Art by Medium: Marble

Artist: Kuno Vollet Title: Bronze Gingko with 8 leaves sculpture Materials: Cast bronze, white marble base Size: 80 x 10 x 10 cm _________________________________________________...

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...

Kimono, Abstract Acrylic Painting on Linen Canvas, 80 x 100 cm 2024 Kimono assembles flashes of red, burnt orange and sienna, cut like fragments of heavy, torn silk, laid on a base o...

"Gloria" Bronze and Marble sculpture 27" x 11" in by Ibrahim Abd Elmalak Gloria, 2007 Bronze & Marble 68 x 27 cm, Signed & Dated Sculptures that mostly depict his charact...

Childhood Sand Abstract Painting, Acrylic and Marble Powder 2024 A long, panoramic format stretches the canvas like a strip of dune seen very close up. The material, acrylic and marb...

When this beautiful piece was created Berlin had been staging a one man renaissance of the early 20th Century School of Paris. For 8 years in this wing of study he used the shapes of...

Ballerina Rosé - Bronze Sculpture on Tassos-Marble by Aliev This shiny contemporary bronze sculpture of a ballerina blends elegance with a playful, whimsical spirit. Slightly abstra...

"Katherine Bust, Atelier" by Richard MacDonald is a timeless portrait capturing elegance, strength, and introspection. Sculpted with classical grace and modern sensitivity, the figur...

"Zen Pebbles" Abstract Acrylic Collage 80x80cm 2023 With Zen Pebble, Emmanuelle Vroelant builds a space of withdrawal. « It's a dreamlike little Zen garden, where everything is calm...

In this Menorah Chaim Hendin takes a personal approach, and turns it into a more anatomical, almost pelvic, looking piece of artwork. The sculpture is rich in texture and the candle ...

In these testing times it's become easy to turn inwards rather than looking outwards into the world. In a painting that is archetypical of Sax Berlin Angel of Peace is a reflection ...

Contemporary mixed media sculpture titled "Mini-Brut" (in a nod to Brutalism) by Spanish artist Rubén Sánchez in collaboration with Amber Stories. This sculptural work combines black...

Contemporary Ceramic Sculpture, Marble Base, Brass Rod, Mixed Media, Feathers Since graduating from the University of Colorado in 2010, Pichaske has risen to attention in the art wo...

Untitled "Marble Fragment 3" 2019, acrylic, landscape, wall sculpture, clouds, purple, blue

Unique hand-carved sculpture In portoro black marble On a marble base

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...

This amazing sculpture figures a peacock making the wheel. Each feather is made of a slice of transparent agate, soldered with brass to the rest of the wheel. The agate wheel is me...

We are excited to bring this incredible painting to public attention. Berlin is renowned for his use of colour, pigments and texture but this piece is truly exceptional. Sumptuous in...

Very occasionally a painting invites deep study; nothing exists within it without reason, each form has purpose, every shade has nuance, every line has meaning. Berlin has presented...

Bronze of a Nude woman knelling on the pillow. Signed illegibly with initials, posible FL dated '64 edition 1/3. Bronze with dark brown patina on marble base.

CANANA original realistic wood piece unique sculpture Josep Maria Codina Corona (Igualada, 1935 - Barcelona, ​​​​2006) was a Catalan sculptor. He goes to study at the Escola de la L...

Charna Rickey 1923 - 2000 Mexican-American Jewish Woman artist. Signed Bronze House of Books, Architecture Bronze sculpture, signed Charna Rickey and on the front "House of the book." It depicts an open Torah. Original patina. Approx. dimensions: 7 in. H x 9 in. W x 8.5 in. D. Weight: 13.1 lbs. Modernist Judaica Sculpture Born Charna Barsky (Charna Ysabel or Isabel Rickey Barsky) in Chihuahua, Mexico, the future artist lived in Hermosillo and immigrated to Los Angeles when she was 11. She was educated at UCLA and Cal State L.A., she married furniture retailer David Rickey and explored art while raising their three daughters. Moving through phases in terra cotta, bronze, marble and aluminum, she found success later in life. Rickey became one of the original art teachers at Everywoman's Village, a pioneering learning center for women established by three housewives in Van Nuys in 1963. She also taught sculpture at the University of Judaism from 1965 to 1981. As Rickey became more successful, her sculptures were exhibited in such venues as Artspace Gallery in Woodland Hills and the Courtyard of Century Plaza Towers as part of a 1989 Sculpture Walk produced by the Los Angeles Arts Council. Her sculptures have also found their way into the private collections of such celebrities as Sharon Stone. Another of Rickey's international creations originally stood at Santa Monica College. In 1985, her 12-foot-high musical sculpture shaped like the Hebrew letter "shin" was moved to the Rubin Academy of Music and Dance at Hebrew University in Jerusalem. The free standing architectural Judaic aluminum work has strings that vibrate in the wind to produce sounds. Rickey also created art pieces for the city of Brea. They commissioned some amazing art pieces by Laddie John Dill, Walter Dusenbery...

