Spain - Clocks

An impressive late 19th-century French mantel clock combining an elaborately cast gilt-metal case with beautifully hand-painted porcelain elements and an A.D. Mougin mechanical movem...

Sculptural Brutalist style clock by David Marshall, Spain, 1970s. Handmade in aluminum and golden brass. It retains all its original parts. Like all of his brutalist works, David Ma...

Beautiful brutalist clock designed and manufactured by the art3 brand in Spain in the 1980s. Remarkable work of brass and aluminum. More than a clock, this object is a sculpture in i...

An exceptionally refined French ormolu mantel clock in the Louis XVI Revival style, attributed to the celebrated Parisian bronze founder Ferdinand Barbedienne. The clock was most lik...

An elegant French mantel clock attributed to Richard & Cie of Paris, dating to the late 19th century. The case combines richly gilded bronze-mounted construction with finely painted ...

Small brutalized desk clock designed and made by arte3 in the 80s in spain. Brass and silver-plated metal object. Beautiful and rare decorative object. We specialize in vintage deco...

Pocket watch, Deroches Brothers. Gilt metal, enamels, etc. Possibly towards the end of the 18th century. Some issues, needs restoration. Pocket watch with a case featuring a transpa...

Elegant modern sophisticated glossy glamorous are adjectives that describe this wonderful graphite-finished pendulum clock with the hands in walnut noble wood. The possibility of ...

One of a kind George III style grandfather clock or mantel clock, made of wood and gilt brass, England, first quarter of the 20th century. Of classic design, following the aesthetic...

While the box and the 8 time points are chromed steel. Its avant-garde style mixes natural materials with industrial materials so it adapts to a wide variety of decoration styles. Yo...

The wood of the extended hour markers adds warmth to the wall and the easy installation with adhesive brings versatility to the whole design. Available with a central box in chromed ...

Magnificent gilt bronze mantel clock crafted in Paris circa 1850–1870 by Denière, one of the most celebrated French bronze workshops of the 19th century. The clock is fitted with an ...

A highly decorative late 19th-century French mantel clock in the Louis XVI Revival taste, with an ornate gilt-metal case by P.H. Mourey and a mechanical movement by Japy Frères &...

Beautiful brutalist clock designed and manufactured by the art3 brand in spain in the 1980s. Remarkable work of brass and aluminum. More than a clock, this object is a sculpture in i...

An elegant and highly decorative French mantel clock, conceived in the refined Louis XVI taste and executed in richly gilded and patinated bronze. The composition is centered around...

Bracket clock with moon dial and mahogany wood case. Amsterdam, 18th century. Johannes Pieter Kroese (1702-1778). Chimes of half past the hour, alarm and music. Machinery in proper working order. The clock case has a rectangular base and is decorated at the corners with gilt bronze appliqués featuring vegetal motifs topped with grotesques of female busts. Pinecones and a pearl adorn the upper portion, which is raised towards the center and has softened lines. The dial, protected by a front door, displays Roman numerals, with lines and Arabic numerals every five minutes. It has a rectangular opening for the day and is surrounded by vegetal motifs reminiscent of rocaille. In the two corners are a dial for the alarm and another for various chimes. At the top, a half-sphere, surrounded by a metal band engraved with the signature, displays the phases of the moon using a starry sky disc with a human face painted on it. The pendulum-type machinery has been engraved on the outside with plant motifs, as can be seen on the back of the box, which also has a small door with a glass sheet. The style is typical of 17th century Northern European clocks, developed primarily in England and used to highlight the quality of the clock's movement, in contrast to French examples, which focused more on the aesthetic appearance of the exterior. Thus, the case is much simpler than in France, but the mechanism was far more precise, and the technical intricacies found in examples like this (music box, calendar, chimes, alarm, etc.) were more common than in French clocks. Johannes Pieter Kroese was a master clockmaker from Wuppertal (Kruse) who worked in Amsterdam from around 1729 in his workshop, where his son, Pieter Kroese, also worked, succeeding him in 1775. He was especially renowned for his astrological clocks...

Átomo clocks, whose design reflects creativity with a great sense of refinement, dress the corners of tables and provide light and style. ø10cm clock with natural walnut wood body...

Superb and rare brutalist clock designed and made by david marshall in spain in the 1970s. Handcrafted structure in bronze and aluminum. Beautiful design object that will decorate yo...

