A. Nisak

Original poster of Sidney Bechet an iconic American jazz clarinetist

1956

This striking original poster from circa 1945 was illustrated by James Rassiat and commissioned by Les Établissements Marcel Faivre, a Parisian firm located at 7 Rue de Montreuil in ...

Beautiful advertising poster of Rene Vincent for the cigars and cigarettes of the French company. Art Deco - Tobacco - Advertising French Régie Bedos & Cie Paris

Original poster made in 1962 by A. Hage to promote the 3rd international jazz festival, which took place in Antibes and Juan-les-pins. Exhibition - Music - Show - Antibes Juan Les ...

This beautiful original 1930's modern style poster was created for the opening of the new Alhambra Theater, featuring Maurice Chevalier. The actor is dressed in a black bow tie...

Original “Chicago Continental Airlines” linen-backed mint vintage poster. FREE Continental USA shipping on this Continental poster! Step back in ...

ONE OF THE GREAT JAZZ PLAYERS - This Framed Poster is believed to be a 1st Edition and is Very Rare. It is signed with a copyright mark and IS NOT A REPRO...

This is more than a cover illustration depicting the legendary Charlie Parker playing the saxophone. It's an inventive graphic design concept from trailblazing illustrator Robert Weaver. By showing the subject in two parts. The artwork's visual idea is as radical as Parker's music. A wide shot and a close-up butted together dynamically communicates an energetic motion and movement in a still image. Signed lower right. Record album cover illustration for Charlie Parker: Bird with Strings Live at the Apollo, Carnegie Hall and Birdland (Columbia Records, 1976). From Wikipedia: Robert Weaver (July 5, 1924 – September 4, 1994) was an American illustrator who was considered a pioneer of a contemporary approach to the field that began in the 1950s. Biography Beginning in 1952, he embarked on a mission to combine the visual ideas found in fine art with the responsibility of journalist. At the time, many practitioners of illustration were expected to paint and draw for advertising and magazine assignments with artwork that was conservative, idealized and saccharine, while other illustrators such as Ronald Searle, Arthur Szyk, George Grosz, Kathe Kollwitz and later Ralph Steadman and Tomi Ungerer injected their own opinion into the matter. Weaver joined this latter tradition by moving his role of an illustrator from a page decorator to a journalist. He ventured from the typical haven of an illustrator's studio into the world and used a pencil to observe, record facts, and draw real life based visual essays, the way that illustrators such as Burt Silverman and Franklin McMahon did. This approach would later be termed "visual journalism" and in 1983 would form the basis of a special masters degree, Illustration as Visual Essay, from the School of Visual Arts in New York. He died at his home in Manhattan on September 4, 1994.[1] Career and legacy In an article for the AIGA in 1990, noted graphic art historian Steve Heller categorized Weaver as a journalistic illustrator. Other artists included Bob Gill, Jack Beck, Robert Andrew Parker, Thomas B. Allen and Philip Hays. They received crucial assignments from a group of visionary art directors that included Cipe Pineles...

Fab original Polish Jazz Society Louis 'Satchmo' Armstrong poster. Walicki created this celebration of American jazz to promote the Polish Jazz Society. Armstrong flashes his wonder...