Antique Tang Dynasty Terra Cotta Horse Rider Sculpture

Antique Chinese Tang Dynasty-style terra cotta tomb figure of a woman dressed in gray and red robes sitting atop a blue and green saddle, on a horse that is standing on a square base...

Antique Chinese Tang Dynasty-style terracotta tomb figure of a rider wearing robes sitting on a horse with a bowed head, on a square base.       

Antique Chinese Tang Dynasty-style terra cotta tomb figure of a man dressed in dark gray robes, with one fist raised in the air, sitting atop a red saddle, on a horse that is painted...

Antique Chinese Tang Dynasty-style terracotta tomb figure of a girl in a red garment holding an object riding a dark brown horse, standing on a textured base.  

Tang Dynasty Terracotta Horse with Rider Circa 618–907 CE This Tang dynasty terracotta horse with rider is sculpted with a calm authority and balanced proportions characteristic of ...

Antique Chinese painted pottery horse and rider. Age: China, Tang Dynasty, A.D. 618 - 907 Size excluding stand: Height 36.2 C.M. / Width 10.7 C.M. / Length 27.5 C.M. Condition: Wel...

Han Dynasty painted pottery horse and rider A Chinese Han Dynasty painted pottery horse & rider. Made from grey pottery and cold-painted in white, red and black pigments. The rider dressed as a warrior and in the pose of holding reins for the horse. Comes with a custom sturdy lucite stand. Measures: Height: 13.5 inches (33cm). Length: 13 inches Depth: 5 inches Han Dynasty (206 BC – AD 220). Condition: Very good with past restoration to legs. The great influence of the horse throughout the history of China can...

A compelling and sculpturally expressive Chinese Ming dynasty earthenware figure depicting a mounted rider, created as a funerary object (mingqi) during one of China’s most artistically vibrant periods. The figure portrays a dignified male rider seated astride a caparisoned horse, his posture upright and composed, conveying both status and quiet authority. The rider is dressed in a simply rendered tunic with incised detailing and a rounded cap, his features softly modeled with a calm, introspective expression characteristic of Ming figural...