Bruce Porter Art

Barrett, Thomas. INTERFACE. Screenprint in colors, not dated. Edition of 100. Numbered 48/100, titled and signed and dated in pencil. 22 1/2 x 28 1/2 inches. In excellent condition.

Abstract composition is a screen print realized by Carlo Lorenzetti in 1969. Editor Segnapassi Pesaro. Hand-signed. Numbered, Edition, 45/60. Very...

This artwork titled "Spring 69" 1969 is an original color lithograph by American artist Nancy Genn, b. 1929. It is hand signed, titled and inscribed Artist Proof in pencil by the artist. The size is 23.75 x 34.65 inches. It is in excellent condition, it has very small marks in the back due to tape removal from previous framing, not visible from the front. About the artist: Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. Her abstract expressionist paintings of this period, continuing through the mid-1970s, featured all-over compositions of colorful layers of gestural brushwork and calligraphic mark making resembling asemic writing. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture,[5] and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

Medium: Silkscreen on extra-thick Somerset paper Poster Size: 45 in. High x 30 in. Wide (114.3 cm x 76.2 cm) Framed Size: 52.5"H x 37.5" W Signed: Facsimile Signature Framing Options...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. Signed o the plate on the lower. The print suite was realized in a...

Untitled is an original artwork realized by Sam Francis in 1992. Mixed colored lithograph on velin paper. Hand signed and numbered oon the lower margin. Edition of 12/50 The Litho...

This artwork titled "Marbre" c.1980 is an original lithograph on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It i...

Title: Mecklenburg Autumn Medium: Lithograph in colors Year: 1979 Edition: AP (artist's proof, aside from the edition of 175) Signature: Stamped signature Image Size: 22 1/4" x 17 1/...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and ...

Peterdi, Gabor (American, born Hungary, 19150-2001) . BLOOMING ICE. Combined technique (intaglio and screenprint) in six colors, 1965. P.228. Edition of 25. 20 x 32 inches, 504 x 813...

Medium: Serigraph Poster Size: 34 3/4 in × 39 1/2 in Framed Size: 36 3/4 in x 41 1/2 in Signed: No Framing Options: Available in Black, White, & Natural Frames *posters framed to the edge of paper Large colorful abstract screenprint by African-American color field painter and lyrical abstractionist artist Sam Gilliam from a deluxe, limited edition of 108. Signed by Gilliam and numbered in pencil. Published by Lincoln Center List Poster and Print Program, New York. This poster was a part of those produced in partnership with Lincoln Center & Vera List Art...

Mystery of Womanhood is an original 1947 pencil signed limited edition ( 31 / 100 ) lithograph by Emilio Pucci. It is from a set of six lithographs...