Natural Fiber Rugs

The source of carpet comes from the Mercer Collection Sotheby's 2000 (catalog cover). This Mamluk-Cairene carpet is known, curiously featuring some type of lattice was designed in th...

The design source of the carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. That rug with the central star was designed ...

This vintage Yahyali runner from the Kayseri region of Central Anatolia presents a bold and expressive example of Anatolian village weaving. The composition is defined by a vertical ...

The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...

This is a Central Anatolian Old Kilim from the Konya region with a rare and beautiful color composition. As early as the 13th century Marco Polo noted, in his account of his trave...

The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...

This is a rare antique Sewan Kazak Rug from the Sewan / Sevan region in the southwest Caucasia. This is another handsome example of the “Sewan” Ka...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons pro...

This is an Antique Soumak ( Sumak, Sumac ) Kilim from the Caucasus region with a rare and beautiful color composition. Of the four countries that make up the Caucasus, Azerbaijan produces the most kilims, and the land has a long history of weaving. The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for salt, utensils, and other items are also common. Not only are the Azerbaijani weavers prolific, but they also employ many techniques at the loom. These include slitweave- known locally by the word Kilim, warp-faced patterning (jajim), supplementary weft (zili), weft wrapping (popularly known as soumak), and extra weft wrapping (verneh). Furthermore, flatweaves are defined by regional names such as palas and shadda, so it is possible to ascribe a variety of weaving names to particular provenances as follows: soumaks are made in Kuba, palas, and kilims in Hajikabul, zili in Khizy, verneh and zili in Kazakh, shadda, verneh and zili in Barda, jajim in Agjabedi, and palas and kilims in Jabrail. Soumak weave is a technique in which weft threads are added to a plain weave fabric, and one or two warp threads are wound from the front to the back. The resulting Kilim is denser and firmer, giving it a unique feel and look. This technique is commonly used in the Caucasus region. Soumak kilims have a very beautiful contrast between orange that shines like the sun, deep purple-tinged indigo, and astringent dark red. You can also see the unevenly dyed abrage in this Soumak, which is like a magic carpet with an oriental atmosphere. Features of the Caucasian Kilim, such as the unique cosmic geometric floral pattern, are also found in this Soumak which has a bright look, but it also has a faded and textured feel, so it can be used in a good old atmosphere. The woven fabric is particularly solid, so it is recommended for use in a solid living room or under a dining table without moving or twisting. A nice Kilim under a long wooden dining table.

Origin and Inspiration The Oversized Mamluk Revival Carpet with Central Octagonal Medallion is a contemporary interpretation of one of the most celebrated weaving traditions in the ...

This lattice pattern is composed of palmettes and leaves filling the various compartments against the imposing ground. One has the impression that it is only part of a larger scheme ...

This is a South Anatolian Vintage / Semi-old Handwoven Runner Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

This is an Eastern Anatolian Antique Heibe / Heybe Kilim from the Malatya region with metallic threads and a rare, beautiful color composition. This highly collectible antique kilim...

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamiches Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...

This is Central Anatolian Antique Kilim from the Konya region with a rare and beautiful color composition. This highly collectible antique kilim has wonderful special colors and tex...

The source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.332. This is a sp...

This is Central Anatolian Antique Kilim from the Konya - Obruk region with a rare and beautiful color composition. This highly collectible antique kilim has a wonderful special col...

This is an Antique & Unique Sarkoy (Sharkoy or Şarköy) Kilim rug from Western Turkey with a rare and beautiful color composition. Sarkoy kilims are very finely woven in slitweave in...

Inspired by the magnificent carpets woven for the courts and palaces of Mamluk Cairo, this monumental carpet embodies one of the most sophisticated achievements of Islamic decorative...

This is Western Anatolian Antique Kilim from the Aydin region with a rare and beautiful color composition. This highly collectible antique kilim has wonderful special colors and tex...

This is a Western Anatolian Modern 'New' Fine Kilim from the Manisa region with a rare and beautiful color composition. This kilim is woven according to traditional kilim technique...

This is an Antique Kurdish Rug from the Eastern Anatolia region with a rare and beautiful color composition. Anatolian Kurdish rugs are handwoven rugs that originate from the Anatol...

This is Eastern Anatolian antique Kilim from the Erzurum region with a rare and beautiful color composition. This highly collectible antique kilim has wonderful special colors and ...

This is Eastern Anatolian Old Vintage Kilim from the Mut, Adana region with a rare and beautiful color composition. This highly collectible antique kilim has wonderful special colo...

This is Central Anatolian Antique Kilim from the Konya region with a rare and beautiful color composition. This highly collectible antique kilim has wonderful special colors and tex...

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.64 and Islamic Carpets, Joseph V. McMullan, Near Eas...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

This is a Northwest Anatolian Antique Kilim from the Manastir region with a rare and beautiful color composition. This kilim is chic and natural yet has the most beautiful combinati...