Innovating with its small and simple models Nomon brings the Pisa T Clock to be placed on desktops or corner desks. The slim needle shape of this foot clock...

A wall clock tends to resemble its owner. Its design, color and resolution, the style of the one who placed it in that precise place and that's why the frequent alternatives are so varied. When the wall clock you need meets many of the characteristics of your personality as a taste for the minimalist innovative trends and a lot of originality the option is undoubtedly the Nomon OJ Clock. The OJ is a true designer clock...

Louis XVI clock garrison and chandeliers. Gilt bronze, marble. POCHON, Jean-Charles (act. last third of the 18th century). Paris, France, around 1780 or 1790 and later. Bibliography:...

1950s Swiss Omega square table cock.

Vintage traditional wrist watch with the original leather wrist band. Step back in time with this exquisite vintage traditional wristwatch from the 1930s. A perfect addition to any ...

Kienzle Clocks zodiac table clock in glass and bronze, in working order, Germany circa 1930. Dimensions: 29 cm high x 25 cm wide x 7 cm deep.

Wall clock. Gilt bronze. France, 19th century. Gilt bronze wall clock of the type known as a "cartel" due to its shape, featuring Parisian movement and a white dial with Roman numer...

An elegant carriage clock set with complementary candlesticks, known as a "garniture," is characteristic of the Napoleon III or Second Empire style of France, circa early 20th centur...

The decorative Desk Clock was created by David Marshall, it is made of sand cast aluminum and sand cast brass. Handmade, mounted and finished in our foundry and workshop in Spain fro...

Very beautiful brutalist clock designed and manufactured by the art3 brand in Spain in the 1980s. Remarkable work of brass and aluminum. More than a clock, this object is a sculpture...

A substantial and highly decorative French mantel clock dating to the late 19th century, circa 1890, fitted with a mechanical movement by the renowned French maker Japy Frères. The imposing architectural case is richly modelled in the Baroque Revival taste, with elaborate scrolling foliage, floral ornament, pierced decorative sections and an impressive classical female mask forming the upper crest. The lower section is centred by a heraldic shield surrounded by elaborate scrolling ornament. The case is made from a gilt copper-alloy metal, most likely bronze or brass. The original gilded surface has considerably mellowed with age, leaving a warm darker bronze-gold tone and attractive natural patina throughout. The exact alloy has not been analytically tested. The circular dial combines a decorative metal centre with Roman numeral hour markers and retains its antique character. Both the original front glass and the glazed rear door are present. The French two-train movement bears the Japy Frères medallion. Japy Frères was one of the most important French manufacturers of clock movements during the 19th century. The clock was tested and is currently running. The original pendulum is included; no winding key is supplied. Details: Dimensions: Height 50 cm (19.7 in.); Width 28 cm (11.0 in.); Depth 14 cm (5.5 in.) Weight - 7.5kg Condition: Very good antique condition overall. The case shows natural age-related patina, oxidation and considerable wear/loss to the original gilded surface, giving the metal its present darker bronze-gold appearance. No significant structural damage to the case has been observed. Original front and rear glass are preserved. The clock was tested and is running at the time of listing. Original pendulum included; winding key not included. As with any antique mechanical clock...

A striking sculptural mantel clock depicting a hunter sounding his horn, with a long gun in his other hand and a dark-finished deer at his feet. Oak foliage, acorns and a rocky landscape frame the scene above an elaborate Rococo-style case. The figure rewards close inspection: textured clothing, decorative cuffs, buckled straps and carefully defined facial features contrast with the smoother surfaces of the tall boots. A small hunting accessory hangs freely from a twisted-wire suspension, adding a distinctive dimensional detail to the composition. The modelling extends throughout the surrounding foliage and the textured surface of the animal. The richly ornamented case combines scrolling supports, pierced decoration, floral sprays and shell motifs. Two pale inset panels with applied gilt ornaments flank the white enamel dial, which features black Roman numerals, a minute track and open-circle hands. The gilding retains an attractive warm colour and gives the clock a strong decorative presence. The movement bears two stamps: “Vincenti & Cie - Médaille d’Argent” and “Fabrique Edward Barrard & Cie de Paris.” These inscriptions identify the names marked on the movement; the maker of the decorative case remains unconfirmed. The accompanying original winding key is included. Dimensions: Height 42 cm × width 34 cm × depth 13 cm (16.54 × 13.39 × 5.12 inches). Weight: 5.6 kg (12.35 lb) Condition: Good overall antique condition, with well-preserved gilding and light surface wear consistent with age. Localised enamel loss is present around the left winding aperture. Fine lines resembling cracks are visible in the decorative surround beneath the left inset panel. The rear movement opening is uncovered, as shown in the photographs. The movement was tested for 24 hours, during which the clock ran steadily and the striking mechanism operated correctly. This records its performance during the test period and does not constitute a guarantee of future operation or timekeeping accuracy. As with antique mechanical clocks...

