John Grillo On Sale

John Grillo 1917–2014 A leading exponent of Bay Area Abstract Expressionism during the 1940s, John Grillo was a painter, sculptor, and printmaker regarded as one the purest and most influential “action painters” on the West Coast. Though his diverse and colorful body of work ranged from abstraction to figuration, his art is considered linked in its uniquely aggressive and spontaneous approach. Grillo creates bold, fluid, gestural works such as Untitled #69 (1947) and Untitled (1949) that draw on the influence of Surrealist automatism. After moving to New York in 1948, Grillo began a series of paintings consisting of small, precisely organized colored squares, as seen in Untitled (1951) and Untitled (1959); these and other works were influenced by the color theories of Hans Hofmann, with whom he studied. Grillo’s later work was more figurative, but no less colorful, with works such as Blue Hat (1978) or Duerme (1980) recalling the Expressionism of Max Beckmann. 1947 Daliel Gallery 1960 Tanager Gallery 1961 The Howard Wise Gallery 1962 University of California, Berkeley 1964 Butler Institute of American Art 1969 Benedict Art Center 1970 Robert Dain Gallery 1973 Landmark Gallery 1982 Jean Lumbard Fine Arts 1984 Museo de Arte Moderna 2000 Aaron Gallery 1988 Provincetown Art Association Selected Group Exhibitions 1950 The Kootz Gallery 1955 Walker Arts Center 1953 Whitney Museum of American Art 1960 Walker Art Center 1961 Solomon R. Guggenheim Museum 1961 Yale University 1962 Dallas Museum of Fine Arts 1962 Seattle Worlds Fair 1963 Museum of Modern Art, New York 1963 San Francisco Museum of Modern Art 1970 The Brooklyn Museum of Art 1973 The Oakland Museum of California 1979 The Metropolitan Museum of Art 1996 The Laguna Beach Museum Selected Collections The British Museum The Metropolitan Museum of Art The Solomon R. Guggenheim Museum of Art The Whitney Museum of American Art The Brooklyn Museum of Art Walker Art Center Los Angeles County Museum Butler Institute of American Art Bundy Art Gallery Museum Smith College Museum Bennington College Portland Museum

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.