Expressionist Art

This artwork, titled "Clown sur Fond Bleu" from the suite "Clowns" 1985, is an original color lithograph on Arches watermarked paper by renown French artist Bernard Buffet, 1928-1999...

Eduardo Chillida (Spain, 1924-2002) '5 Livres Gravés', 1974 Original poster from show lithograph on paper 25.2 x 17 in. (64 x 43 cm.) Unframed Ref: CHI100-202 Eduardo Chillida He be...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bey...

Bit of a mystery oil on masonite. Painting is marked "Germany" on reverse stretcher. It is a powerful expressionistic landscape scene. It measures 7 inches high by 7 wide. The frame ...

A superb large early 20th century French expressionist oil on canvas depicting a seated man. Very similar to the work of Chaïm Soutine (1893-1943). Excellent quality depiction of th...

MAX BECKMANN (1884 – 1950) THE BEGGARS (DIE BETTLER, 1922) (Glaser 195; Hofmaier 219B) Lithograph, Plate 7 from 11-part print portfolio "Berliner Reise" (Trip to Berlin) Edition ...

This artwork titled "Laquais" from the suite "Les Fleurs du Mal" created in 1937, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958. I...

Raquel Forner (1902-1988) Argentine woman painter and printmaker born in Buenos Aires in 1902 and died in the same city in 1988, regarded as one of the best Argentine female painters...

Medium: original lithograph. Printed in 1938 and published in Paris by Teriade for the art revue Verve (volume 1, number 2). Kandinsky was invited to contribute an original compositi...

Artist Comments
A bowl of apples rests on a table draped with a white tablecloth. A building with a blue roof comes into view from the window. Bold blocks of color give the sti...

L’étoile, from the series Fantômes, 2025. © Diana Markosian / Aperture Framed and Signed Magnum/Aperture square print sale Diana Markosian takes an intimate approach to her photogr...

A wonderful 1950's French expressionist oil on canvas depicting figures at a busy funfair, by Parisian artist André Beaucé. Excellent quality work painted with thick impasto brush work. Signed lower centre. Artist: André Beaucé (French, 1911-1974) Title: Funfair Medium: Oil on canvas Size: 25.5 x 21 inches (65 x 54 cm) André Beaucé was a French painter born on May 23, 1911 in Rennes and died on January 2, 1974 in Paris . A pupil of the School of Fine Arts in Rennes, a graduate of the National School of Decorative Arts where he was admitted in 1932, André Beaucé was a pupil in the workshops of André Lhote and Simon, with Yves Brayer . He won the Abd-el-Tif prize in 1946 and was a regular at the Salon d'Automne. After having lived for several years in Algeria, and in particular at Villa Abd El Tif where he was a scholarship holder from 1946 to 1948, André Beaucé returned to France in 1949 and resumed his teaching at the Schools of Paris. His painting is then powerfully expressionist, free from any system. In the 1950s, we notice vigorous, uncompromising, intense portraits, captured in an almost caricatural way. The tones, always very mounted, are opposed with force in a composition cut with vigor. After the dark years of the war, Beaucé’s art reflects a violent vision of a certain reality that is always brutal and yet magnificent. Exhibitions Paris, 1936 to 1945, Salon of the National Society of Fine Arts . Tunis, 1946, Exhibition of French Africa. Algiers, 1947, Abd-el-Tif. Paris, 1948, Letourneur gallery. Paris, from 1950 to 1960, Salon d'Automne and Salon Comparaisons . Paris, 1962, Roy's gallery. Paris, May 1963, Exhibition organized on the occasion of the Estates General on Disarmament , Cercle Volney. First Salon Biarritz - San Sebastian: School of Paris - Painting, sculpture: André Beauce, Georges-André Klein , Adrienne Jouclard , Jean Joyet , Robert Lotiron , Roland Bierge , Andrée Bordeaux-Le Pecq , Henri Hayden , Franck Innocent , Germaine Lacaze...

Green Landscape French artist, indistinctly signed, dated verso 1985 oil painting on canvas, in wooden frame canvas: 10 x 17 inches wooden frame: 9.5 x 16 inches provenance: private ...

Artist: Marc Chagall (1887–1985) (after) Title: Sisyphus (Sisyphos) Year: 1989 Medium: Lithograph on 250 g/m² Butten Papierwerke Miliani AG, Fabriano paper Paper Size: 14.88 x 11.69 ...

Artist: Marc Chagall (1887–1985) Title: The Candelabrum (Le Chandelier) Year: June 7, 1962 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: W...

