17th Century Models and Miniatures

Miniature Huanghuali wood Chinese sideboard. An expertly crafted miniature architectural model in Huanhuali wood with brass hardware. A late 20th centu...

A delicate example of the time-honored practice of blue-and-white ceramics, this 19th century porcelain soup spoon was likely used as an everyday ...

A very interesting Baroque period carved oak figure of a saint or prophet said to come from a demolished Russian Orthodox church. This compelling figure is ...

A distinctive vintage Asian round wooden storage box with a removable domed lid, beautifully decorated in rich shades of deep red, burnt orange, ochre, and black. This unusual handcr...

Fine quality and condition, 1860s spoon box with a perfectly working silver lock and key. This handcrafted spoon box is another one of our recent great finds. It comes with beautif...

An impressive 19th-century Qajar-period ceramic architectural tile, richly decorated in cobalt blue and white with monumental Arabic calligraphy, foliate ornament and subtle green an...

An excellent quality late 18th or early 19th century Battersea enamel snuff or patch box. The pink enamel background with white enamel lattice and a raised gold around the hand paint...

Cross of caravaca XVII century. Very beautiful cross of caravaca made in bronze. 17th Century. Measurements: 14X6 cm. Good condition.

A 17th century or earlier brass alms dish or alms plate.

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

Large antique Chinese carved wood sculpture of a Boddhisattva head circa 16-17th century from Ming Dynasty. Likely part of a full body life-size statue, the head was finely carved, p...

Carved and gilded frame with painting on vellum, "Virgin of the Rosary with Santo Domingo de Guzmán and Santa Catalina of Siena", 17th century. Registration in the back zone (Mr. Jos...

A powerful and architecturally striking 17th century Spanish Baroque iron-mounted dowry chest, or arca de novia, retaining its original forged iron mounts and pierced inner lid panel...

Over the years, British design company Linley has developed expertise in creating scaled versions of famous architectural buildings including the Metropolitan Museum of Art, the Royal Albert Hall and the Royal Opera House. In this instance, Highclere Castle...

A fine and impressive antique Victorian English sterling silver table snuff box; an addition to our diverse silverware collection. This fine antique sterling silver table snuff box has a rectangular form with rounded corners. The surface of this Victorian snuff box...