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Copper Carre Credenza (96"), Metal Clad Diagonal Hammered Sideboard

$18,000per item
£13,693.35per item
€16,407.84per item
CA$25,667.98per item
A$26,319.43per item
CHF 15,025.18per item
MX$341,105.06per item
NOK 170,707.31per item
SEK 179,648.82per item
DKK 122,626.31per item
Quantity

About the Item

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Copper sheet metal, its surface worked in a distinctive mixed hammering: fine and smooth areas arranged in diagonal squares that read like a chessboard laid across the front, catching light in alternating planes. The piece carries the Carre family's architecture throughout, the coffered, moulded frame and the tapered conical handles with their rounded garlic-form terminals hanging at each door. Each panel is pressed and fitted over the carved wooden form, the cladding following the frame's mouldings exactly. The metal is finished by hand, and the diagonal mix-hammered field means no two credenzas carry an identical surface. At ninety-six inches wide, the credenza is made for long walls and grand rooms, offering full-length storage behind its doors while the hammered field turns the whole front into a single worked surface. Dimensions are 96 inches wide by 18 deep by 27 high. Designed within the same family as the Carre Nightstand and the 78-inch Carre Credenza, sharing their coffered frame and sculptural handles. Made to order in Udaipur by master metalworkers, available across the full range of twelve hand-applied finishes. Customization is at the heart of what we do. Custom sizes, finishes, and bespoke designs are available upon request. Whether you are working from a sketch, technical drawing, reference image, or an initial concept, our team would be delighted to collaborate with you and help bring your vision to life. Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The White Bronze surface will gradually mellow in tone over time, which is part of the material's natural character. The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand. Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high quality engineered wood wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed. All smooth finishes will show subtle tool marks. These are not defects but a natural and unavoidable result of hand-working and hand-polishing metal sheets. Our hammered finishes are recommended where a more textured, forgiving surface is preferred. None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request. The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6 to 12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving. The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing. As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.

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