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Contemporary Day Bed, Copper Metal Clad Form

$10,971per item
£8,352.93per item
€9,991.89per item
CA$15,640.29per item
A$15,922.62per item
CHF 9,218.78per item
MX$210,224.91per item
NOK 103,046.98per item
SEK 109,959.31per item
DKK 74,946.72per item
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About the Item

A Copper chaise is clad in hand-applied Copper metal over a teak and engineered wood structure — The piece combines generous lounge proportions with the warmth of hand-applied copper cladding. Works equally as day bed, chaise longue, lounge, or bench. The metal cladding covers the full exterior surface, creating continuity across the form. The piece functions equally as seating and as a decorative statement. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The Copper surface of the day bed reflects ambient light across its full length, the hammered texture fracturing the reflection into thousands of small facets. The warmth of the Copper deepens in low evening light, making the piece read differently across the day. The day bed is constructed around a teak and engineered wood frame before sheets of Copper are pattern-cut and fitted by hand to all exterior surfaces. The cladding process requires coordination between cabinetry, metalwork, and finishing. The metal is secured with flush-set nails and hand-finished to emphasize the warmth and character of the copper. Measuring 85"×44"×25"H, the piece functions as a day bed, chaise longue, lounge, bench, or decorative furniture object. Available in Brass, Copper, White Bronze, and Antiqued White Bronze finishes in Fine Hammered, Medium Hammered, and Smooth surfaces. Made entirely to order. Designed by Paul Mathieu for the Stephanie Odegard Collection. The Marj Day Bed applies traditional metal-cladding techniques to a generous lounge form, demonstrating how handcrafted metalwork can define the character of large-scale furniture. Produced in Rajasthan by artisan workshops specializing in cabinetry, joinery, and hand-applied metal cladding. Produced in Rajasthan. Customization is at the heart of what we do. Custom sizes, finishes, and bespoke designs are available upon request. Whether you are working from a sketch, technical drawing, reference image, or an initial concept, our team would be delighted to collaborate with you and help bring your vision to life. Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Copper surface will gradually mellow in tone over time, which is part of the material's natural character. The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand. Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high quality engineered wood wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed. All smooth finishes will show subtle tool marks. These are not defects but a natural and unavoidable result of hand-working and hand-polishing metal sheets. Our hammered finishes are recommended where a more textured, forgiving surface is preferred. None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request. The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6 to 12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving. The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing. As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.

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