2014
Although Conceptual artist John Baldessari is best known for the richly provocative juxtapositions of photographic images and text that characterize his prints and paintings, he actually had something of a traditional art world upbringing — if such a thing exists.
Born in Southern California, Baldessari earned several art degrees, from art education to art history to painting. He also taught art at various institutions such as the California Institute of the Arts throughout his life. Among his many students were David Salle, Tony Oursler, Jim Shaw and Mike Kelley. While helping to shape the art world in Los Angeles, he simultaneously developed his own name as an artist.
In the 1950s, Baldessari’s works were primarily semiabstract paintings, but during the late 1960s, he began to distance himself from painting, as he bristled at the idea of limiting art to a single medium. Baldessari decided to take his career in a dramatically different direction. He burned all his paintings at a funeral home in San Diego, then incorporated the ashes into cookie dough, producing (nonedible) baked goods for an exhibition at the Museum of Modern Art in New York City.
“It was a very public and symbolic act,” he said, “like announcing you’re going on a diet in order to stick to it.”
From that point on, Baldessari took on an MO of experimentation, dabbling in mediums from video to printmaking to sculpture. “I just stare at something and say: Why isn’t that art? Why couldn’t that be art?” he said in an interview in 2008.
The works for which Baldessari is most highly regarded, however, are striking collages of images and text — many of which are seemingly nonsensical — such as Tom’s Hand Grips the Steering, Wheel… (2015), in which the title’s text is displayed beneath a hippopotamus. As such is his body of work: bringing a sense of joviality to the sometimes too-serious world of Conceptual art.
Before he died in 2020, Baldessari was honored with the 2014 National Medal of Arts Award, the Americans for the Arts Lifetime Achievement Award, the Venice Biennale’s Golden Lion for Lifetime Achievement and more.
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"John Baldessari [Two Ships]"
By John Baldessari
Located in New York, NY
John Baldessari "John Baldessari [Two Ships]" Margo Leavin Gallery, Los Angeles, 1986 Exhibition Poster 18 x 24 inches Unsigned
Offset
Object (with Flaw)
By John Baldessari
Located in New York, NY
Color lithograph in two parts, on two separate sheets of Arches 88 paper, these two sheets comprise two of the four parts of the original "Object (with Flaw)" publication, 1988. One...
Lithograph, Color
$2,800
H 26 in W 11.5 in
Signed John Baldessari print 1991 (Baldessari Love and Work)
By John Baldessari
Located in NEW YORK, NY
John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.
Aquatint, Photogravure, Lithograph, Screen
$350
H 19 in W 26.75 in D 0.1 in
Not Even So Exhibition Poster, Offset Print, Contemporary, 1989
By John Baldessari
Located in Brooklyn, NY
Not Even So is an original exhibition poster created by John Baldessari for his 1989 exhibition at Ivam Centre Julio González. The poster features a striking split image—on one side,...
Offset
$14,625
H 11 in W 8.5 in
Untitled, from 8 Plants x 6 = 48, Set of 2 Unique Screen Prints, Signed, 1998
By John Baldessari
Located in Aventura, FL
From 8 Plants x 6 = 48 series. Unique color inkjet print variants on Hewlett Packard Satin-Gloss photo paper. Each is hand signed and dated by the artist. Sheet size 11 x 8.5 inches...
Paper, Screen
$5,706
H 24.26 in W 36.03 in
John Baldessari: Two Assemblages (with R, O, Y, G, B, V Transparent), Signed
By John Baldessari
Located in Hamburg, DE
John Baldessari (American, 1931-2020) Two Assemblages (with R, O, Y, G, B, V Transparent), 2003 Medium: Lithograph and screen print on vellum Dimensions: 61.6 x 91.5 cm Edition of 50...
Lithograph
Adam Wasn't Into It
By John Baldessari
Located in Calabasas, CA
Artist: Johns Baldessari Title: Adam Wasn't Into It Year: 2017 Medium: Screenprint on Arches 88 paper Edition: 50; signed, dated and numbered in pencil Sheet: 32 1/2 x 28 inches (82....
Screen
John Baldessari Sonnabend Gallery 1981 (announcement)
By John Baldessari
Located in NEW YORK, NY
John Baldessari, Sonnabend Gallery New York 1981: Rare early 1980s John Baldessari exhibition announcement published on the occasion of: "Shape Derived from Subject (Snake): Used as ...
Lithograph, Offset
John Baldessari - Man With Snake
By John Baldessari
Located in Hamburg, DE
John Baldessari (American, 1931-2020) Man with Snake (Blue and Yellow), 1990 Medium: Lithograph in colors, on wove paper Dimensions: 45.7 x 35.5 cm (18 x 14 in) Edition of 170: Hand-...
Lithograph
$22,000
H 30 in W 22 in
Hero, 2017 Screenprint in Colors on Archival Pigment Print by John Baldessari
By John Baldessari
Located in Miami, FL
TECHNICAL INFORMATION: John Baldessari Hero 2017 Screenprint in colors on archival pigment print 30 x 22 in. Edition of 56/65 Pencil signed and numbered Condition: This work is in ...
Archival Pigment, Screen
Picabia II (Forgot)
By Jim Dine
Located in New York, NY
Offset lithograph, using a single zinc plate, with collage in colors printed from a watercolor on Hodgkinson mould paper Signed, numbered, and dated on recto
Lithograph
Fureur, tu me Traites Comme la Tristesse
By Max Ernst
Located in New York, NY
Signed and numbered in pencil Lithograph 20.5 x 17 inches Edition 64 of 70
Lithograph
Committee 2000 (FS.II.289)
By Andy Warhol
Located in New York, NY
Screenprint in colors on Lenox Museum Board Frame: 43.5 x 32.5 in. Edition of 2000 (plus 200 APs) Printed by Rupert Jasen Smith, New York Published by Committee 2000, Munich, Germany...
Screen
Vintage Mona Lisa
By Mr. Brainwash
Located in New York, NY
Vintage Mona Lisa, 2020 Signed and numbered in pencil with thumbprint in verso Silkscreen 22.5 x 30 inches Edition 15 of 35
Screen
Flower and Sun
By Mr. Brainwash
Located in New York, NY
Signed and thumb printed by artist Edition 55 of 89 Color screenprint on Archival Paper
Archival Paper, Screen
Olympia and Ollie
By Milton Glaser
Located in New York, NY
Frame: 22 x 29 in. Signed, titled, and editioned in pencil
Lithograph