This is a Central Asian Old Tekke Bukhara Turkmen Carpet from the Turkmenistan Bukhara region with a rare and beautiful color composition. Bukhara carpet (Turkmen Rug, Bokhara, Bu...

Origin and Inspiration: The Mamlouk Rug is a contemporary masterpiece that draws its inspiration from the rich textile traditions of the Mamlouk Sultanate, which reigned over Egypt a...

This is an old vintage kilim from the Kars region in northeastern Anatolia. This old kilim has a wonderful chic color scheme and a mature softness. If you look at the precise beauty...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

This is Western Anatolian Antique Kilim from the Aydin region with a rare and beautiful color composition. This highly collectible antique kilim has wonderful special colors and tex...

This is a beautifully detailed old Malatya Region, Anatolian Chuval kilim, featuring a bold, three-dimensional texture and precise geometric patterns. Originally used by nomadic trib...

This is Central Anatolian Antique Kilim from the Hotamis, Konya region with a rare and beautiful color composition. This highly collectible antique kilim has wonderful special color...

The design source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani ...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

This is a Sofreh—a type of kilim traditionally used for serving meals. Because of its intended purpose, it is woven using a particularly soft and loose flatweave, making it thinner a...

This rug has an interpreted design composed of a palmette lattice pattern taken from a part of the Mamluk rug, filling the field elegantly. These kinds of rugs have often been descri...

This is a Western Anatolian vintage Kilim from the Esme ( Eshme ) region with a rare and beautiful color composition. This type of large Esme Kilims often features hexagonal medalli...

This is Central Anatolian Vintage with a rare and beautiful color composition. It is a long and thin runner that reaches up to three meters. What is amaz...

Origin and Inspiration The Mamlouk Revival Carpet is a contemporary masterpiece inspired by the celebrated carpets of the Mamluk Sultanate, which flourished across Egypt and the gre...

This is a large, Caucasian Old Kilim from the Kuba region with a red background and beautiful color composition. Kuba kilims are often decorated with large abstract indented medal...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

This is a large antique Central Anatolian Kilim from the Kayseri region with a rare and beautiful color composition. It has a Kayseri-like medallion pattern, but it is characteriz...

This is a large Antique Soumak ( Sumak, Sumac ) Kilim from the Caucasus region with a rare and beautiful color composition. Of the four countries that make up the Caucasus, Azerbaijan produces the most kilims, and the land has a long history of weaving. The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for salt, utensils, and other items are also common. Not only are the Azerbaijani weavers prolific, but they also employ many techniques at the loom. These include slitweave- known locally by the word kilim, warp-faced patterning (jajim), supplementary weft (zili), weft wrapping (popularly known as soumak), and extra weft wrapping (verneh). Furthermore, flatweaves are defined by regional names such as palas and shadda, so it is possible to ascribe a variety of weaving names to particular provenances as follows: soumaks are made in Kuba, palas, and kilims in Hajikabul, zili in Khizy, verneh and zili in Kazakh, shadda, verneh and zili in Barda, jajim in Agjabedi, and palas and kilims in Jabrail. Soumak weave is a technique in which new weft threads are added to a plain weave fabric, and one or two warp threads are wound from the front to the back. The resulting kilim is denser and firmer, giving it a unique feel and look. This technique is commonly used in the Caucasus region. Soumak Kilims have a very beautiful contrast between orange that shines like the sun, deep purple-tinged indigo, and astringent dark red. You can also see the unevenly dyed abrage in this sumac, which is like a magic carpet with an oriental atmosphere. Features of the Caucasian kilim, such as the unique cosmic geometric floral pattern, are also found in this Soumak. It has a bright look, but it also has a faded and textured feel, so it can be used in a good old atmosphere. The woven fabric is particularly solid, so it is recommended for use in a solid living room or under a dining table without moving or twisting. A nice kilim under a long wooden dining table.

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of masi awi...

This is Central Anatolian Antique Mihrab Kilim with a rare and beautiful color composition. This highly collectible antique kilim has wonderful special colors and textures that are ...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an “asymmetric” design. Only a section of the original is shown, in the same way, many Lotto carpets w...

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of differ...

This is an Antique & Unique Sarkoy (Sharkoy or Şarköy) Kilim rug from Western Turkey with a rare and beautiful color composition. Sarkoy kilims are very finely woven in slitweave in...

This is an old vintage kilim from the Kars region in northeastern Anatolia. The old sector and newer southern districts of Kars are joined by a bridge built by the Seljuk Turks over...

This is a Central Anatolian 'New / Not Used' Handwoven Kilim from the Bahcecik Village, Kayseri region with a rare and beautiful color composition. The earliest recorded occupation ...

