Ben Messick
Young Girl by the Window, Mid-century Portrait
c. 1940

Name: Young Girl by the Window, Mid-century Portrait
Brand: Ben Messick
Rating: 5 (372 reviews)

$600

$75020% Off

£455.60

£569.5020% Off

€546.47

€683.0920% Off

CA$859.30

CA$1,074.1320% Off

A$887

A$1,108.7520% Off

CHF 499.96

CHF 624.9420% Off

MX$11,475.72

MX$14,344.6520% Off

NOK 5,703.96

NOK 7,129.9520% Off

SEK 6,017.43

SEK 7,521.7920% Off

DKK 4,084.53

DKK 5,105.6620% Off

About the Item

Mid-century portrait of a young girl by a window by acclaimed California artist Ben Messick (American, 1891-1981). Signed "Ben Messick" in plate, and in pencil in the lower right corner, by the estate. Presented in an off-white mat. Unframed. Paper size: 12"H x 12"W The following is submitted by Jim Lafferty whose sources include the autobiography of the artist: William Washington Messick married Sarah A. Bristow January 2,1889 and from this marriage a son, Benjamin Newton Messick was born on January 9, 1891 on a farm near Strafford, Missouri. His art talent was apparent from the time he was a child and later recognized by his commanding officer in World War I. He completed his training in Los Angeles at Chouinard in the late-1920s and is well-known for his Regionalist scenes and Modernist paintings. He was an instructor at Chouinard through the 1950s & influenced a generation of LA Modernists. Little is recorded in his autobiography about Messick's life from his teen years and service during the War. He enrolled at Chouinard Institute in the Fall of 1925, and was given a three-year scholarship by Mrs. Chouinard. In 1925 he won a cash award at the Los Angeles County Fair for a group of pen and charcoal drawings done in the parks and streets of Los Angeles. These works give the appearance of being spontaneous and fluid. In 1930 Messick left Chouinard as a full-time student and rented an apartment on West Eighth Street to use as a studio and living quarters. He had his own ideas on what he was trying to accomplish in art. "If you should ask what is the message of my drawings, I should say that they may explain themselves or may be just a technical exercise." By the mid 1940s, Messick's position in the art world had been well established as a teacher, painter, printmaker, writer and critic. Over his life time he had over 400 shows and exhibitions. Starting in 1939 he produced a number of stone lithographs that appear to the untrained eye as original drawings. To Messick the image was the most important aspect of his lithographs, and his signature in the plate was sufficient. Hand signing each lithograph did not seem necessary to him. He exhibited prints widely including the Albany Print Club and the Metropolitian Museum. To further substantiate the authenticity of Messick's prints the Eclectic Gallery under the authority of the Messick family posthumously pencil signed each estate-acquired stone lithograph. Messick had a childhood fascination with the circus and started drawing and painting the circus in 1935. His circus work, especially his clown studies, and his lithographs became his trademark work for in the 1940s and 1950s. A critic for ART REVIEW described his Big Top work this way: "His circus canvases, however, are his most interesting and show where Messick's interest lies. His clown portraits are worthy of time and study because of the endless change he has caught in each face and for the underlying character that shines through the grotesque paint." As early as 1941, paintings by Messick were exhibiting elements of modernism in that his brush work was less labored and the style more expressionist. They often incorporated a degree of mysticism. This is evident in a series of clown portraits he did on tear-off palette paper. He called these works his Serendipity paintings. Note: In art reference literature the artist's birth year is often quoted as 1901. He apparently had made up this date when he was in art school and a lot older than his classmates. Velma Messick discovered the truth when she saw his driver's licence. (from a biography askART, submitted by Jim Lafferty whose sources include the autobiography of the artist:)

Creator:
Ben Messick (1891 - 1981, American)
Creation Year:
c. 1940
Dimensions:
Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)Depth: 0.25 in (6.35 mm)
Medium:
Paper,Ink
Movement & Style:
American Impressionist
Period:
1940-1949
Condition:
One spot of foxing in the lower left corner.
Gallery Location:
Soquel, CA
Reference Number:
Seller: JT-DBH70711stDibs: LU5428720662

Shop All Ben Messick

Ben Messick

Benjamin Newton Messick was born on January 9, 1891, on a farm near Strafford, Missouri. His art talent was apparent from the time he was a child and later recognized by his commanding officer in World War I. Little is recorded in his autobiography about Messick's life from his teen years and service during the War. He enrolled at Chouinard Institute in the Fall of 1925 and was given a three-year scholarship by Mrs. Chouinard. In 1925, he won a cash award at the Los Angeles County Fair for a group of pen and charcoal drawings done in the parks and streets of Los Angeles. These works give the appearance of being spontaneous and fluid. In 1930, Messick left Chouinard as a full-time student and rented an apartment on West Eighth Street to use as a studio and living quarters. He had his ideas on what he was trying to accomplish in art, “If you should ask what is the message of my drawings, I should say that they may explain themselves or maybe just a technical exercise.” By the mid-1940s, Messick's position in the art world had been well established as a teacher, painter, printmaker, writer and critic. Over his lifetime, he had over 400 shows and exhibitions. Starting in 1939, he produced several stone lithographs that appear to the untrained eye as original drawings. To Messick, the image was the most important aspect of his lithographs, and his signature on the plate was sufficient. Hand signing each lithograph did not seem necessary to him. He exhibited prints widely, including the Albany Print Club and the Metropolitan Museum. To further substantiate the authenticity of Messick's prints the Eclectic Gallery under the authority of the Messick family posthumously signed each estate-acquired stone lithograph. Messick had a childhood fascination with the circus and started drawing and painting the circus in 1935. His circus work, especially his clown studies, and his lithographs became his trademark work in the 1940s and 1950s. Messick died in 1981 in Apple Valley, California.

More From This Seller

View All

20th Century British drawing of a Girl Reading by Carolyn Sergeant

By Carolyn Sergeant

Located in London, GB

CAROLYN SERGEANT (1937-2018) Girl Reading Pencil and black chalk, heightened with white, unframed 40.5 by 28 cm., 16 by 11 in. (mount size 57 by 43 cm., 22 ½ by 17 in.) