Worked over two matching L-shaped wood forms and clad throughout in White Bronze sheet metal, this coffee table uses an interlocking geometry to make two furniture pieces from a single design. Each component is fully finished and functions independently. Serves as a coffee table, cocktail table, modular table, side table set, pair of accent tables, or geometric furniture arrangement. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors.
Each L-shaped element is constructed as a wood substrate before being clad by hand in sheet metal. The two components are dimensioned and finished together so that their top surfaces align flush when assembled. The cladding process requires precise fitting across all visible surfaces to maintain the clean geometry of the design. When joined, the two forms read as a single table; when separated they operate as independent furniture pieces.
Measuring 36"×36"×16"H when assembled, the piece functions as a coffee table, cocktail table, modular coffee table, geometric table, side table set, or pair of accent tables. Available in Brass, Copper, White Bronze, and Antiqued White Bronze finishes in Fine Hammered, Medium Hammered, and Smooth surfaces. Made entirely to order.
Designed by Stephanie Odegard for the Stephanie Odegard Collection. The LX2 applies a geometric puzzle logic to furniture, demonstrating how traditional metal-cladding techniques can support contemporary and minimalist design as effectively as ornamental forms. Produced in Rajasthan by artisans specializing in cabinetry, joinery, and hand-applied metal cladding. Produced in Rajasthan.
Customization is at the heart of what we do. Custom sizes, finishes, and bespoke designs are available upon request. Whether you are working from a sketch, technical drawing, reference image, or an initial concept, our team would be delighted to collaborate with you and help bring your vision to life.
Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The White Bronze surface will gradually mellow in tone over time, which is part of the material's natural character.
The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand.
Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high quality engineered wood wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed.
All smooth finishes will show subtle tool marks. These are not defects but a natural and unavoidable result of hand-working and hand-polishing metal sheets. Our hammered finishes are recommended where a more textured, forgiving surface is preferred.
None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request.
The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6 to 12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving.
The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing.
As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.