This charming Hunter sculpture brings a touch of humor and storytelling to classic craftsmanship. The scene captures a hunter peering intently through binoculars while holding his ri...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

Phillip King Yellow Disc, 2007 Hand painted steel on a marble base Signed and numbered 21/35 on base. Provenance: Bernard Jacobson Gallery, London Private Collection, UK 5 3/5 × 12 ...

This Bronze portrait by Constantin Antonovici is laid directly into the surface of a cut slab of white marble. Intense and hollow eyes stare out from a smiling visage, creating an un...

Black Globe Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

A bronze sculpture by modernist sculptor Ruth Gutman. Posthumously, the Cooper Union created an art award in her honor, the Ruth Gutman Epstein Memorial Prize for Excellence in Sculp...

Acquired by the gallery directly from the artist Artist Statement “Charlotte is from a series I did, called ‘Blue-Eyed Girls.’ They take their names from heroines of Jane Austen, an...

Graceful and serene, the Diver and Dolphin sculpture captures a poetic underwater encounter between human curiosity and marine life. The composition depicts a diver at the very momen...

Focused, calm, and precise, the Billiard Player sculpture captures the quiet tension that defines the game just before the shot is taken. The figure stands with cue in hand, eyes fix...

"Equilibre" Mixed Media Artwork, Abstract Style, 2026, 100x100cm On a slightly textured white ground, two sheets of handmade paper respond to each other. On the left, a close-grain...

Artist: Anthony Quinn Title: Nefertiti Medium: Unique hand-carved black Marble sculpture on marble base, signature inscribed Size: 34.5 x 8 x 7.5 inches (39 in. with base)

"The Unspoken" abstract painting, acrylic and collage on Linen 81x65 cm 2024 Painted in April 2024, this vertical 81 × 65 cm linen builds its surface like a chalky wall, thickened wi...

This monumental bust is a museum-quality example of Roman Baroque sculpture. Crafted by the legendary Domenico Guidi and carved from Carrara marble, the impressive portrait captures the visage of Pope Innocent XI, Benedetto Odescalchi (1611-1689). It presents a larger-than-life example of Guidi’s remarkable skill as a sculptor, which ultimately made his workshop one of the most important in Rome during his age. Today, his works are rarely found on the market, particularly his extraordinary works in marble. Pope Innocent XI was born Benedetto Odescalchi into an Italian noble family of prominent bankers. Spending his early years in banking, he eventually turned to the law, earning his doctorate in 1639. His background would serve him well in his service to the papacy, and he became known as a frugal and devout member of the Church. In 1676, he was unanimously elected Pop after the death of Clement X. During his nearly 13-year reign, he instilled his own personal ideals of austerity and frugality onto the Church, with a deep commitment to reform and piety. He is captured here by Guidi in his traditional Pope’s mozzetta and camauro cap. A wide stole is draped over his shoulders, ornamented by acanthus leaves and the coat of arms of the Odescalchi family. It displays Guidi’s mastery over the chiaroscuro effect, particularly in the high level of contrast in his cheeks and his eyes, which Guidi achieved through various methods of high polish. A very similar portrait sculpture of Pope Innocent XI by Guidi can be found in the collection of the Royal Castle in Warsaw. The Warsaw bust belongs to a series of portraits of popes which the Odescalchi family commissioned from Domenico Guidi in the 1690s. Compared to that example, the present bust is far more dramatic, with deeper cut lines and a more precise expression. It is likely that the present piece was seen by the Odescalchi family, who ordered a similar one to be made. The piece was almost certainly intended to be displayed in a niche, given its dramatic cutting and its roughly carved back. Others of Guidi’s busts can be found in important collections throughout Italy, England and the United States, though many of these are lesser bronze repetitions. A bronze bust of the Pope Alexander VIII by Guidi is currently in the collection of the Victoria & Albert Museum (London), while a terracotta version of the same is in the Los Angeles County Museum. A bronze of Pope Alexander VIII can be found in the Princely Collection of Lichtenstein, and his impressive marble papal bust of Clement IX graces the pope’s tomb in Santa Maria Maggiore. The present bust of Pope...

"Entropy" Bronze sculpture 22" x 9" inch by Ibrahim Abd Elmalak Entropy, 2005 Bronze & Marble Signed & Dated Sculptures that mostly dep...

Abstract painting acrylic on linen Canvas, 50 x 100 cm, 20 The bottom of the painting is overrun by a deep red rising in long vertical streaks, like dense vegetation or a raw wound...

