Michael Ochs Portrait Photography

Frida in front of the Unfinished Unity Panel by Lucienne Bloch is a black a white portrait of Mexican painter Frida Kahlo, posing in front of Diego Rivera's half painted mural. Ima...

"Marilyn Monroe, 1962" Photography 16 x 24 in Edition 57/75 by Lawrence Schiller Silver Gelatin print Edition 57/75 Signed and numbered by the artist Printed later On Wednesday, May 23, 1962, Marilyn Monroe stepped onto the set of Something’s Got to Give to film what would become one of the most iconic and talked-about moments of her career: the now-legendary nude swimming pool scene. This extraordinary day—captured in a series of rare photographs by renowned photographer Lawrence Schiller—has since become a cornerstone of Hollywood history. Key moments that make this session truly historic: A Bold Cinematic First: Monroe spent nearly four hours in the pool on the 20th Century Fox lot, filming a sequence in which her character, Ellen Arden, appears to swim nude...

Richard Lebowitz, b. 1937, American, (RISD Faculty 1964-1995, Photography; Professor Emeritus) Tom Young, b. 1951, American, (RISD MFA 1977, Photography) TIT...

A Scene of the Film Au revoir les Enfants is a vintage black and white photograph realized in the 1987. Good conditions.

John Albok Untitled (Barefoot Woman on Bench with Cat), 1938 Vintage gelatin silver print, 9 1/2 x 7 1/2 in. Signed and dated in ink on mount margin by John Albok Born in Munkacs, H...

Signed, titled, and dated in pencil on mount margin. Vintage gelatin silver print Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921 find...

No Edition Signed in black ink on print margin by Jesse Alexander Paper size: 11 x 14 in. Image size: 8 3/5 x 12 1/2 in. Gelatin silver print Jesse Alexander was considered one of t...

A Scene of the Film Au revoir les Enfants is a vintage black and white photograph realized in the 1987. Good conditions.

A Scene of the Film Au revoir les Enfants is a vintage black and white photograph realized in the 1987. Good conditions.

Signed, titled, and dated in pencil on print verso.

Signed, titled and dated.

Signed, titled, and dated in pencil on print verso.

This black-and-white photo captures jazz legend Louis Armstrong playing his trumpet during a performance in Berlin in 1965. Armstrong, with intense focus, holds the trumpet close to his lips, his cheeks slightly puffed as he blows into the instrument. The lighting creates a dramatic effect, highlighting the shine of the trumpet and his facial expression, which conveys his passion and dedication to the music. Dressed in formal attire, Armstrong stands in the spotlight, embodying his iconic status as one of jazz music's greatest figures. The background is blurred, keeping the focus on Armstrong and his trumpet. The print is new, Highest Quality on Hahnemühle FineArt Baryta. More sizes up to 150x150 cm available on request. About Tassilo Leher: Born in the dark years of World War II, Tassilo Leher became an icon of photographic art in divided Germany. As the son of war correspondent Karl Leher, whose lens captured moments of contemporary history, he was born in 1940 in the heart of Berlin. He shared not only the studio in the picturesque Prenzlauer Berg with his father, but also the mysterious world of the darkroom. While Karl Leher, an early riser, made use of the morning hours, Tassilo found his creative flow only by midday, often working late into the night. His camera knew no bounds: from the dazzling stars of East German show business like Phudys, Karat, Hildegard Kneef, Manfred Krug, Bubi Scholz, to international greats such as Dean Reed, Karel Gott, Jiri Korn, and Costa Cordalis – all found themselves in front of his lens. The Friedrichstadt-Palast and numerous film sets became his stages, where he played with light and shadow to perfectly frame famous...

This striking black-and-white photograph captures jazz legend Louis Armstrong during a candid moment at a press event in 1965. Armstrong is seen seated at a table, a cigarette delicately held between his fingers, as he gazes thoughtfully off to the side. His signature bow tie and formal attire reflect his polished style, while the slight smile on his lips hints at his charismatic personality. The image is framed by soft-focus floral arrangements in the foreground, which enhance the intimate setting. Microphones surround him, indicating his role as a prominent figure in the music industry. The lighting subtly highlights the contours of his face and the gleam of his watch, emphasizing the depth of character and experience in his expression. This photograph not only embodies Armstrong's iconic status but also captures the essence of his lively spirit and dedication to jazz music. About Tassilo Leher: Born in the dark years of World War II, Tassilo Leher became an icon of photographic art in divided Germany. As the son of war correspondent Karl Leher, whose lens captured moments of contemporary history, he was born in 1940 in the heart of Berlin. He shared not only the studio in the picturesque Prenzlauer Berg with his father, but also the mysterious world of the darkroom. While Karl Leher, an early riser, made use of the morning hours, Tassilo found his creative flow only by midday, often working late into the night. His camera knew no bounds: from the dazzling stars of East German show business like Phudys, Karat, Hildegard Kneef, Manfred Krug, Bubi Scholz, to international greats such as Dean Reed, Karel Gott, Jiri Korn, and Costa Cordalis – all found themselves in front of his lens. The Friedrichstadt-Palast and numerous film sets became his stages, where he played with light and shadow to perfectly frame famous...

This striking black-and-white photograph captures the legendary jazz singer Ella Fitzgerald during a live performance in East Germany (DDR) in 1967. The image showcases Fitzgerald's radiant smile, reflecting her infectious enthusiasm for music. She is elegantly dressed in a stylish black outfit, adorned with a delicate brooch on her shoulder, embodying her timeless fashion sense. The microphone stands close to her, emphasizing her connection to the audience as she sings with heartfelt emotion. The soft lighting highlights her expressive features and voluminous hairstyle, creating a beautiful contrast against the dark background. This photograph not only celebrates Fitzgerald's remarkable talent but also encapsulates the vibrant spirit of jazz music during her era, making it a captivating piece for any art lover or music enthusiast. Known for his exuberant and engaging performances, Bécaud, often referred to as "Monsieur 100.000 Volts" due to his electrifying stage persona, was immensely popular in the 1960s, and this concert in East Berlin would have been a rare cultural exchange during the Cold War era. His concerts were often marked by his powerful voice and the high emotional intensity of his performances, which captivated audiences across the world. The print is new, Highest Quality on Hahnemühle FineArt Baryta. More sizes up to 150x150 cm available on request. About Tassilo Leher: Born in the dark years of World War II, Tassilo Leher became an icon of photographic art in divided Germany. As the son of war correspondent Karl Leher, whose lens captured moments of contemporary history, he was born in 1940 in the heart of Berlin. He shared not only the studio in the picturesque Prenzlauer Berg with his father, but also the mysterious world of the darkroom. While Karl Leher, an early riser, made use of the morning hours, Tassilo found his creative flow only by midday, often working late into the night. His camera knew no bounds: from the dazzling stars of East German show business like Phudys, Karat, Hildegard Kneef, Manfred Krug, Bubi Scholz, to international greats such as Dean Reed, Karel Gott, Jiri Korn, and Costa Cordalis – all found themselves in front of his lens. The Friedrichstadt-Palast and numerous film sets became his stages, where he played with light and shadow to perfectly frame famous...