Unknown Artist, Possibly Arbit Blatas - Standing Nude Man, Medium: Bronze Sculpture, Size: 14.25 x 3.5 x 3.5 in. (36.2 x 8.89 x 8.89 cm)

In this oil painting, I embraced the raw vitality of expressionism to capture the essence of renewal. The figurative approach intertwines with the soft vintage touch, conveying a fin...

Chair Duet by Hunt Slonem, 1951 - Date: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 175, AP 30 Image Size: 22 x 25 inches Size: 26 in. x 28 in. (66.04 cm x 71.12...

Elegant Female Portrait with Red Ceramic Jar and Blue Mediterranean Shawl Artist: Federico Molina Albero Title: Female Portrait with Red Ceramic Jar Technique: Oil on canvas Support...

Janis Rikmanis (1901.5.IV – 1968.25.III) graduated Figurative painting studio of Latvia Art academy (1931). He took part in exhibitions since 1929. Self-exhibitions were made in Riga...

Expressionist stoneware head sculpture featuring kintsugi gold repair, exploring material transformation, individuality and the expressive potential of ceramic form. Testa 6 is a un...

Title: Die Zauberflöte (Mourlot CS. 38), The Metropolitan Opera Year: 1973 Medium: Lithograph on wove paper Size: 39.5 x 25.75 inches Notes: From the opening of Mozart's 'The Magic F...

Jim Jonson, American (1928 - 1999) - Tennis Match, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Size: 28 in. x 21 in. (71.12 cm x 53.34 ...

Artist: Marc Chagall (1887–1985) Title: The Bay of Angels (La Baie des Anges) Year: October 1960 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x 24.45 cm) ...

Artist Comments
Located north of Abiquiu Lake in New Mexico, Cerro Pedernal is a distinctive 9,866-foot mesa known to the Tewa people as Tsip'in, or "obsidian mountain." Arti...

Dora MAAR Floral Pattern Original silver print made from the original 1935 negative Authenticated by the Succession stamp on the reverse (see photo) Limited edition of 5 copies (her...

Original oil painting "Spring Pond" by contemporary artist Elena Lukina, created in 2023 for the "Liquid Reflections: The Floating Garden" series. The vertical composition masterfull...

This painting explores an intimate and imaginative relationship with nature, transforming tropical flora into expressive, living forms. Rather than depicting a specific landscape, th...

Felipe Castañeda Mujer Agachada (Crouching Woman), 1972 Bronze, wood base 12 x 9.5 x 11.5 inches Edition III/VI Most recent owners acquired this limited-edition bronze sculpture fro...

Original Peter Max’s “Midget Dream #1” vintage psychedelic poster. In very fine condition, never displayed, and ready to frame. Grade...

Pocket Bright Red Strawberry [2023] original Oil paint on canvas Image size: H:5 cm x W:5 cm Complete Size of Unframed Work: H:5 cm x W:5 cm x D:2cm Frame Size: H:15 cm x W:15 cm...

Work on canvas with a frame; total size 80x93 cm

Lithographic print titled "September Harvest" after late artist John Potter Wheat. Lithographic is published by New York Graphic Society, 1957. Piece was created in 1957 and measures...

In this oil painting, I've captured a whimsical winter moment filled with joy and serenity. The snowman, graced with a cheerful smile, stands as a symbol of the simple pleasures and ...

'Emile's Tavern', gouache on paper (circa 1930s), by Lucien Génin. A tavern in French is called a 'guinguette'. With the rise in living standards from the 1860s along with the develo...

Artist: Marc Chagall (1887–1985) Title: The Lover's Heaven (Le paradis de l'amoureux) Year: September 1963 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x ...

THE PROJECT: INDEPENDENT PAVILION VENICE 2026 This work is a cornerstone of the "In Minor Keys: The Turquoise Silence" series — a large-scale artistic manifesto created specifically...

'Summer Flowers' by Irma Engel Grabhorn Paris, Salon d'Automne, Post-Impressionist California Artist ---- Signed lower right 'Engel' for Irma Engel Grabhorn (American, 1908-2003) an...

Feathered Curators. Two feathered observers seem frozen amidst thick strokes of color, intently watching the scene around them. A palette knife transforms their silhouettes into a bl...

