Gilt Paintings

This small oil on panel is attributed to Adolphe Valette (1876–1942), the French painter who later became a leading figure of the Manchester School and mentor to L.S. Lowry. Dating f...

As found in France, an impressive oil on canvas painting of a French landscape scene, signed, circa 1920's-1930's. A very lifelike rendering of a French village. This oil painting fe...

This expressive oil on canvas captures the timeless charm of Montmartre, one of Paris’s most iconic and romantic neighborhoods. Signed “Dalian” and dated 1968 in the lower right corn...

A black-yellow, dark green antique Austrian still life oil on canvas painting depicting a clear glass vase with many flowers painted by Franz Xaver Pieler in a hand carved, original gilded wood frame, in good condition. The colorful painting depicts a dining table in a DIM room, representing the 19th...

Richly colored and finely detailed, this antique floral still life was painted by Karl Ruperti during the late 19th century. Crafted in Belgium circa 1880, the oil on canvas presents...

Small Landscape Painting by Jean Claude Bédard, 1952, in Restored 19th-Century Gilded Frame This charming small landscape painting, signed and dated 1952 by Jean Claude Bédard, is a...

Peder Mønsted, 1859–1941 This atmospheric painting depicts a tranquil North African oasis where Bedouins and camels are gathered beneath towering palm trees. Rendered with Mønsted’s...

This charming antique landscape painting captures a peaceful English countryside scene with a medieval castle overlooking a gently flowing river. Painted in England circa 1880, the o...

Peder Frederik Nordahl Grove (1822–1885) View from Dyrehaven, Klampenborg, 1873 Oil on canvas, signed lower right “Nordahl Grove 1873”. A winter scene from Dyrehaven at Klampenborg...

This 19th-century English oil painting presents a finely observed study of a bay horse standing in a stable interior, rendered with a quiet naturalism characteristic of British sport...

Victorian Classic Still Life Painting of Flowers from the late 1800's. The Antique Oil Painting is on panel and features a dark floral still life setting of a multi-colored Bouquet o...

A good antique German Hand-Painted KPM porcelain portrait plaque signed "Wagner" after the painting "Reflection" by the Italian artist Angelo Asti (1847-1903). Asti was born in Milan...

This handsome pair of English sporting paintings by Alfred Wheeler (1851–1932) captures two complementary moments during a traditional fox hunt, one depicting a mounted rider clearin...

Late 19th century hand-crafted oil painted copper miniature portrait with gilt frame in Louis XVI style, France By: unknown Material: copper, paint, metal Technique: cast, molded, p...

This late 19th-century American painting presents a Saint Bernard in a calm, attentive pose, rendered with a level of naturalism that reflects the period’s enduring interest in anima...

Rich in architectural detail and Old World atmosphere, this pair of antique Continental townscape paintings is by British Victorian painter Henry Thomas Schafer (1854–1915). Crafted ...

This delightful 19th century oil on panel presents an intimate and romantic outdoor scene, capturing two refined ladies dressed in voluminous gowns seated in the countryside, near th...

OTTO PLANDING (1887-1964) - "Lake of Bays, Fall" - Large vintage framed Impressionist-style landscape oil painting on Masonite panel - featuring an incredible use of color and depth ...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

A Very Fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by the master Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800s. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

A Large Continental Oil on Canvas "The Prohibited Reading " after Karel Ooms (Belgium, 1845-1900). This beautiful executed painting depicts a historical scene of an old man and a young woman who are huddled over a bible. The pair is gazing in apparent concern or alarm, over the old man's shoulder, towards something outside of the picture. The scene is likely set in the 16th or 17th century when Protestants were prosecuted, amongst others, for reading the bible in the vernacular, a practice prohibited by the Catholic Church at the time. Signed (l/r) A. Ribas 15-12-913. Within a giltwood carved frame. circa: Probably Belgium, 1913. Karel Ooms was born in Dessel on January 27, 1845 as the youngest son of a large peasant family. At school his extraordinary talent for drawing was discovered. When he was twelve his hometown provided financial support which allowed him to study at the Antwerp Academy of fine Arts. One of his teachers at the Academy was Nicaise de Keyser, one of the key figures in the Belgian Romantic-historical school of painting and a painter of mainly history paintings and portraits. After graduating from the Academy 1865 Karel Ooms was welcomed with pomp in his home town Dessel. He painted two altarpieces for the local church Saint Nicolas, to express his gratitude to his city. Karel Ooms settled as an independent artist in Antwerp around 1871. He quickly established a reputation as a portrait painter. In addition, he received commissions for religious paintings and history paintings. He gained particular recognition with two large paintings...

