Bevan Ramsay is a Canadian contemporary artist and sculptor, born in 1977. He completed his first post-graduate degree in Fine Arts, in 1994 and trained as a cabinet-maker and completed an apprenticeship in antique restoration. His artistic practice focuses on the dialogue between expectation and frustration, in which there can be no clear resolution. By exploring contradictory perspectives of a subject, his sculptures and installations do not seek unity, but rather admit paradox as a basic feature of human experience. He is a native of Montréal and is currently based in Norfolk, Connecticut.
Meat #4 Contemporary Oil Painting on Canvas, 48x48 Inches, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Meat #2 Contemporary Oil Painting on Canvas, 48x48 Inches, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
My Father Came Over From England Sculpture, Contemporary, 21st Century
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster, Wood
Contemporary Diptych Sculpture: Glass, Porcelain, and Wood Elements
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Porcelain, Glass, Wood
Trinity Contemporary Figurative Photography on Paper, 2010-
By Bevan Ramsay
Located in Montreal, Quebec
Following his first post-secondary degree in Fine Arts in 1994, he trained as a cabinet-maker and completed an apprenticeship in antique restoration. He was co-founder of a successfu...
Photographic Paper
Talk to Me Contemporary Sculpture, Mixed Media, 2010+, Unframed
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Stone, Metal
The Dance Mixed Media Sculpture, Contemporary, Unframed, 41x16 in
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Mixed Media
Meat #3 Contemporary Oil Painting on Canvas, Circa 2010, Unframed
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Meat #1: Contemporary Still-Life Oil Painting, Unframed, 2010
By Bevan Ramsay
Located in Montreal, Quebec
Meat is not what it used to be. Both chemically (through the over-abundant use of hormones and antibiotics in the raising of livestock,) and conceptually, it has morphed under the ba...
Canvas, Oil
Bone China 8 Contemporary Sculpture, Mixed Media, Unframed, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Bone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...
Foam, PVC, Lacquer, Paper, Mixed Media
Bone China 4 Contemporary Sculpture, Mixed Media, Unframed, 2010+
By Bevan Ramsay
Located in Montreal, Quebec
Bone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...
Foam, PVC, Lacquer, Paper, Mixed Media
Contemporary Plaster Bust of Barack Obama and Bill Cosby, 21st Century
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster
$200
H 10 in W 8 in D 5 in
Contemporary Sculpture Hybrid Animal Bright Blue Orange Plaster Acrylic
By Polly Little
Located in Buffalo, NY
Hybrid II by Polly Little (2022). Plaster and acrylic paint.
Plaster, Acrylic
$700
H 10 in W 10 in
Contemporary Sculpture Wall Installation Red White Snake Animal Porcelain
By Bethany Krull
Located in Buffalo, NY
Duo (2022) by Bethany Krull. Porcelain, glaze, aluminum.
Metal
$1,100
H 18 in W 18 in D 5 in
Contemporary Sculpture Installation Still Life Flora Light Botanical Porcelain
By Colleen Toledano
Located in Buffalo, NY
Botanical brambles emerge in ascension from a rectangular vessel and its atmospheric purple light. “Looking Between" (Blue) (2022) by Colleen Toledano. Porcelain, flocking, light, re...
Porcelain, Resin, Lights
$6,500
H 22 in W 8 in D 5 in
Female Torso in Bronze Finish - Contemporary Figurative Sculpture by Zura
By Zura
Located in Brooklyn, NY
This work encapsulates Zura's deep exploration of the human form, rendered with raw immediacy and emotional resonance. The sculpture’s sensuous curves and rough, tactile surface invi...
Bronze
$3,450
H 48 in W 24 in
"Summer Sunrise" - Contemporary Acrylic Barn Painting on Canvas
By Justin Wheatley
Located in Denver, CO
Justin Wheatley was born and raised in Clinton, Utah. He holds a Bachelor of Fine Arts from Utah State University with an emphasis in drawing and painting, and a Masters of Arts fro...
Canvas, Oil
$2,250
H 20 in W 24.25 in D 2.75 in
"Silicon Valley", Reinforced Plaster Sculpture, Altered Human Figure, Portrait
By Jedediah Morfit
Located in Philadelphia, PA
"Silicon Valley" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 20"h x 24.25"w x 2.75"d framed, and is shipped...
Fiberglass, Plaster, Wood, Paint
$125
H 14 in W 11 in D 1 in
"Raining Cats and Dogs" - Contemporary Mixed-Media Collage on Wood
By Zoa Ace
Located in Denver, CO
Born in Rockford, Illinois, 1951 Zoa Ace creates figurative oil paintings that explore human relationships through theatrical narratives infused with symbolic animals and whimsical...
Canvas, Oil
$2,250
H 29.5 in W 14.75 in D 2.5 in
"One Footed Trauma Vessel" Human Figure with Vulture Wall-Hanging Sculpture
By Jedediah Morfit
Located in Philadelphia, PA
"One Footed Trauma Vessel" is an original piece by Jedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 29.5"h x 14.75"w x 2.5"d and comes with a gall...
Fiberglass, Plaster, Paint
$625
H 11 in W 14 in
"Fair Maiden" - Contemporary Floral Still Life Oil and Charcoal Painting, 2026
By Leigh Ann Van Fossan
Located in Denver, CO
Leigh Ann Van Fossan (American, b. 1984) "Fair Maiden," 2026 Oil and charcoal on canvas 11 x 14 in (27.94 x 35.56 cm) Unframed, but ready to hang. A loose bunch of flowers spreads a...
Canvas, Charcoal, Oil
$1,100
H 11 in W 15 in D 11 in
Contemporary Sculpture Installation Still Life Flora Light Botanical Porcelain
By Colleen Toledano
Located in Buffalo, NY
Delicate green and pink flora emerge from a pool of milky white light. “Looking Between I” (2022) by Colleen Toledano. Porcelain, flocking, light, resin.
Porcelain, Resin, Lights
$24,500
H 51 in W 12 in D 13 in
One Way Ticket Please (blue balloons) - figurative, steel sculpture
By Derya Ozparlak
Located in Bloomfield, ON
This figurative steel indoor sculpture is made by Derya Ozparlak. Derya Ozparlak has been a full-time artist since 2006 and continues to create distinctively unique sculptures. Her ...
Steel
$2,000
H 29.5 in W 16.5 in D 2.5 in
"The Artist Is Present" Pink Wall-Hanging Plaster Sculpture with 'BEHOLD' text
By Jedediah Morfit
Located in Philadelphia, PA
"The Artist Is Present" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 29.5"h x 16.5"w x 2.5"d and comes with a gallery-is...
Fiberglass, Plaster, Paint
You could tell he had the red spirit in him
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster
I like knowing that change is possible
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Plaster