A highly unusual and richly conceived three-piece clock garniture, probably French and dating from the late 19th century, comprising a substantial mantel clock and a pair of matching five-light candelabra. The ensemble is distinguished by an exceptionally coherent decorative program centered on griffins and fantastical chimerical creatures. Sculptural griffin forms flank the body of the clock, further griffin heads appear beneath the lateral platforms, while a prominent fantastical mask forms the central element of the lower case. The same imagery is repeated throughout the hand-decorated porcelain panels, creating a remarkable visual relationship between the sculptural mounts and the ceramic decoration. The clock is surmounted by a large polychrome porcelain vessel held within an elaborate gilt-metal mount and decorated in a vivid palette of deep raspberry, turquoise, violet, red and gold. Similar colors and fantastical creatures appear throughout the numerous inset porcelain plaques and on the central dial. Individual black Roman-numeral cartouches surround the dial, contributing to the highly architectural character of the composition. The pair of tall matching candelabra continue the same elaborate decorative vocabulary, with five-light arrangements, scrolling branches, architectural finials, polychrome porcelain elements and griffin-form supports. Stylistically, the garniture belongs to the eclectic Historicist vocabulary of the later 19th century, combining Neo-Gothic and Renaissance Revival elements with a more exotic Orientalist or Japonisant sensibility. The pronounced use of fantastical animals, vivid color and elaborate architectural metalwork distinguishes the ensemble considerably from more conventional porcelain-mounted French clock garnitures of the period. Of particular interest, inspection of the porcelain components revealed at least three concealed handwritten inscriptions apparently reading “Gallé” on reverse or interior surfaces. These inscriptions are hidden once the components are assembled and appear to have served a workshop or production-related purpose. The inscriptions are recorded exactly as observed. No definitive documentary attribution to Émile Gallé or the Maison Gallé has presently been established, and any such attribution remains preliminary. Their repetition on several separate porcelain components is nevertheless noteworthy and merits further research. The garniture is exceptionally substantial in construction. The clock alone weighs approximately 10 kg, while each candelabrum weighs approximately 4 kg. The mechanical movement was tested continuously for approximately 24 hours prior to listing. During this test, the clock remained in operation and the striking mechanism functioned correctly. The movement was therefore found to be in good working order at the time of testing. As with any antique mechanical clock...

An impressive and richly ornamented French mantel clock executed in the exuberant Louis XV Revival taste, dating to the late 19th century and housing an authentic AD Mougin movement....

“Bracket” table clock with automata and chime. Metal, glass, etc. Spencer & Perkins. London, 1765-1806. Perfect working condition. The clock features a lacquered case with gilt bro...

Elegant skeleton table clock, made in 19th-century France. The piece features a gilt bronze structure with a frame of openwork plates. It rests on an elliptical ebonized wood base, ...

Travel clock with case. Metal, glass, leather, etc. XIX century. Case with lid at the top and front with a transparent glass sheet, upholstered on the inside, containing a travel cl...

Grand father case clock with Chinese figures xixth English clock from the 19th century decorated with Asian landscapes. The clock works perfectly and is ...

Exceptional and rare 19th-century rotating terrestrial globe clock, combining scientific instrument and horology in a highly sophisticated and decorative form. The piece features a ...

Exceptional monumental gilt bronze mantel clock dating from the 19th century, signed on the dial by the renowned Parisian clockmaker Henry Marc, Paris, one of the most respected name...

The case is veneered in herringbone parquetry with a central marquetry trophy of musical instruments, ribbons and hanging swags. The ornaments are carved wood, gilt and bronzed: a ri...