19th century oil painting of yorkshire flither pickers by robert farren circa 1890. Painted by robert b. Farren (1832-1912) This is a a skilfully executed and coloured oil painting...

This antique devotional oil painting was created in France circa 1680 and depicts the Madonna seated with the Christ Child across her lap, accompanied by a young angel in prayer. The...

This elegant antique equestrian portrait was painted in France circa 1860 and captures a refined lady posed beside her saddled horse, accompanied by a resting hunting dog in a tranqu...

A refined oil painting on canvas, framed in carved wood and gilded with gold leaf. The work depicts the Virgin Mary holding the naked infant Jesus in her arms, seated on a cushion. A...

Impressive Chinese late Qing dynasty four panel folding coromandel screen featuring carved soapstone. The lacquered panels are decorated with idyllic scenes of beauties in a pagoda p...

A large French 19th century oil on canvas "Les progrès de l'amour dans le cœur d'une jeune fille" The Progress of Love: The Lover Crowned, after Jean-Honoré Fragonard (French, 1732-1...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) Masterpiece "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

Pair of 19th century paintings, signed Emile Ballue (1820-1886). Pair of paintings, representing forest landscapes by Emile Ballue (1820-1886), signed, with their original wood and ...

Three original mixed media paintings on panels by Jourcin with gilded accents, circa 1962. Signed Price is per painting.

Celebrate the timeless beauty of florals with this refined 19th-century French still life painting, rendered in oil on canvas and presented in its original carved and giltwood frame....

A charming example of 19th-century Belgian animal painting, this antique oil on canvas depicts a colorful barnyard scene featuring a proud rooster surrounded by four hens. Crafted in...

An English oil on board painting from the late 19th century depicting a hunting scene and set in antique frame. Created in England during the last quarter of the 19th century, this o...

Bring rustic charm to your interior with this intimate and richly textured barnyard scene painted by Edmond van Coppenolle. Executed circa 1880, likely during the artist’s time in Fr...

Decorate a wall with this large and colorful oil on canvas painting. Painted in Paris circa 1970 and set in a thick carved gilt frame, the artwork beautifully captures the vibrant at...

A Chinese Qing Dynasty period framed painting from the 19th century of an official's wife with bird-adorned buzi, painted on a linen canvas. Created in the North-Eastern province of Shanxi during the Qing dynasty, this 19th century painting showcases a frontal depiction of an official's wife recognizable thanks to the bird-themed rank badge sitting on an elegant armchair with scrolling arms and carved apron. Wearing a red robe and topped with an ornate headdress, the figure is highlighted with gold foil accents and stands out beautifully on a linen canvas. The print size is 17.5"W x 41.5"H. These paintings traditionally come from Shanxi province which was home to many of the wealthy merchant families associated with the imperial court during the Qing dynasty. Set inside a custom made frame, this 19th century Qing Dynasty official's wife painting...

A fine British oil painting on board of a country cottage scene in an impressionist style, mounted in an ornate gilt frame. Signed with studio stamp from artist's son, in bottom rig...

Lofty still life oil painting on canvas of a table top with household items and a kitten, using shadows for a Trompe L'oeil effect. Signed Alfano Dardari and presented in a grassclot...

Stunning set of four two-sided painted wood panels that were once a folding screen or room divider. The Italian panels feature parcel gilt framed scenes embellished with Chinese moti...

Another stunning hand-painted oil on canvas work of religious art. This antique oil painting was first hand-painted on canvas and later mounted onto a zinc backplate .. a traditiona...

A six-fold Japanese screen by Tosa Mitsusuke (1675-1710), Japan 17th-18th century, Edo period. The signature reads Shoroku-i ge Tosa sa Konoe Shogen Mit...

Belgian early 20th century oil on canvas landscape painting signed P. Abattucci, for Pierre Abattucci, Belgian artist, 1871–1942. The composition presents a quiet evening landscape w...

