Stephanie Buer Art

This painting is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The liquid mountain is populated by living b...

This wonderful 17th-century French School vanitas painting is a meditation on mortality and the transience of earthly pleasures. The composition centers on a finely rendered human sk...

This still life painting depicts a woven basket brimming with ripe cherries, delicately arranged on a tabletop against a subdued background. The cherries are rendered with a sheen, t...

William Hughes British, 19th Century Study of Apples, circa 1870 Oil on panel Monogrammed lower right A finely observed and intimate still life by William Hughes, painted circa 1870, depicting a small grouping of apples arranged upon a simple wooden surface. Executed with quiet restraint and technical assurance, the composition reflects the enduring appeal of Victorian still life painting, where humble subjects are elevated through careful observation and painterly sensitivity. The apples, shown attached to a slender branch with leaves, are rendered with particular attention to texture and natural variation. Subtle transitions of colour—soft greens, warm russets, and touches of golden ochre—capture the ripeness and individuality of each fruit. The surfaces are delicately modelled, with highlights and imperfections thoughtfully described, lending the work both realism and charm. Set against a rich, dark background, the fruit is brought into sharp relief, a compositional device that enhances both depth and focus. The contrast between the illuminated forms and the shadowed ground creates a sense of quiet drama, while the horizontal line of the wooden ledge anchors the composition with stability and balance. Hughes’ handling is confident yet controlled, combining fine brushwork with a painterly softness that avoids excessive detail. The leaves and stems are treated with a lighter touch, providing a natural counterpoint to the more solid forms of the apples. This balance between precision and atmosphere is characteristic of well-executed 19th-century British still life painting...

“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...

A deep ochre warmth spreads across this generously scaled oil on canvas, measuring H 31.9 in x W 39.4 in x D 0.8 in, pulling the eye across an undulating rural landscape that breathe...

"Great Lakes South Shore" is an oil painting of a sunset over a harbor in Minnesota. Painted en plein air by Midwest realist painter Carl Bretzke. Framed. Signed "C.Bretzke" lower left Carl Bretzke is a representational painter who specializes in urban scenes, nocturnes, and plein-air landscapes. He is a member of the Plein Air Painters of America since 2021. Carl's work has been exhibited extensively in Minnesota and California, including the Minneapolis Institute of Art. Carl's work has been described in the Washington Post as "simultaneously intimate and detached…The artist's unadorned style recalls Edward Hopper and The Ashcan school." Carl holds an MD degree from the University of...

Nature Morte aux Fruits (Still Life with Fruit) Oil and acrylic on canvas 60 × 49 cm Nature Morte aux Fruits revisits the traditional still life through a structured, cubist constru...

Frank Dekkers Landscape 09 15 x 20 cm (framed, included in price 20 x 25 cm) oil on Panel About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as we know...

Frank Dekkers Oude Waal in Bloom 60 x 80 cm (framed, included in price 65 x 85 cm) oil on Panel About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as w...

A mid-century American Realist scene of children playing on the railroad entitled, London Round House. The chaotic scene of children rambunctiously playing is suspected to be set in...

Paul-Louis MARTIN des AMOIGNES (Saint Benin d’Azy 1850 – Nevers 1925) The Bohemians Oil on panel H. 37 cm; W. 23 cm Monogrammed lower left "PLM" Circa 1886 Provenance: Private colle...