This is a Tokoname ware jar made in the Heian period, around the end of the 12th century. It comes with a wooden storage box.
Tokoname ware is pottery that has been made on the Chita Peninsula in Aichi Prefecture since the late Heian period, and it is counted among the Six Ancient Kilns of Japan, some of the oldest kiln sites in the country. It is characterized by being fired at high temperature without glaze, and its charm lies in a simple, powerful, earthy texture.
This jar is a type known as a "Kyozuka-tsubo" (sutra mound jar). In the late Heian period, it was widely believed in Japan that the "Age of Mappo," a time when the Buddha's teachings would decline and the world would fall into disorder, was approaching. People therefore copied precious sutras, placed them in containers such as jars, buried them in the ground, and built a small mound of earth over them, in an effort to preserve them into the distant future. This mound is called a "Kyozuka." A Kyozuka-tsubo is a jar made to hold sutras and be buried in the earth, and it has a strong religious character. Because it was made with the premise that it would be buried in the ground, the base narrows in this way.
As for its shape, the mouth flares widely outward, the shoulders are broad, and from there the body tapers sharply toward the base. The overall silhouette is like an inverted triangle. It is relatively thinly made.
Jars like this basically come to us as excavated items, so many are broken and missing various parts. For that reason, most have been put together by filling in the missing parts and restoring the form. This jar, however, is about 90 percent original, and the broken fragments have been joined with adhesive. It is in relatively good condition.
Part of this jar has been repaired using a technique called "yobitsugi," in which a fragment of pottery from a different Tokoname jar is used to fill in the missing part. These joined areas are also a kind of scenery, and they deepen the wabi-sabi atmosphere.
The surface has been carefully finished, but if you look closely, you will see that the outside of Tokoname jars is marked with fine, hairline-like comb marks. This is another characteristic of Tokoname ware.
Its appeal is not the showy elegance of glazed pottery, but a calm, withered presence, a beauty that is completely different, one hundred and eighty degrees away. We think it will look best not in a luxurious space but in a quiet, calm one.
The accompanying wooden box was made specifically for this jar. The word "壺" (jar) is written in ink on the front of the lid, and on the back is written the name of the place where it was excavated. The characters "松尾" (Matsuo) can be read, showing that it was excavated there. Unfortunately, however, we do not know which area this "Matsuo" refers to.
It is not easy to obtain a jar from the Heian period. Jars of this era were made in considerable numbers at the time, but compared with later periods their number is small, and not many survive in good condition. As time went on, kiln technology improved and pottery came to be used for practical purposes, and the number of ceramics increased explosively. For that reason, this is a very valuable item.
We obtained this jar from an acquaintance who is an antique dealer, who had treasured it. Please take this opportunity to display it in your space.
Please do not pour water directly into it.
Size: W35.3cm × D33.9cm × H36cm
Weight: 6.75kg
Item No.: PO402
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