An exceptional French mantel clock by Viot & Cie, dating to the Napoleon III period, circa 1860–1880. The sculptural composition features a finely cast peacock supporting the circul...

Empire mantel clock in mercury-gilt bronze, France, early 19th century Magnificent French Empire-era clock, made in mercury-gilt bronze with a fine allegorical scene: an angel playin...

An exceptionally elaborate French three-piece mantel clock garniture dating to the second half of the 19th century, circa 1870, comprising a monumental mantel clock and its original pair of five-light candelabra. Richly conceived in the historicist taste of the Napoleon III period, the ensemble is distinguished by an extraordinary density of sculptural and architectural ornament. The clock is constructed as an elaborate architectural composition, its circular white enamel dial framed by a finely ornamented gilt surround and flanked by tall, fluted classical columns. Particularly striking is the large central decorative panel beneath the dial. It is modelled in high relief with a classical female mask emerging from an elaborate symmetrical arrangement of scrolling acanthus foliage, flowers and arabesques. The ornament continues throughout the case, with floral garlands, foliate scrolls, palmettes, beading, moulded borders and richly worked architectural details creating an exceptionally opulent surface. The upper section is crowned by a substantial classical urn with a domed cover and finial. Its fluted and lobed body is surrounded by sweeping foliate handles terminating in flame-like elements, giving the clock a particularly imposing vertical silhouette. On either side of the clock, scrolling architectural extensions are surmounted by smaller ornamental urns and richly modelled foliage. The lower section incorporates further floral panels, classical motifs and boldly scrolling feet, producing an unusually complex and balanced composition when viewed from the front. The white enamel dial displays blue Roman numerals for the hours and an outer Arabic minute track, complemented by an elaborate pair of pierced gilt hands. Two winding apertures indicate the time-and-strike movement. The movement bears the Japy Frères mark, one of the most important names associated with French clockmaking of the 19th century. The accompanying candelabra were conceived as an integral part of the garniture and repeat the ornamental vocabulary of the clock. Each rises from an architectural base richly decorated with floral reliefs, scrollwork and foliate feet. Above is a large classical urn-form body with fluting and applied ornament, from which emerge five candle branches. The branches form an elegant symmetrical arrangement of tightly coiled volutes and acanthus foliage. The central candleholder is elevated above the four surrounding lights, creating the characteristic tiered silhouette of an important French mantel garniture. The candle cups themselves are finely modelled with fluted classical decoration. The ensemble retains its gilt surface, whose warm tone beautifully emphasizes the remarkable depth and variety of the cast decoration. The clock is accompanied by its shaped wooden display base, finished to complement the architecture of the case. The original pendulum and two keys are also present. With the clock measuring approximately 47 cm (18.5 in.) high on its base and each candelabrum approximately 46 cm (18.1 in.) high, the complete garniture has considerable presence. The substantial weight — approximately 8 kg for the clock alone and approximately 3.5 kg for each candelabrum — further reflects the substantial construction of the ensemble. A highly decorative and imposing example of French 19th-century horological and decorative arts, conceived as a unified mantelpiece composition and particularly impressive for its elaborate sculptural ornament, substantial proportions and survival as a complete three-piece ensemble. Dimensions: Clock without wooden base: 38 cm wide × 43 cm high / 15.0 × 16.9 in. Clock with wooden base: 42 cm wide × 47 cm high / 16.5 × 18.5 in. Each candelabrum: 17 cm wide × 46 cm high / 6.7 × 18.1 in. Approximate weight of clock without base: 8 kg / 17.6 lb Approximate weight of each candelabrum: 3.5 kg / 7.7 lb Condition: The garniture is preserved in very good antique condition, with age-related wear consistent with its 19th-century date. The gilt surfaces remain remarkably well preserved overall, retaining a rich and visually impressive appearance. The enamel dial shows a small area of historic restoration around the Roman numeral IV, where part of the numeral and the adjacent enamel have been carefully restored. Minor surface traces consistent with age are also visible. The original convex front glass is no longer present. The rear glazed door and its glass remain in place. The clock has been wound and tested through one complete winding cycle and operated correctly during testing, including the striking mechanism. As with any antique mechanical clock...

