Brands, Eugenius Antonius Maria ( Eugene) Art

A deep ochre warmth spreads across this generously scaled oil on canvas, measuring H 31.9 in x W 39.4 in x D 0.8 in, pulling the eye across an undulating rural landscape that breathe...

Michael Tole says of his work… This work draws a connection between the didactic moralizing tendencies of Neo Classicism (represented in the style of the painting) and Modernism (represented in the architectural setting). Though modern art eschews the naturalistic imagery used by Neo Classicists, both movements pursued a self-important, austere, self-consciously masculine aesthetic that they saw as synonymous with virtue. Set in the MoMA courtyard, a passel of men lounge about, regarding a golden statue which looks terribly out of place in this modernist vitrine. The uncomfortable architectural setting, prisonlike and cold, provides a foil for the odalisque-like young men sprawled on hard stone benches and paying homage to the central idol. In my current work, The Revisionist Histories, I am writing letters to art history, literature, and mythology in an attempt to reflect the social changes that have reshaped our society over the past century.  As part of this agenda, I explore the evolution of gender norms, power dynamics, and representation within Western visual culture and what this implies for the negotiation between pleasure, justice, and our culturally specific discourse on beauty.    The seed for The Revisionist Histories was sewn when I caught a glimpse of my preteen daughters watching music videos on their iPad as I chopped veggies for dinner.  Out of the corner of my eye I caught glimpses of music videos featuring Beyonce, Taylor Swift, Ariana Grande, Katy Perry, and Doja Cat gyrating across the tiny screen.  A better parent might have snatched the iPad away, but I was overcome with hallucinatory visions of this pop diva...

This painting is a quietly luminous depiction of a snow-covered garden in winter, rendered in oil on canvas at H 23.6 in x W 28.7 in. Bare deciduous trees dominate the foreground and...

This oil on canvas, measuring H 23.6 in x W 28.7 in, captures a luminous afternoon along the Dronne river in Brantôme, a medieval town in the Périgord sometimes called the Venice of ...

To evoke the French Riviera and the light of the South, a sketch made by Andrée de Frémont on the French Riviera has become canvas. It is camping a h...

"La Blockchain" is a symbolist oil painting on canvas by Andrée Bars. In this carefully composed still life, the artist translates a contemporary technological concept into a poetic...

Original Oil on Canvas by Konstantin Savchenko

Oil on canvas

[b. 1980 – Denton, TX ::: lives & works – Savannah, GA] MAGGIE EVANS is an artist based in Savannah, Georgia. She currently uses painting, drawing and installation to examine huma...

Entitled "We," this exquisite woodcut by Chinese artist Ren Hui celebrates joy and the beauty of humanity with a crowd of smiling faces. Using a style he calls “uncomplicated and honest,” the artist creates beautiful compositions by carving small notches into a painted wood background. Ren Hui's artworks reflect the artist’s richness of experience - he’s been a soldier, a factory worker, and a photographer documenting life from Nanjing to Tibet. He says, “We have family, friends, ourselves, history, culture, trees, flowers, buildings, demolition—all of which are reflected in my work. This is my life.” Full of bold colors and high-contrast imagery, Ren Hui's modern pointillism...

This Italian 19th century oil on alabastrer painting depicts an opulent interior in full ancient neoclassical Pompeian style with people festing. The figurative inner scene is painted on a rectangular alabaster slab and housed in a wonderful giltbronze frame resting on casted arrow feet. This is a single section of a bigger surtout de table. You can now use it as a decorative centrepiece on a table or on a console or turn it into a wall decoration. We can provide framing options in this case. The characters enjoy a rich banquet in an elaborate interior, the room renderings...

As an artist I make paintings that exist in the sliver of space between abstraction and representation. My work compresses time into the surface of painting, that old technology. Inc...