Everett Shinn Art

Everett Shinn (1873-1953). Portrait of a Clown in Circus, 1947. Pencil. color pencil, gouache on paper. Sheet measures 8 x 10 inches. Framed measurement: 13 x 15 inches. Signed...

Everett Shinn Washington Square Arch, 1948 Signed and dated lower right Watercolor and graphite on board 5 1/4 x 7 1/4 inches Provenance Private collection, New York Everett Shinn...

Everett Shinn, 1876-1953 Water Nymphs, n.d. Pen and ink with gesso on paper 20 x 18 ½ inches Signed (lower left)

Girl with the Golden Curls Watercolor, c. 1895 Unsigned Provenance: Davis Galleries, New York (see photo of label on reverse) Condition: Mounted to support by the artist ...

A leading member of the Eight, a collective of artists who sought to push back against the stylistic preferences of the Academy, Everett Shinn frequently drew upon the streets of New...

Many a Baby Boomer will recall growing up with a bookshelf lined with classic novels issued by The Heritage Press with newly-commissioned illustrations by celebrated artists of the d...

Artist and Model Conte crayon on tan paper, mounted to board, c. 1906 Unsigned (signature hs faded over time) Condition: slightly toned, mounted to board for support Image/Sheet size...

Everett Shinn Nude in Landscape Signed and dated upper center Sanguine on paper 13 x 10 inches Everett Shinn, a future member of the Eight and remarkable, rather theatrical persona...

Original drawing of a woman heading to market by the well known American artist, Everett Shinn. Mixed media work created with charcoal, pastel and gouache. Signed with the artist’s initials lower right and dated 1916. Condition is very good. Under glass. Matted and in a period gold frame with restorations. Overall framed measurements are 23.5 by 17.25 inches. Provenance: A New York City estate. Everett Shinn (1876 – 1953) Everett Shinn, a realist artist associated with the Ashcan School and member of “The Eight” was born in New Jersey in 1876. After showing an aptitude for the arts as a child, at age 15, Shinn was enrolled at the Spring Garden Institute in Philadelphia. He quickly moved on to classes at the Pennsylvania Academy of the Fine Arts and by the age of 17, he was working as a staff artist for the Philadelphia Press. While working at the Press, Shinn befriended fellow artists William J. Glackens, George Luks, and John Sloan. This group, with Robert Henri and Joseph Laub, established the Charcoal Club, a social and intellectual sort of alternative art school. In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...

Everett Shinn Nude in Landscape Signed and dated upper center Sanguine on paper 13 x 10 inches Everett Shinn, a future member of the Eight and remarkable, rather theatrical persona...

Untitled (Woman Removing Her Stockings) Conte crayon on paper. c. 1905 Signed lower right: E Shinn Provenance: James Graham & Sons, New York (labels) Ronald C. Sloter, Columbus Colum...

Woman Pulling on a Slip Conte on paper, c. 1910 Signed lower right: "E. Shinn" (see photo of legs, signature on right) Provenance: Estate of the Artist (see label) Graham Gallery, N...

Medium: Pastel, Gouache, and Black Crayon on Paperboard Sight Size 22.88" x 17.50", Framed 31.75" x 26.50" Signature: Signed EVERETT SHINN and Dated Vanity Fair Cover...

Book illustration for the 1946 edition of The Sermon on the Mount published by the John C. Winston Company (Philadelphia). Signed and dated 'EVERETT SHINN 1945' bottom center left

Conte crayon on paper, c. 1905-1909 Signed lower right Archival frame by Graham Gallery, New York, hand carved frame with silk matting and gold fillet (see photo of corner) Provenanc...

Medium: Watercolor on Paper Signature: Signed and Dated Illegibly Lower Right Tiny Tim by Charles Dickens

Meticulously and carefully rendered period piece that reenact this magicaly moment. Works on Paper, Gouache, Watercolor over traces of pencil heightened with white on illustration ...

Medium: Charcoal on Paper Signature: Signed Lower Left

Hearts Unreasoning, by Sarah Bernhardt The First of Six Romances of the French Stage - McCall’s Magazine December 1920 interior illustration. The work is related to Shinn's fam...

Medium: Watercolor and Graphite on Illustration Board Signature: Unsigned, Marked "Cosmo #51" Lower Left Contact for exact dimensions. Christies stamp verso. In silver molded frame, french-lined mat, glazed. OS: 18 1/2" x 22", SS: 11" x 15". Shinn took over from Joseph Urban as the Art Director on the William Randolph Hearst...

Arnold Finkel Gallery, Philadelphia, PA Heritage Some slight fading. Mounted to illustration board, Could be Unframed - Not sure if it is framed but the frame is old with wear. Reco...

Medium: Watercolor and Graphite on Illustration Board Signature: Unsigned, Christies Stamp Verso. In silver molded frame, french-lined mat, glazed. OS: 18 1/2" x 22", SS: 11" x 15". Shinn took over from Joseph Urban as the Art Director on the William Randolph Hearst's Cosmopolitan Pictures film, shot in New York City and Tarrytown, NY. Directed by E. Mason Hopper, starring Marion Davies...

Book illustration for the 1941 Heritage Press edition of The Mystery of Edwin Drood by Charles Dickens. The scene depicts Jasper and Rosa Bud conversing in a garden. Year: 1941 Dime...

This original illustration was used in Toby Tyler or Ten Weeks with a Circus by James Otis. Published in 1937 by The John C. Winston Company - "The Children's Bookshelf" series. The ...

Signature: Signed Lower Left Bringing in the dessert: An illustration from Charles Dickens'' "A Christmas Carol".

This illustration was used in Toby Tyler or Ten Weeks with a Circus by James Otis. Published in 1937 by The John C. Winston Company - "The Children's Bookshelf" series. The book features wonderful color plates and black & white illustrations by Everett Shinn. The full caption reads: "Toby tried very hard to go to sleep." Toby Tyler tells the story of a ten-year-old orphan who runs away from a foster home to join the traveling circus only to discover his new employer is a cruel taskmaster. Toby's friend, Mr. Stubbs the chimpanzee, reinforces the consequences of what happens when one follows one's natural instincts rather than one's intellect and conscience, a central theme of the novel. Date: 1937 Medium: Watercolor on Paper Dimensions: 18.00" x 12.50" Signature: Signed Lower Right Toby Tyler Book Illustration Exhibitions: Norman Rockwell Museum...

This illustration was used in Toby Tyler or Ten Weeks with a Circus by James Otis. Published in 1937 by The John C. Winston Company - "The Children's Bookshelf" series. The book feat...

Original Magazine Illustration for a magazine like Harper's, Vanity Fair, Life, Look, and Judge Shinn was an American realist painter and member of the Ashcan School. He also exhibited with the short-lived group known as "The Eight," Work is framed in an attractive gilt frame Morris Weiss collection...

Meticulously rendered in beautiful pastels colors account of biblical story. Doyle New York

Everett Shinn "Gentleman Napping in a Chair" (Illustration) Pen and Ink on Paper Initialed "E.S." Lower Right Displaying an early aptitude for drawing, coupled with a strong interes...