SALE ONE WEEK ONLY UNTITLED by Fanny Rabel a Mexican artist who was born in Poland in 1922 is a soul wrenching work depicting among other things, the children killed by Nazi bombing in Spain during the Second World War. The lavender and purple surrounding the seated female figure and the kneeling child suggest both grief for the innocents' deaths and the prayers being offered for an end to the carnage. The bright gold and red can be read as either explosions or the hopeful light of redemption after death. Like Picasso's Guernica from 1937, this painting from 1965 can stand as a powerful anti-war statement. Numerous key galleries and museums such as Morton Auctions, Cerro de Mayka have featured Fanny Rabel's work in the past. Her anti-Nazi and anti-Fascism politics resulted in her participation in a mural called Retrato de la Burguesía in 1940 for the Sindicato Mexicano de Electricistas building on Alfonso Caso Street in Mexico City. Rabel met a group of exiled Spaniards in Mexico along with Antonio Pujol, who invited her to take part in a mural project headed by him, David Alfaro Siqueiros, Joseph Renau, Luis Arenal, Antonio Rodríguez Luna and Miguel Prieto. The artist died in 2008. Fanny Rabel born August 27, 1922, in Poland born Fanny Rabinovich, was a Polish-born Mexican artist who is considered to be the first modern female muralist and one of the youngest associated with the Mexican muralism of the early to the mid-20th century. She and her family arrived in Mexico in 1938 from Europe and she studied art at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", where she met and became friends with Frida Kahlo. She became the only female member of “Los Fridos” a group of students under Kahlo’s tutelage. She also worked as an assistant and apprentice to Diego Rivera and David Alfaro Siqueiros, painting several murals of her own during her career. The most significant of these is "Ronda en el tiempo" at the Museo Nacional de Antropología in Mexico City. She also created canvases and other works, with children often featured in her work, and was one of the first of her generation to work with ecological themes in a series of works begun in 1979. She is considered to be the first female muralist in Mexico. She was an assistant to Diego Rivera while he worked on the frescos for the National Palace and an apprentice to David Alfaro Siqueiros. Her most important mural is Ronda en el tiempo located in the Museo Nacional de Antropología, which was created from 1964 to 1965. She also created murals at the Unidad de Lavaderos Público de Tepalcatitlán (1945), Sobrevivencia, Alfabetización in Coyoacán in 1952 Sobrevivencia de un pueblo at the Centro Deportivo Israelita (1957) Hacia la salud for the Hospital Infantil de México (1982), La familia mexicana at the Registro Público de la Propiedad (1984) (which Rabel preferred to title Abolición de la propiedad privada) and at the Imprenta Artgraf. In collaboration with other artists, she participated in the creation of the murals at the La Rosita pulque bar (disappeared) and at the Casa de la Madre Soltera. She entered the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" shortly after it was established in 1942, taking classes with José Chávez Morado, Feliciano Peña and Frida Kahlo, with whom she became close friends. She changed her last name from Rabinovich to Rabel during her career. Rabel married urologist Jaime Woolrich and had two children Abel and Paloma Woolrich, both of whom became actors. The first exhibition of her work was in 1945 with twenty-four oils, thirteen drawings, and eight engravings at the Liga Popular Israelita with Frida Kahlo writing the presentation. In 1955, she had an individual exhibition at the Salón de la Plástica Mexicana. She had a large exhibition at the Museum of the Palacio de Bellas Artes to commemorate a half-century of her work. Her last exhibition was in 2007 at the Universidad Autónoma Metropolitana. Her work can be found in collections in over fifteen countries including those of the New York Public Library, the Library of Congress in Washington, D.C., the Royal Academy of Denmark, the National Library in Paris, the Casa de las Américas in Havana, the Benemérita Universidad Autónoma de Puebla and the Museo de Arte Moderno in Mexico City. A retrospective of her work after her death called Retrospectiva in Memoriam, Fanny Rabel (1922-2008) was held at the Museum of the Universidad Popular Autónoma del Estado de Puebla . She is considered to be the first modern female muralist in Mexico although she also did significant work in painting, engraving, drawing, and ceramic sculpture. Her work has been classified as poetic Surrealism, Neo-expressionism and is also considered part of the Escuela Mexicana de Pintura (the dominant art movement of the early to mid 20th century in Mexico) as one of the youngest muralists to be associated with it along with Arnold Belkin and José Hernández Delga. Rabel was more drawn to depicting mankind’s pain rather than happiness, sharing other Mexican muralists' concerns about social injustice. However, she stated to Leopoldo Méndez that she could not create combative works, with clenched fists and fierce faces, and she wanted to leave the Taller de Gráfica Popular. Méndez convinced her to stay, saying that more tender images are important to political struggle as well. Children with Mexican faces...

Mirando al Cielo 7 is a beautiful 30cm x 30cm Digital Print on 50cm x 50cm Cotton Paper. This is a Limited Edition of 9 + 2 Artist Proofs in this size. In this image by Spanish ph...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

In my paintings, I strive to create an intensity that enables a dialogue between artist and subject. In this way, I create a tangible understanding and embody intangible yet recogniz...

Two early 20th-century Vienna Secessionist, male nude cornice drawings. Graphite on pale blue/grey wove drawing paper, spot glued by the artist to ...

