Frank Avray Wilson

Denis Bowen was a South African artist, gallery director and promoter of abstract and avant-garde art in Britain. He was the founder of the New Vision Group and the New Vision Centre Gallery, both of which played an important role in the post-World War II British art scene. Bowen was born on 5 April 1921 in Kimberley, South Africa. His father was Welsh and his mother English. After being orphaned at a young age, Bowen moved to England, where he was raised by his aunt in Huddersfield. He enrolled at the Huddersfield School of Art in 1936. After serving in the Navy in World War II, Bowen resumed his art studies at the Royal College of Art in London in 1946.

Between 1940 and 1986 Bowen taught art at numerous institutions, including the Kingston Institute of Art, Hammersmith School of Art, Birmingham School of Art, the Central School of Art and Design, the Royal College of Art and the University of British Columbia in Vancouver. In 1951, Bowen founded the New Vision Group, which initially emerged from meetings and displays that he organized with his students in 1951. In 1955, Bowen worked alongside Frank Avray Wilson (1914–2009) and Halima Nalecz (1917–2008) to open a permanent exhibition space for the New Vision Group and associated artists. Bowen, Wilson and Nalecz were all members of the New Vision Group and also the Free Painters Group (later Free Painters and Sculptors), which had been founded a few years earlier.

Their new exhibition space was called the New Vision Centre Gallery (NVCG) and was located on Seymour Place in the Marble Arch area of London. While the importance of the NVCG was often overlooked while it was active, its significant role in shaping British art in the postwar period, and in promoting international artists and abstract art in particular has been recognized in subsequent years. Artists who exhibited at the NVCG included Aubrey Williams (1926–90), Judy Cassab (1920–2015), Ron Russell (1923–94), and Rotraut. Bowen served as director of the gallery from the time of its opening to the time of its closure in 1966.

Working alongside British artist Kenneth Coutts-Smith (1929–81), Bowen launched the Commonwealth Biennale of Abstract Art at the NVGC in 1963. In the early years of his artistic career, from the early 1950s to the mid-1960s, Bowen formed part of a small group of UK-based artists who were associated with Tachisme and Art Informel. Between 1969 and 1980, he produced a series of psychedelic works that incorporated lighting effects (including the use of UV lights), music and live music performances. From the 1980s onward, Bowen's work developed cosmological and planetary themes.

Bring audacious experiments with color and textures to your living room, dining room or home office. Abstract paintings, large or small, will stand out in your space, encouraging conversation and introducing a museum-like atmosphere that’s welcoming and conducive to creating memorable gatherings.

Abstract art has origins in 19th-century Europe, but it came into its own as a significant movement during the 20th century. Early practitioners of abstraction included Wassily Kandinsky, although painters were exploring nonfigurative art prior to the influential Russian artist’s efforts, which were inspired by music and religion. Abstract painters endeavored to create works that didn’t focus on the outside world’s conventional subjects, and even when artists depicted realistic subjects, they worked in an abstract mode to do so.

In 1940s-era New York City, a group of painters working in the abstract mode created radical work that looked to European avant-garde artists as well as to the art of ancient cultures, prioritizing improvisation, immediacy and direct personal expression. While they were never formally affiliated with one another, we know them today as Abstract Expressionists.

The male contingent of the Abstract Expressionists, which includes Jackson Pollock, Willem de Kooning and Robert Motherwell, is frequently cited in discussing leading figures of this internationally influential postwar art movement. However, the women of Abstract Expressionism, such as Helen Frankenthaler, Lee Krasner, Joan Mitchell and others, were equally involved in the art world of the time. Sexism, family obligations and societal pressures contributed to a long history of their being overlooked, but the female Abstract Expressionists experimented vigorously, developed their own style and produced significant bodies of work.

Draw your guests into abstract oil paintings across different eras and countries of origin. On 1stDibs, you’ll find an expansive range of abstract paintings along with a guide on how to arrange your wonderful new wall art.

If you’re working with a small living space, a colorful, oversize work can create depth in a given room, but there isn’t any need to overwhelm your interior with a sprawling pièce de résistance. Colorful abstractions of any size can pop against a white wall in your living room, but if you’re working with a colored backdrop, you may wish to stick to colors that complement the decor that is already in the space. Alternatively, let your painting make a statement on its own, regardless of its surroundings, or group it, gallery-style, with other works.