Emilio Greco

Return of Ulysses Etching, Signed, Edition 25/90, Contemporary, 1970

1970

Etching on paper. Hand-signed and numbered by artist in pencil. Editions of 90 copies (11/90) Published in general catalog "Emilio Greco Incisioni e Litogrefie", by Maurizio Calve...

Etching on paper. Hand-signed and numbered by artist in pencil. Artist Proof, aside of an edition of 90. Ref. Catalogue Raisonné "Emilio Greco Incisioni e Litogrefie", by Maurizio...

Hand-signed and numbered. Edition 1/90. Ref: "Emilio Greco Incisioni e Litogrefie", by Maurizio Calvesi, Cigno Edizioni, Roma, 1995, N. 120 Image dimensions: 60x50 cm. Emilio Grec...

Lovers is a modern artwork realized by Emilio Greco in 1970s. Black and white photolithograph. Hand signed and numbered on the lower margin. Edition of 31/50. Includes frame: 60 ...

"Study 6" - 1975 Figurative Lithograph on Paper Abstract figurative lithograph by Jim Smyth (American, b. 1938). The nude figure is seen with one hand above her head, holding a cloth, as she gazes down. Numbered, titled, signed and dated along bottom. "5/12", "Study 6", "Smyth 75." Presented in a brown mat. Mat: 16"H x 12"W Paper: 10 1/2"H x 8"W Image:9 1/4"H x 6 1/2"W Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld...

Federico Castellon, Spanish-American (1914 - 1971) - Touching, Year: circa 1965, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 31/100, Image Size: 19.75 x...

Adam and Eve II Juan Garcia Ripolles Spanish (1932) Date: 1981 Lithograph, signed and numbered in pencil Edition of 12 Image Size: 14 x 16.75 inches Size: 19.5 x 27.5 in. (49.53 x ...

A surreal drypoint etching with aquatint by James Spence. Multiple nude female forms overlap, evoking an out-of-body experience or dream-like state. Signed and dated below the plate ...