Jordi Sarrà – Pierrot with Hat, 1983 – Oil on Canvas Oil on canvas. Signed and dated 1983 in the lower left. Artwork: 27 × 22 cm (10.6 × 8.7 in.). Framed: 28.5 × 23.5 cm (11.2 × 9.3...

Oil on cardboard with frame. Total size with frame 58x78 cm Signed and dated, illegible signature by the gallery

Cerne Abbas is an Original Oil painting by Eleanor Woolley. Focusing in on the Valley of Cerne Abbas, this painting depicts the sloping hills climbing away from the village towards t...

The Kiss, no. 1 from the fifth installment of Das Werk Gustav Klimts Undoubtedly Klimt’s best known and most reproduced images, this printed version of The Kiss is the only one with which Klimt was directly involved. Unveiled at Vienna’s Kunstschau 1908, and saved for the fifth and final delivery of Das Werk, The Kiss marks a triumph in Klimt’s career and represents a culmination of many themes in his oeuvre up to that point. After all of the controversy surrounding the State’s prior rejection of the University murals commissioned from Klimt, the Ministry of Education reversed their policy toward the artist with a show of wholehearted support by purchasing for the Osterreichische Galerie BelvedereThe Kiss while it still hung in the Kunstschau exhibit. Considered in relation to the eight multicolored collotypes which preceded its print debut in the Das Werk portfolio, The Kiss literally embraces all which came before it. The golden seaweed dangling in tresses from the lovers’ feet harkens back to Water Snakes I and II. The bed of flowers evokes the settings Klimt created in both The Golden Knight and The Sunflower. In fact, this image sprung out of a particularly happy summer spent in the company of Klimt’s lover, Emilie Floge...

This piece begins a new body of work that asks a simple question: What if becoming never required us to leave ourselves behind? For me, growth should never come at the cost of ident...

John McCaw's (US based) "On the Vine" is a beautiful original expressionist mixed media on canvas painting that depicts a ripe pepper plant with flowers in tow. John McCaw (b. 1967...

Woven Identities is a body of work that explores the intersection of indigenous African heritage and modern global culture. In these paintings, I focus on hairstyle, tribal marks, dr...

Artist Comments
A stand of trees rises in the distance, its leaves presenting the colors of autumn. The thin clouds in the sky and wispy grass in the foreground create a sense ...

La obra va firmada por el artista en la parte inferior (carles madirolas) Se presenta enmarcada la obra Medidas obra: 61 cm altura x 46 cm ancho Medidas marco: 83 cm altura x 68 c...

Ramon Dilley — Coastal View of Saint‑Tropez, Oil on Board Painting, 1985 A vibrant and atmospheric oil on board painting by Ramon Dilley (French, 1932–2020), capturing the luminous charm of Saint‑Tropez with the artist's signature blend of color, rhythm, and Mediterranean warmth. The composition unfolds across a hillside of red‑roofed houses descending toward the harbor, where sailboats rest against a backdrop of rolling hills and expressive skies. Dilley's confident brushwork and saturated palette infuse the scene with movement and sunlit vitality. The painting is presented in its original Montparnasse‑style gilded wood frame, richly carved and perfectly suited to the work's spirited Provençal character. The reverse bears the handwritten inscription "St‑Tropez, rue de la Citadelle, 6/1/85", anchoring the piece to a precise moment and place in the artist's career. A compelling addition for collectors of French modern painting and Mediterranean landscapes, this piece offers both decorative appeal and strong provenance. A highly decorative and collectible artwork for interiors seeking French Riviera charm, vintage coastal art...

Ààrò mẹ́ta kò lè da ọbẹ nú In Yoruba, it literally means the tripod or the proverbial three-legged stool. It carries an even deeper meaning in the customs and mysteries of rituals i...

Original Versailles, France vintage lithograph French travel poster. Printed by the French National Railroad, SNCF in the 1938's. Printer: Goossens. A poster fit for a king sin...

"Valley View" (2009) by Jann T. Bass is an original handmade oil painting that depicts a lush green valley with a small lake in the middle. This painting measures 9 x 12 inches and i...

Artist: Marc Chagall (1887–1985) Title: The Lion of Judah and the Tablets of the Law (Le lion de Juda et les Tables de la Loi) Year: June 7, 1962 Medium: Lithograph on velin paper Pa...

Cobalt carbonate-glazed Buño clay head sculpture evokes organic textures and introspective narratives in Aldonza’s “Testas” series. This hand-built ceramic bust (33 × 20 × 25 cm) is ...

André DUNOYER DE SEGONZAC (1884-1974) The Little Road, 1965 Lithograph (Mourlot workshop) Signed in the plate On vellum 50 x 65 cm (c. 19.7 x 25.6 in) Excellent condition