The source of carpet comes from the book Arts & Crafts Carpets, by Malcolm Haslam, and David Black, 1991, fig.49. This Hammersmith carpet was designed by William Morris in 1882, in the United Kingdom. In 1887 English artist and bookbinder T.J. Cobden Sanderson, suggested that a new group be named the “Arts and Crafts Exhibition Society” As a result, he was the first to use the term “Art and Crafts” and also is credited with naming this new emerging movement. The Arts & Crafts movement was inspired by the degradation of product standards that resulted from the factory production age. The rise of machinery in manufacturing caused a noticeable decline in uniqueness and crafts. These anti-Industrial reformers promoted economic advancement and social change. They wanted to eliminate poor quality and “artificial” items from 19th century British society. They saw a plethora of uninteresting items on display at the Great Exhibition of 1851 and became inspired to launch a Campaign for originality and uniqueness. William Morris was an English designer, as well as an uplifting social activist and writer. Morris is credited with sparking the rebirth of textile arts and traditional means of production. In 1861, Morris and a small group of designers opened an incredibly fashionable design company that grew to be largely successful. Morris left behind works in many different mediums such as textiles, books, furniture, stained glass, and area rugs. But in the end, he is most remembered for the magnificent wallpapers that he designed. He got much of his inspiration from the natural world. Through his interior decor pieces, Morris set out to convert rooms or spaces into meadows with beautiful trees meandering, vines, and plants. This concept of taking something Industrial and man-made, and converting it into something natural is what William Morris meant when he once said: “-any decoration is futile… when it does not remind you of something beyond itself.” Morris was a huge commercial success and his works are some of the most sought-after pieces in the world of design and decor. He is also credited with almost single-handedly reviving the British textile arts as well as their methods of production. Morris was also severely critical of machine-made goods, exclaiming, “Today almost all wares that are made by civilized man are shabbily and pretentiously ugly.” Houses were filled “with tons and tons of unutterable rubbish,” which, he suggested, should be heaped onto a gigantic bonfire! “As a condition of life, production by machinery is altogether evil.” He masterminded one of the most well-known styles of Arts & Crafts, recognizable by its twisting and arching patterns and simple, elegant floral design prints. Although Morris believed that Persian carpets were the greatest ever made, he adopted the coarser Turkish (Ghiordes) knot for his hand knotted carpet manufacture. They were woven at a thickness of 25 knots to the square inch at that time. Morris & Co.’s rugs are reminiscent of Persian garden design carpets in that they are smartly styled depictions of English gardens. Donegal also started producing highly desirable Irish rugs in the late 19th century. The Donegal rugs were predominantly created by English architects C.F.A. Voysey and Gavin Morton. The handcrafted Voysey rugs are typically woven in England, Scotland, and Ireland. Voysey had a knack for using contrasting shapes to decorate flat monochromatic spaces. Dark outlines added a flair of drama to his signature pattern and Celtic rug...

This is a South Anatolian Vintage / Semi-old Handwoven Kilim from the town of Mut in Mersin Province, located in the Mediterranean region of Anatolia, Turkey. These kilims are renown...

This is an old Soumak ( Sumak, Sumac ) Kilim from the Caucasus region with a rare and beautiful color composition. Of the four countries that make up the Caucasus, Azerbaijan produces the most kilims, and the land has a long history of weaving. The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for salt, utensils, and other items are also common. Not only are the Azerbaijani weavers prolific, but they also employ many techniques at the loom. These include slitweave- known locally by the word kilim, warp-faced patterning (jajim), supplementary weft (zili), weft wrapping (popularly known as soumak), and extra weft wrapping (verneh). Furthermore, flatweaves are defined by regional names such as palas and shadda, so it is possible to ascribe a variety of weaving names to particular provenances as follows: soumaks are made in Kuba, palas, and kilims in Hajikabul, zili in Khizy, verneh and zili in Kazakh, shadda, verneh and zili in Barda, jajim in Agjabedi, and palas and kilims in Jabrail. Soumak weave is a technique in which weft threads are added to a plain weave fabric, and one or two warp threads are wound from the front to the back. The resulting kilim is denser and firmer, giving it a unique feel and look. This technique is commonly used in the Caucasus region. Soumak has a very beautiful contrast between orange that shines like the sun, deep purple-tinged indigo, and astringent dark red. You can also see the unevenly dyed abrage in this Soumak, which is like a magic carpet with an oriental atmosphere. Features of the Caucasian kilim, such as the unique cosmic geometric floral pattern, are also found in this Soumak which has a bright look, but it also has a faded and textured feel, so it can be used in a good old atmosphere. The woven fabric is particularly solid, so it is recommended for use in a solid living room or under a dining table without moving or twisting. A nice kilim under a long wooden dining table.

This is Central Anatolian Antique Kilim from the Konya region with a rare and beautiful muted color composition. This highly collectible antique kilim has wonderful, special colors ...