Rosa Brun

Doble giro, estructuras variables (naranja)

2018

Joseph Kosuth, father of conceptual art, once famously said: “Works of art that try to tell us something about the world are bound to fail (…)The absence of reality in art is exactly...

Joseph Kosuth, father of conceptual art, once famously said: “Works of art that try to tell us something about the world are bound to fail (…)The absence of reality in art is exactly...

Joseph Kosuth, father of conceptual art, once famously said: “Works of art that try to tell us something about the world are bound to fail (…)The absence of reality in art is exactly...

Joseph Kosuth, father of conceptual art, once famously said: “Works of art that try to tell us something about the world are bound to fail (…)The absence of reality in art is exactly...

In 1914, a group of intrepid young men set forth into the northern wilderness with the ambition to document the uncharted territory of the Canadian collective unconscious. Their medium was that of sketchbooks and paint, and with these they rendered a vast and previously unknowable landscape into a tangible national identity. One could call their distinct style picturesque, as it cohered to many of the attributes prescribed by 18th century thinker William Gilpen – for capturing nature so as to make it both palatable and empowering for the viewer. During the romantic period in Europe, certain visual tropes emphasized the beauty of the natural landscape despite the rapid advancements of industrialism. As such, the picturesque, when applied properly, enabled the viewer to apprehend and revel in the vastness of change and opportunity with which they were presently confronted. It is at a similar juncture that we contemplate the works of contemporary sculptor and installation artist Shayne Dark, who’s large scale arborescent schemes present a striking encapsulation of both the magnitude as well as the limits of our natural resources. In an age where the re-assessment of our modes of production and consumption has become a main constituent of our identity, his work serves as a potent reminder of this position’s precarity. One piece resembling a cluster of branches, for example, balances in a tenuous fashion, relying on the equal distribution of weight among all its parts to stay upright. In another work, the boughs extend upwards from a base so small it threatens to tip over. As opposed to the romantic and idealized conceptions of a nature as realized in the compositions of the Group of Seven, Dark, by working in the industrial material of hot forged steel, acknowledges the imprint of the human hand on our surroundings. As art critic and theorist Rosalind Krauss...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

Experience the captivating "Tectonics 030", a striking wall sculpture that delves into the interplay of structure and rhythm. This oversized piece, meticulously crafted from carved a...

With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...