
Claude Viallat - Acrylic on wallpaper
By Claude Viallat
Located in PAU, FR
Claude Viallat, Acrylic on wallpaper from 2001. There is the certificate of the workshop 103 x 53 cm 124 x 74 cm with frame
Early 2000s French Modern Wallpaper
Acrylic
Motivated solely by a mission to spread joy and celebrate beauty through their work, Christo and Jeanne-Claude (1935–2020; 1935–2009) created riveting large-scale public art installations that pushed ephemeral art to an entirely unprecedented new level. While the pair created prints, photography and a range of other types of art, they’re best known for their installations — working with a combination of textiles and industrial materials, Christo and Jeanne-Claude created colossal site-specific sculptures and other projects that frequently included wrapping monuments, walkways and even coastlines in reams of fabric in order to draw attention and encourage viewers to experience familiar objects and places in entirely new ways.
Christo and Jeanne-Claude frequently incorporated nature’s forces into their works, creating billowing fence lines, enormous inflatable free-standing structures and colorful floating walkways. Partners in life and art, the pair designed installations that often took years or even decades to realize and lasted for only days or weeks. Christo and Jeanne-Claude’s preparatory works and detailed drawings and collages are today a testament to their intricate ephemeral masterpieces and legacy.
Christo and Jeanne-Claude’s stories, incredibly, began on the exact same day — on June 13, 1935, Christo Vladimirov Javacheff was born in Gabrovo, Bulgaria, and on the very same day in Casablanca, Morocco, Jeanne-Claude Denat de Guillebon was born. While Jeanne-Claude received a broad education and a baccalauréat in Latin and philosophy, growing up in France, Switzerland, Morocco and Tunisia, Christo studied art from the age of six years old. He went on to study painting, drawing, architecture and sculpture at the National Academy of Art in Sofia before leaving Bulgaria to escape the Hungarian Revolution.
Christo spent time in Prague before a brief stint at the Vienna Academy of Fine Arts, moving on then to Geneva and ultimately France. He made money by painting portraits for wealthy families. After being hired by Jeanne-Claude’s mother to paint three portraits of her, Christo met his future wife and collaborator. The pair created their first environmental installation, Dockside Packages and Stacked Oil Barrels, in 1961.
Together, Christo and Jeanne-Claude pursued increasingly ambitious projects, proposing to wrap everything from trees in Wrapped Trees, Foundation Beyeler and Berower Park, Riehen, Switzerland, 1997-98 to important public buildings including the Wrapped Reichstag, Berlin, 1971–95. They also created free-standing abstract sculptures such as the 5,600 Cubicmeter Package, billowing curtains such as Valley Curtain, Rifle, Colorado, 1970–72, and proposed installations in locations as far-flung as Dubai and Japan. These projects and others have been linked to the Pop art-adjacent nouveau réalisme movement.
Classically trained in drawing, Christo created preparatory sketches and collages for the projects, selling his artwork to independently fund the monumental temporary installations the pair erected. Meanwhile, Jeanne-Claude advocated for the pair’s artwork, speaking at public forums, sending proposals to municipal governments, and using her unique combination of compelling charm and stoic stubbornness to get their projects approved.
Devoted to their ideals of spreading joy and beauty, the pair accepted no commissions or commercial collaborations — all their installations were funded purely by the sale of their preparatory art. The last of their realized urban works, that 2005 project invited New Yorkers to go for a glorious walk through 7,503 saffron-fabric-draped portals along the pathways of Central Park. More than 4 million people did.
Christo’s wrapped sculptures, which he began making early in his career, as well as his preparatory works, are held in the permanent collections of museums and other institutions including the Smithsonian American Art Museum, the National Gallery of Art, the Museum of Contemporary Art and the Centre Pompidou. Jeanne-Claude died in 2009, and Christo continued to realize the pair’s planned projects until his own passing in 2020.
Find original Christo and Jeanne-Claude photography, mixed media works, sculptures and prints on 1stDibs.

Avec moi même
By Sonia Delaunay
Located in PAU, FR
Sonia Delaunay « Avec moi même » With Myself, 1970 Etching Hand signed Copy Hors commerce Height: 66.04 cm Width: 49.87 cm
Paper

Pol Chambost vase pichet 1094
By Pol Chambost
Located in PAU, FR
Pol Chambost Rare zoomorphic vase pitcher dating from 1956. Anise yellow in color, it is nicknamed the “pot-bellied”. It is signed "1094 Pol Chambost pottery made in France"
Ceramic

Christo, Texas Mastra Project for 500, 000 Stacked Oil Drums, Signed Lithograph
By Christo and Jeanne-Claude
Located in St. Louis, MO
Christo (1935-2020) Bulgarian. The TEXAS MASTABA, PROJECT FOR 500,000 STACKED OIL DRUMS (S. 85), 1976, color lithograph & screenprint collage on 1/8” brown board, signed and numbered...
Acrylic, Paper

Christo & Jeanne-Claude Abstract Lithograph Large Scale 30" x 42"
By Christo and Jeanne-Claude
Located in Atlanta, GA
Christo & Jeanne-Claude "Le Pont Neuf Wrapped" lithograph. It features Christo and Jeanne-Claude's 1985 installation "Le Pont Neuf Wrapped". Originally conceived in 1975, this projec...
Glass, Wood, Paper

Christo & Jeanne-Claude, Texas Mastaba. America: The Third Century, 1975
By Christo and Jeanne-Claude
Located in Argelato, BO
Created in 1975 to mark the bicentennial of the American Revolution, the original poster, titled "America: The Third Century," depicts a conceptual artwork known as the "Texas Mastab...
Wood, Paper

Gates-Project for Central Park, Lithography by Christo and Jeanne Claude, 2004
By Christo and Jeanne-Claude
Located in Madrid, ES
Contemporary lithography in colors from the Project for Central Park, New York City, created in 2004 by Christo and Jeanne-Claude. The print is framed in a white wooden frame with a ...
Glass, Wood, Paper

John LeVee Red Pyramide 1973 Signed Lithograph 37/90 Geometric Abstract Rome
By John Harrison Levee
Located in San Carlos, CA
Vibrant vintage color lithograph "Red Pyramide" by American abstract painter John LeVee (John Harrison LeVee, 1924–2017), dated 1973. This bold geometric abstraction features interlo...
Chrome
Basket/umbrella stand - Synthesis line - E.Sottsass for Olivetti - Italy - '70s
By Ettore Sottsass
Located in Milano, IT
An iconic Italian design object signed by Ettore Sottsass, this elegant umbrella stand was designed in the 1970s for Olivetti as part of the famous Synthesis Line, conceived for coll...
Plastic