Bentwood Dining Room Tables

Round dining table designed by Rainer Daumilier. The table is entirely made out of high quality and everlasting solid pine wood. Elegant legs Good condition. 1970s - Denmark Di...

The table, designed by a group of Swedish designers, Front, has a steam bent beech structure, combining its attractive light appearance with the substance of solid wood. The top is made of an ash panel available in two sizes that make the Arch dining table...

Danish Modern 1970s Scandinavian Rosewood Extendable Dining Table. Attribution Dyrlund unsigned Solid wood legs. Round top in plywood book matched rosewood veneer. Clean modern desig...

Clean Lined Architectural Dining Table, designed by Alvar Aalto for Artek, Finland, circa 1970s. Retains wonderful original patina only retained with age. Please see our other 1stdib...

A fantastic Alvar Aalto fan leg dining table. Birchwood , lovely amber tone which looks lighter in direct sunlight. The graining gives it a unique qualit...

Marvelous vintage Scandinavian Modern oak dining, conference, or 2 demi lune console tables designed by Rud Thygesen and Johnny Sorensen for Magnus Olesen and Rudd International...

Rainer Daumiller, Extendable Dining Table, Solid Pine, Denmark, 1970s This robust and versatile dining table, designed by Rainer Daumiller in the 1970s, embodies the warmth, honesty...

Clean Lined Danish Modern Teak Dining Table, Denmark, circa 1960s. It expands from 52.5" length to an impressive 93" length with both o...

Very elegant 1960s round dining table Made in Denmark, unusually constructed from solid teak wood (not veneered). Quintessential Scandinavian Modern design: minimal, fine materials, highly practical, clean smooth lines, sturdy construction and timeless aesthetic. The table has a diameter of 40 in (100 cm) and a single leg, which achieves an uncluttered appearance under the table and buttressing into four feet that rise a low profile parallel to the floor. This leg form in teak bears a striking resemblance to the iconic La Fonda base by Charles Eames, which was cast in Aluminum. Table height is standard 28.5 in (72 cm). The leg and feet are also carved from beautiful solid, strait grained teak. The table has been professionally refinished in a hard wax oil which faithfully presents the original look and feel whilst providing contemporary levels of robust protection. The table has only extremely minor signs of wear considering the age and use. This timeless table shows every promise of gracing a kitchen or dining room for another 60 years, and then some. The contemporaneous cognac leather shell chairs...

Postmodern dining table designed by Marius van den Wildenberg for Thonet in the 1980s. This striking piece features a distinctive mix of materials, including tapered chrome legs, a w...

1960s/70s Teak Extendable Dining Table, Made in Denmark Item: Dining Table Manufacturer: Unknown Condition: Good - Vintage Age: Circa 1960-1970 Dimensions: (+ 2 x 52 cm) 134 cm...

Bistro dining table in bentwood and cane designed by Michael Thonet. Originally designed in the 1860s and produced by Thonet in the 20th century by multiple factories. Size: ø85.5 height 75 centimeter Condition: used. The lacquer has worn out on some places. The stained beech wood has discoloration. Cane in the table top is good. Michael Thonet The development of bentwood for use in furniture is one of history’s most significant innovations in design. A range of renowned mid-century modern designers such as Alvar Aalto, Arne Jacobsen, and Charles and Ray Eames drew heavily on this technological advancement, and the success of their enduring works owes to the efforts of pioneering German-Austrian industrialist and designer Michael Thonet — founder of Thonet and widely considered the father of bentwood furniture. Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century cabinetmaker and master of parquetry Michael Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there, the bentwood look skyrocketed to furniture fame. He experimented with bending birch rods into rounded shapes — forming delicately seductive, curving Art Nouveau creations that were a daring departure from the heavy, hand-carved designs attributed to his contemporaries. The Boppard-born Thonet honed his carpentry skills in his father’s workshop, where he carried out experiments with plywood and modified the Biedermeier chairs that populated the studio. He received an invitation from Austrian Chancellor Prince Metternich to contribute Neo-Rococo interiors to the Liechtenstein City Palace in Vienna. From there, the cabinetmaker gained international recognition, including at London’s Great Exhibition of 1851, which featured works created by members of the Arts and Crafts movement as well as industrial products. Thonet showed a range of furniture at the fair and won the bronze medal for his bentwood chairs. He ​​incorporated his family’s company, the Thonet Brothers — or Gebrüder Thonet — with his sons in 1853. Considered the world’s oldest mass-produced chair, Michael Thonet’s ubiquitous Chair No. 14 demonstrated that his patented bentwood technology made it possible to efficiently produce furniture on an industrial scale. Often called the Coffee House chair — the company’s first substantial order was for a Viennese coffeehouse — the No. 14 remains an icon. Thonet originally designed the chair in 1859, and it is considered the starting point for modern furniture. Composed of just six parts, the chair, with its simple, lightweight design, belies its durability. The No. 14 was followed by the No. 18, or the Bistro chair, in 1867, and the 209, or the Architect’s chair, of which Le Corbusier was a fan. (The influential Swiss-French architect and designer used Thonet furniture in his Pavillon de l’Esprit Nouveau at the 1925 International Exposition of Decorative Arts in Paris.) The business began mass-producing furniture. By the end of the 1850s, there were additional Thonet workshops in Eastern Europe and hundreds of employees. Michael Thonet’s reputation attracted the attention of notable architects including Otto Wagner, Marcel Breuer and Ludwig Mies van der Rohe. Thonet’s patented bentwood technology also yielded an improvement to rocking chairs for his company — in the middle of the 19th century, Michael produced a series of rockers in which the different curved parts were integrated into fluid, sinuous wholes. Thanks to Thonet, the humble rocker acquired something unexpected: style. And bentwood furniture was embraced by a series of design greats — the innovation can be found in the seating that Josef Hoffman designed for Thonet, in the elegant Superleggera chair created by Gio Ponti and Alvar Aalto’s expressive Paimio armchair...

Dining table designed by Alvar Aalto, for Artek. The table features a rectangular blue laminate top that sits atop bent birch wood legs. This design features Aalto’s signature metho...

Large Square Danish Bentwood oak Botium coffee Table by Magnus Olesen 1970s. Scandinavian Mid-Century Modern Dining table in steam bent light oak legs and table top. Designed by Rud ...

A criss-cross design. The essential shape and volumes provide the distinctive trait of the Austrian manufacturer, giving Rehbeintisch an extremely contemporary look. A feeling of sol...