This highly evocative bronze by Vincenzo Vela captures the deposed Emperor Napoléon on his deathbed, holding a map of Europe and lost in thought about what might have been. Remarkable among most portrayals of the exiled leader, this highly detailed sculpture depicts Napoléon at his most vulnerable. Nonetheless, Vela perfectly captures his still-heroic bearing, which imparts to this work a monumental quality and quiet dignity. The mate to this figure is the colossal marble at the Musée du Château de Malmaison, which was shown at the Paris Salon of 1867. The founder of the verismo movement in Italy, Vela was one of the great exponents of realism in sculpture. Born in Ligornetto, Switzerland in 1820, he studied under celebrated sculptor, Benedetto Cacciatori. He was also influenced both by the work of Tuscan sculptor Lorenzo Bartolini, who seamlessly combined neoclassicism with naturalism and the romantic painting of Francesco Hayez...

Berlin's series of remarkable images of mythically, spiritual women is now augmented by this latest work. The Inner Heart to the Dove of Peace is an intense piece, a paean of hope. H...

Here for your consideration is a original sculpted marble elongated figure by the artist Joseph L. Rotella. Signed on the bottom back of the sculpture as well as the underside of the...

Wanawhite (Abstract painting) Cement & marble powder on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in th...

WEDGE I Marble and stainless steel 30" (height) x 36" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interac...

Chaim Gross (American, 1904-1991) Patinated cast bronze sculpture, Three Acrobats, signed mounted on black marble plinth 24.5"h x 14"w x 7"d (bronze alone) Chaim Gross (March ...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...

Fantasy 1 Abstract Painting, Acrylic and Gold Leaf on Linen, 80x80cm, 2010+ Emmanuelle Vroelant starts from an observation shared by many: “we’re weighed down, made anxious by the ne...

Pair of early 17th-century medallion profiles in antique yellow marble and onyx Pair of medallions depicting Agrippina and Faustina, Rome, 17th century. Ra...

My sculpture is inspired by the connection of the human form to nature. I use natural materials, stone, wood and metal to bring to life organic forms moving through space. The delica...

This Carrare statuary marble stone sculpture in a very pure white with slightly colored veins is by Lutfi Romhein. A graduate from the Academy of Fine A...

Artist: Leonardo Nierman (1932 - ) Title: Untitled Year: circa 1979 Medium: White Onyx, signature engraved Size: 24 x 43.5 x 7.25 inches Base: 4 x 13.25 x 13.25 inches

Wood and iron sculpture realized by Tatiana Pomus in 1977. Exhibited at Quadriennale Nazionale d'Arte di Roma in the same year. Placed on a marble base. Height without base: 196 c...

"Before the Animals" by Chapel 36x14x8" one-of-a-kind sculpture Mixed Media: Cast Bronze, Dyed Concrete, Steel, Marble This particular piece is available from the estate of the artist. It is in excellent, like-new, condition. Shipping price includes the custom packing necessary for safe transport of fine art. Chapel, 1948-2021, Artist's Statement: “I was raised on the Western Slope of Colorado, with almost unfettered access to the American wilderness. I currently reside on a sailboat in Oakland, CA with my studio in nearby San Leandro. I work with permanent materials including bronze, steel, stainless steel, aluminum, glass and stone. It is my contention that a work of art must include a complete environment, not just a single object. In my opinion, it is very difficult to convey meaning with either pure abstraction, or pure representation. Describing an abstract concept with another abstraction does not define the subject. There is nothing in a completely non-objective artwork from the viewers experience upon which to base some meaning. One the other hand, a completely realistic presentation doesn't define an abstraction any better than a dictionary. This is why my sculpture is a blend - the symbolic joining of modern man with primitive experience. They are in-depth studies of the archetypes and symbols used to communicate their relevance to our everyday lives. Mythology, poetry and art are humanity's attempt to describe the mysteries of life which are beyond our ability to consciously comprehend. This is the appeal of the visual arts, poetry, literature and music; they excite an emotional response, or memory that transcends mere words.” - Ron Chapel...

Abstract painting Acrylic on Linen Canvas, 100x100cm contemporary A warm light bathes the entire surface, made up of saffron yellows, ochres and oranges that intensify along the top...

Silver leaf, amethyst crystals, epoxy polymer clay, marble base. Original Piece

RECLINING FIGURE Gray Vermont marble 18" (height) x 30" (width) x 14" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The inte...

Gold leaf, amethyst crystals, epoxy polymer clay, marble base.

Chinese Contemporary art sculpture. Weight lifter, body builder with bar bell. Yaohui Wu was born on November 2, 1964 in China. Passionate about painting, calligraphy and sculpture, ...

Pietro Bazzanti (1842-1881) specialized in allegorical and genre subjects as well as copies of Antique and Renaissance sculpture. Regarded as one of the most talented sculptors of h...

Artist: Warren Wolf, American (1924 - 2003) Title: Yashal & 'Aniyah #2 Year: 1996 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 32 in. x 34 in....