label) This drawing is closely related to a painting by Curry entitled The Aerialists, 1932, once in the Erskine Collection, Cedar Rapids, Iowa. It is part of a group of preliminary drawings and three finished paintings executed by Curry around 1932 which were based on The Flying Cadonas. The painting The Flying Cadonas is an icon of American art purchased by the Whitney Museum of Art and now on permanent exhibition. There are other know studies for these works, nos. 199 through 222 and in John Steuart Curry: Rural America, page 32 (Mongerson Wunderlich, Chicago, 1990. Provenance: Mrs. Kathleen Curry (artist’s widow), included in the estate schedule of works Treadway Toomey Auction, Oak Park, Illinois, 2009 Don Joint, New York An important American Regionalist drawing. Like Grant Wood and Thomas Hart Benton, John Steuart Curry was a major American scene painter of the 1930s. His subjects were taken from American history and his most famous mural, The Tragic Prelude...

This piece is a quintessential late watercolor and pencil drawing by Botero, made the year before his death. Two reclining nudes rendered in his signature inflated volumes, with a li...

Jean Auguste Dominique INGRES (Montauban 1780 – 1867 Paris) Apelles holding his palette and brushes Stumped pencil and white heightening on light brown laid paper, laid down on thin card 11 3/4 x 7 1/8 in 30 x 18 cm Signed lower left: “à Mr Visconti / Ingres” This drawing relates to Ingres’s painting The Apotheosis of Homer, completed in 1827 for the decoration of the Musée Charles X in the Louvre (Paintings Department, inv. 5417)—a composition which the artist later revisited in a drawing he worked on for over twenty years (the number of assembled historical figures nearly doubled in the meantime, increasing from forty-two to eighty-two), and which he only completed in 1865: Homer Deified (Louvre Museum, Department of Drawings, inv. RF 5273). It specifically depicts the figure of Apelles, placed on the left in both works, holding Raphael’s hand and presenting the epic Greek poet with a palette and brushes. In the Louvre painting...

This original mid-century French drawing depicts a solitary female figure rendered with remarkable economy and spontaneity. Seen in profile and enveloped in a long, flowing garment, ...

Artist Unknown "Tie and Glasses" c. 1940s Charcoal and pencil on paper 13.5"x17" site 19"x23" rustic wood frame Unsigned

Blanche Grambs, whose career started with the WPA, was an extremely skilled draftsperson. Her birds are masterful. Although we use the word 'pencil' fo...

A Handsome 1940s Portrait of a Seated Man by Chicago Modern Artist, Harold Haydon (Am. 1909-1994). A wonderfully executed line drawing dating from 1946 with great character; looks ...

In the 1950s and 60s Grambs worked on many commissions. This drawing was probably for a magazine, perhaps House and Garden or House Beautiful. It is signed and dated in pencil on the...

Listing includes framing with UV plexi, free shipping and a 14 day return policy. Ed Templeton Untitled (Sunset Tower Hotel), 2019 Image size: 11 ...

In the 1950s and 60s Grambs worked on many commissions. This ink drawing with a lobster, crab, and a shrimp, was probably for a cookbook; the sheet is cut in a free-form, modernist...

Love hurts. A young, attractive woman is captured in a moment of peak drama. She is leaning on her bed in her room, crying, her face grim with despair. A tear drop is seen below he...

Circle of Charles Angrand (1854-1926) The Loving Couple Pencil and stump on paper, 30 x 22 cm Dated "10.4.19" lower left. Trace of a dedication Otherwise unsigned. Provenance: Pr...