Contemporary Japanese Kutani Porcelain Vase by Taisei

A remarkable, delicately hand-painted Kutani porcelain vase with a decoration of camellia blooms, with original paulownia storage box, signed, by Yoshiaki Yamada. Kutani ware has a long history dating back to the Edo period, over 350 years ago. It was featured in the 1873 World Exposition...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

With lovely magnolia tree in bloom and finch on blue background. Signed: Fukugawa.   

Yoshita Minori (吉田美統), whose first name in Chinese characters means "Beauty under Rule," is a revered figure in the realm of Japanese porcelain art and stands as a living embodiment ...

Yoshita Minori (吉田美統), whose first name in Chinese characters means "Beauty under Rule," is a revered figure in the realm of Japanese porcelain art and stands as a living embodiment ...

Introducing a breathtaking contemporary Japanese vase crafted by the renowned porcelain artist Yasushi, who worked in Arita during the mid t...

A rare porcelain vase by Makuzu Kozan (1842-1916) circa 1870-81 (late Meiji period). The vase is dated to the earlier work from Kozan's studio during his early period (Takauki-ware p...

The Classic design of this porcelain vase comes back to life with retro decorations with a contemporary flavor. Natsumi vase evoke dream-like images of Japanese landscapes. Rendered ...

A porcelain vase by Japanese Meiji imperial potter Makuzu Kozan (1842-1916), circa 1890-1910s. The vase is made in what is considered early phase of his underglaze period during late...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...