Antonio Seguí Art

Garhytteån [2022] limited_edition and hand signed by the artist screenprint Edition number 30 Image size: H:38 cm x W:50 cm Complete Size of Unframed Work: H:38 cm x W:50 cm x D...

11 layer-screen print on archival 100% cotton rag paper. Measures 15x22 inches. Based on original linocut from the Al Norte y P’atras/North and Back series. Depicts farm workers in my hometown of Salinas, California. Álvaro D. Márquez is a visual artist and part-time professor of Chicana/o and Latina/o Studies at Cal State LA. Much of Marquez's work explores art as social inquiry, looking at the history of displacement in the Americas, starting with Indigenous dispossession after European conquest, following through to current issues around gentrification and homelessness. Marquez was born into the working-class migrant community of East Salinas, in California’s Central...

A city with a millon eggs, by Pedro Friedeberg - Digital Print - 74 x 74 cm - Mexican Surrealism, c. 2019 The repetition of patterns and rhythm is present in almost every piece of...

I KNOW NOT, I KNOW Date of creation: 2010 Medium: Offset lithograph with silver and UV varnish on paper Edition: 300 Size: 68.9 × 53 cm Condition: In mint conditions and not framed O...

Original The Rocky Horror Picture Show vintage movie poster, professionally linen backed with original fold marks restored, The Rocky Horror Picture Show. A different set of jaws. ...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

This print depicts the tangle of barbed wire encircling curling and twisting neon, with lengths of wood at the center. The dark paper sets off the electric blue, and captures the ori...

Original Sabena trave to Brussels; Gateway to continental Europe -- where business and pleasure begin. Sabena Belgian World Airlines. Europe...

Two panels stage a private argument between figuration and abstraction in Tel Aviv Museum Print. The left is built from Lichtenstein's own late 1980s vocabulary of self quotation, a ...

Portrait of Gene Autry, by Frank Romero This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Crying Girl was made in 1963, in the months following Lichtenstein's first exhibition with Leo Castelli and at the very moment Pop Art coalesced as a movement. The image is adapted f...

Original 1973 Vail Village, Colorado vintage travel and skiing poster. Preservation linen-mounted in A- condition, ready to frame. Discover Vintage Vail Magic! Take a trip back i...