David Walker Paintings

Judd Mercer (American, b. 1982) "Red Sentinel," 2019 Gouache on Strathmore 400 mixed media paper mounted to Aquabord 5 x 7 in (12.7 x 17.78 cm) Location: Boulder, Colorado Framed. A...

A vibrant and yet romantic sailing scene which was a favorite series by Della-Volpe. His compelling colorist approach has made his works desirable as he was one of the few artists post-war to be representative in style like Milton Avery and Wolf Kahn. Head to Sea has the hallmark intense and lovely coloration for which Della-Volpe is known. He came out of Abstract Expressionism in the New York school but then pivoted, like Milton Avery to representational, colorist work. The frame is a silvered gold leaf float frame of quality and has a rubbed, antiqued surface...

William C. Grauer’s oil painting, Amish Series: Husbandry, is a vivid example of mid century Cleveland School modernism. It merges regional subject matter with a sophisticated, Cubis...

Katherine Bello Flower Arranging Oil on Canvas 2023 Size: 20 x 20 x 1.5 inches (50.80 x 50.80 x 3.81 cm) Signed lower right on the front Signed, titled and dated verso COA provided ...

Emile Albert Gruppe (1896-1978) Fall landscape Oil on canvas laid to canvas Signed lower right: Emile A. Gruppe Canvas: 40" H x 30" W Inches Framed: 48.25 x 38.25 Inches Very large ...

Mediterranean Catalan Village and River Landscape Oil Painting Artist: Francesc / Francisco Galofré Surís Title: Catalan Village and Ri...

An exceptional, large, early work by American artist Dorothy Eisner (1906-1984). This painting was recently exhibited at Gracie Mansion in 2019 as part of “She Persists” - a show de...

Albert Heckman Cubist Landscape Signed lower right Oil on canvas 21 3/4 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to tr...

Up for sale is a wonderful Jean Marzelle (1916-2005) French Post Impressionist harbor scene with boats, wonderful Cubist look with Fauvist sky Marzelle is an important French artis...

Mario Larrinaga was born in Baja California in 1895 and moved with his brother to Los Angeles in 1909. He had no formal training in art, but had natural talent that was noticed by local movie studios. He was hired by Universal Studios as a designer, art director and creator of background scenes. He produced some of the background effects for King Kong in 1933. After a career in set design and illustration he focused on painting for pleasure in California, Mexico and Hawaii. He belonged to local art clubs and exhibited his works often. This stylized modernist work was likely created around 1960. It is oil on wood panel and of a horizontal format, 18” x 36”. It portrays a procession of seemingly Hawaiian natives...

Katherine Bello Risky Business Mixed Media on Canvas 2021 Size: 40 x 30 x 1.5 inches (101.6 x 76.2 x 3.8 cm) Initialed lower right Signed, titled and dated verso COA provided *On St...

Akira Kito, Japanese, 1925-1994 Diable et Roge Oil on Canvas Titled, signed, and dated 1963 verso Hand signed lower center Dimensions: 32 x 12 3/4 in. (81.3 x 32.4 cm.), Frame: 33 1...

Expressive portrait, a caricature of a man with bowtie by Michael Pauker (American, b. 1957). Unsigned, but was acquired with a collection of the artist's work. Another version of th...

An important Irish Modernist oil on canvas painting by Henry Robertson Craig (1816-1984), titled "Young Bathers", circa 1960. This very beautiful painting of children seated on the...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...