A charming and atmospheric late 19th-century oil painting depicting an idyllic pastoral riverside scene, signed and dated 1888. Executed with delicate tonal transitions and a poetic ...

Joseph Bidzinski (American, active mid-20th century) Native American Ceremonial Procession, 1950 Oil on canvas A striking mid-century American figurative painting depicting a Native...

Oil on panel depicting a bearded gentleman in top hat. Signed lower left. Ornate wood and gesso gilded frame. Overall dimensions given below, the image size is 5.75 inches high X 4.5...

Oil painting on wooden canvas, accompanied by a carved and gilded wooden frame, decorated with geometric and floral motifs. In the center, the scene depicts a battle, with two main c...

A refined oil painting on canvas, set in a carved and gilded wooden frame. The painting features an inner frame decorated with scrollwork friezes and floral motifs, at the center of ...

A fantastic oil on canvas portrait from France, late 19th century, rendered in a stunning palette and technique that flatters the young lady’s complexion of angelic purity. The subje...

A.H. Mackeprang (Danish, 1832–1911) A highly atmospheric and finely detailed oil on canvas painting by the Danish artist A.H. Mackeprang. The dramatic naturalistic scene depicts a f...

Rare and remarkable set of nine 19th century Chinese watercolor paintings of fruit executed in a charming traditional style in lively colors on pith paper. Presented under glass in g...

This early 20th-century Belgian oil on canvas painting presents a finely composed portrait of two racing pigeons, depicted in profile and set against a softly rendered rocky landscap...

William Stilson (American, 1934 - 2012) - mid-century New York City portrait painting - painted in gouache on canvas (applied to Masonite panel) - orig...

A luminous and quietly evocative coastal scene by Argentine painter José Murcia, depicting fishermen returning ashore along the beaches of Málaga, Spain. Executed in a restrained, to...

Charles Levier born of a French Father and American mother. He was was active/lived in New York, California / United Kingdom, France and is known for landscape, still life and figura...

Christine Swane (1876–1960) A charming still life painted by Christine Swane in 1955. The composition depicts an arrangement on a windowsill featuring a flowering potted plant surro...

Capture the charm of Paris with this colorful antique oil on canvas painting. Created in France, circa 1890, and set in an ornate carved giltwood frame, the artwork depicts a lively ...

Austrian Painting Portrait Of lady oil on canvas Signed Gustav Klimt Framed Art. Portrait of a beautiful woman with blue eyes and red lips in the Manner of Klimt . Work made in the distinctive style of the famous artist Gustav Klimt (July 14, 1862 - February 6, 1918) was an Austrian Symbolist painter and one of the most prominent founding members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. This painting is the perfect magic touch to a library, a bedroom wall, and living dining room. To decorate the wall on top of a console or credenza. In an entryway or On top of a fireplace mantel (fireplace). Antique Dealer Los Angeles CA West Hollywood Melrose Ave. La Cienega Blvd. Interior decor and Garden Landscape elements. Great Artwork for Collectors or as a decorative object for a housewarming gift idea. (Austrian, 1862-1918) Portrait of a lady oil on canvas signed lower center Gustav / Klimt Klimt was born in Baumgarten, near Vienna, the second of seven children, three boys and four girls. All three sons displayed artistic talent early on. His father, Ernst Klimt, formerly from Bohemia, was a gold engraver. Ernst married Anna Klimt (nee Finster), whose unrealized ambition was to be a musical performer. Klimt lived in poverty for most of his childhood, as work was scarce and the economy difficult for immigrants. Known for many beautiful artworks such as “the Kiss” “Apple Tree I” “Portrait Of Adele Block Bauer I” “The Tree of Life” “ The Maiden” “Water Serpents II” , Mother and Child, Lady with Fan, The Dancer etc. Gustav Klimt work helped define the Art Nouveau style in Europe. Klimt is known for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. He is best known for The Kiss and Portrait of Adele Bloch...

Landscape painting, oil on artist board in giltwood frame. Titled oak gulch and dated 1950.

Refined and unique oil painting on canvas, housed in a wooden frame carved with scrolls and gilded with pure gold leaf. The painting depicts the portrait of a young girl belonging to...

19th Century French Fixé Sous Verre Bird Painting in Giltwood Frame. Decorate a study, powder room, or gallery wall with this charming antique French fixé sous verre painting crafted...