Fantoni Brutalist Sculpture, Signed

Hand welded brutalist style vase by Marcello Fantoni (1915 - 2011). Signed on underside. See our other listings for a grouping of these vases.

Mr. Pattison was educated at the Francis W. Parker School in Chicago, Yale and the Yale School of Fine Arts. (B. 1916 - 1999) In 1939, he was granted Yale's first traveling fellowship, enabling him to study and work in China and Japan for 12 months. Mr. Pattison's many other prestigious prizes included the Logan, Eisendrath, and Pauline Palmer Awards from the Art Institute of Chicago. The Logan prize, awarded in 1942, was for a bronze titled "Kneeling Women." In 1951 Mr. Pattison placed first in the Metropolitan Museum's contemporary American sculpture show. Between 1940 and 1970 alone, Mr. Pattison had 10 one-man shows in Chicago. His work is on display in some of the world's most renowned museums, including the Art Institute; the Metropolitan Museum of Art and the Whitney Museum of American Art in New York City; the Corcoran Gallery in Washington, D.C.; and the Israeli State Museum in Jerusalem. His public commissions include installations for the Mayo Clinic...

Japanese Crane sculpture in marblized resin, signed. "Bird in Flight".

Marcello Fantoni (1915-2011) sculptor, ceramicist, metalworker, multi-media artist and designer Born in Florence in 1915, Marcello Fantoni began studying ceramic art at age 12 at the Art Institute of Florence with ceramicist Carlo Guerrini, artistic director of the famed Cantagalli Factory. He continued years of training in ceramics and the arts, including sculpture with Libero Andreotti and Bruno Innocenti, and figurative art with Gianni Vagnetti, graduating as a maestro of art in 1934. After a stint as art director for a ceramics factory in Perugia, in 1936 he opened the Fantoni Ceramic Studio in Florence. Here he produced ceramic series as well as unique pieces, sculptures and furnishings. In 1937 Fantoni’s pieces were exhibited in the Florence National Arts and Crafts Exhibit where their unique combination of rustic forms decorated with African and marine motifs and painted figures garnered considerable acclaim. By the start of World War II Fantoni’s melding of ancient Italian pottery techniques with decidedly Modernist elements had won him artistic and commercial success both in Italy and abroad. Having participated in the resistance, after the War Fantoni worked for the 500-year old Maiolica factory in Deruta, Umbria, renowned for its signature tin-glazed pottery. In the 1950s he refocused on his Florence studio, dedicating himself to larger sculptural pieces...