American Brilliant Cut Glass Plate

Hand-cutting allowed these glasses to be cut more deeply then modern machine-cut glasses, creating greater reflection of light and a more brilliant appearance.

An exceptional American Brilliant Period cut glass plate by the preeminent T.

Finest antique American brilliant period hand-cut crystal champagne or lemonade pitcher with exceptional "bright cut" hand engraved STERLING SILVER COLLAR AND LIP Sterling lip and...

Deep and intricate cutting distinguish this exceptional American Brilliant Period cut-glass plate by Sinclaire.

Three American Brilliant Period cut glass decanters are cleverly “locked” within this silver plate and oak Georgia tantalus.

The coffee pot is believed to be the rarest form of American Brilliant Period cut glass, and this highly sought-after example was almost certainly crafted by the Meriden Cut Glass Co.

A Wonderful Pairpoint Silver Plate Punch Ladle American With A Brilliant Cut Crystal Handle

This is an exquisite and rare antique English silver plated entree dish by the world renowned retailser Asprey, of London circa 1870 in date. The entree dish features a square shape...

This is a superb Asprey walnut boxed canteen of Louis XVI pattern sterling silver flatware, complete for eight place settings, made for Asprey by the renowned Sheffield silversmith R...

French Art Deco chandelier by Charles Schneider (Epinay-sur-Seine, Paris), France, 1924-1928. Mottled glass shades, powders are applied between two layers that comes hung at their or...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

Elaborately cut American Brilliant glass table lamp. The base and shad are original with all around spear hanging crystals.

Small American Brilliant Cut Glass and Silver-plate Table Lamp, c. 1905, baluster from standard, prism-hung band with dome shade, cut with fans and starburst.

The design has strong geometric qualities with the cubes of the glass strongly contrasting to the circular cut-outs of the bulbs.

after Henri Matisse - Zulma - Lithograph Artist : Henri MATISSE posthumous edition of 200 after the original paper cut-out signature printed in the plate 80 x 60 cm With stamp of t...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

Henri Matisse - The Saint Michel Bridge - Original Etching Signed in the plate Dimensions : 13 x 10". Paper : Rives vellum.

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

In the same year the American photographer Alfred Stieglitz in New York organized him one-man show in his tiny Manhattan gallery called 291 which effectively introduced Matisse the p...

A very fine French antique patinated bronze figural group titled Pro Patria by Edouard Drouot (French, 1859-1945) late 19th century. Depicting a figure of winged Victory with a ...

Weave 196 Birch natural oil Weave credenza, made of solid birch wood and laminated birch veneér. Modern yet classic, bold yet modest the credenza serves as a great example of Scand...

Neoclassical-Style, Continental Silver (.800), paw-footed chocolate pot with wood handle and hinged lid, Dutch, year-hallmarked for 1886, Ate deGroot Boersma Sneek - maker. Beautifu...

Amuneal's Brass Pantry Cabinetry, part of our metal Kitchen Collection, is designed as a feature element for any space. The three doors on the upper cabinets are fabricated with a kn...

Inspired by the sun blocks or brises soleil featured on Modernist architecture which has captivated Alessandra Delgado since the early days of her career as a designer, Athena creden...

A six panelled screen of the late Baroque period Oil on canvas, depicting a panoramic view of a Capriccio north European landscape, perhaps Schlesweig-Holstein, with distant views o...

Royal House Antiques Royal House Antiques is delighted to offer for sale this important, Museum Quality German safe attributed to Johann Gottlied Dittman and Sigmund Gatchen Please...

Beyond belief! This set is museum worthy, exhibiting some of the finest workmanship Minton produced. The centerpiece features an exquisite pierced tall basket lifted up by 3 tall Par...

Charles Rennie Mackintosh (1868-1928), made by Guthrie and Wells. A Glasgow School Arts and Crafts stained green cypress wood wardrobe, with white opaque textured square glass detai...

This set of 12 Royal Doulton dinner or cabinet plates is hand-painted with landscape and garden scenes in a bright vibrant palette. Each unique plate has the garden (Dingley Park, Dr...

A very fine and palatial French 19th-20th century Louis XV style gilt bronze (Ormolu) and fitted-Baccarat crystal (cut-glass) twenty-six-light figural chandelier with five large cher...

Futuristic elegance. A glossy, white lacquer cabinet cradled by a sinuous brass framework and capped with blue solid acrylic cabochons. Small footprint but big impact, our Globo cons...

Concrete ceiling lamp designed by Cantonese studio Bentu Design. (Sold individually) 18 cm High; 9,6 cm Diameter Wire: 2Meters Black, Red, Yellow or Blue (adjustable) Lamp Type: E2...

This red coral specimen, with flowing lines and organic form, is a beautiful example of how the work of nature can be, and has been, celebrated as art. The coral has been mounted on ...

This outstanding fossilised skeleton is that of the ancestral crocodile species Steneosaurus bollensis that lived during the early Jurassic period. The skeleton, complete with armour...

Anni Trenta terra floor lamp, designed and manufactured by Venini, features sinuous lines, clearly reminiscent of the 1930s. Indoor use only. Dimensions: Ø 32 cm, H 183 cm.