Pocket watch, Lz MAURIN. Gilded metal, enamels, etc. XIX century. Pocket watch with a white dial with Roman numerals for the hours and, for the minutes, in Romans every fifteen an...

This particular wall clock with lacquered walnut and wooden hands measures 105 cm in diameter and also has parts - such as the hoop and the case - in chromed steel. Its design fits e...

FOR THE FIRST TIME, NOMON WORKS WITH SUBTLY FOLDED WOODEN STRIPS. THE SILHOUETTE CONNECTS US WITH NATURE, EMULATING AN OPEN FLOWER IN ALL ITS SPLENDOR. Clock made with natural wal...

Reinventing with its structures Nomon brings you a clock from the desktop collection with an innovative and elegant design. The Omega I Clock impresses by keeping a clock suspended in the air while losing its depth by removing unnecessary items and making it simple and glamorous. A fashion clock that will give your home office or business the sophistication you were looking for. The latest trend in office decoration pieces and elegant spaces is here with the desktop clock...

A magnificent Napoleon III period mantel clock, dating to around 1865-1875, crafted in deep bleu de Sèvres-style porcelain and richly decorated with finely chased gilt bronze (ormolu...

Louis XVI style mantel clock. Biscuit, metal, glass. Crosnier, Paris, France, circa 1900. It has defects. A table clock made of bisque porcelain with metal fittings, featuring a wh...

Table clock “cadran tournant”. Bronze, marble. Following models by Augustin Pajou (France, 1730 1809). Movement in working order. A table clock consisting of a stepped base of carv...

A tribute that aims to recover the prestige of grandf ther pendulum clocks by renewing their aesthetics. It can be installed on the wall or to the ceiling. Body and hands in wal...

19th century Spanish bronze and mother of pearl watch stand topped with a parrot.

Table clock, “L'Etude” and “La Philosophie”. Gilt bronze, Rouge Griotte, etc. Mesnil movement, Paris, France, circa 1815. In perfect working order. Table clock with a Rouge Griotte...

The Nomon Mini Bilbao Clock is a wall clock in the miniature version of the Bilbao clock. The regular version of this clock design measures about 100 cm in diameter while its reduced...

Superb and large brutalist clock designed and made by Leopold in spain in the 1970s. Handcrafted structure in bronze and aluminum. Beautiful design object that will decorate your int...

PICO ø40cm Avant-garde design with a nordic air, which combines walnut wood or oak finished wood with black and white colours. Available in Black and Walnut, white and O...

Cross-shaped chest clock. Silver. 17th century. It presents restorations. Portable clock in the shape of a cross with an openwork exterior showing Christian figurative scenes and the movement inside, a dial with a golden band with Roman numerals for the hours, a single needle and an engraved decoration around it, also with a religious theme; on the back, the back of the movement can be seen, with a delicate decoration, also openwork and based on plant motifs reminiscent of classicism, and a band on the case of the piece with simplified plant elements. Outside, we find ourselves on one side with Christ crucified, flanked by the Virgin Mary and Saint John, and the figures are surrounded by a delicate composition based on vegetable scrolls, with an angel's head at the foot of the piece. The other side shows the Resurrection of Jesus, with Christ emerging from the empty tomb...

Very large and heavy bronze clock,the bronze is gilded and patinated. The work of the bronze i very fine quality. Signed:CLODION. 90 cm high and 50 kg aprox 19th century very go...

The Sun Clock was created by David Marshall, from sand cast aluminium and brass. We use recycled materials all our pieces are handmade, mounted and finished in our foundry and works...

Walnut and brass details elevate the presence of the Punto y Coma model. An essential piece for those who want to add personality to a sober environment. Body and hands in walnut ...

Black glass fiber double-ring wall clock that contains the walnut case and clock hands in the center. The whole set is grouped and fastened by a support with two rods and support to the wall that serve to indicate two time points. ¯66 cm. mini version of the famous Barcelona clock. This wall clock that Nomon offers us is a very original accessory that is ideal for design houses since it has a style that makes it a unique piece by perfectly combining with the various types of modern decoration that exist today. It is the mini version of the classic Barcelona clock by Nomon so it has a circumference measuring 66 centimeters standing out among the modern wall clocks that can be installed in medium or small rooms where it usually stands out for the elegant and sophisticated design that characterizes it. The structure of this designer clock...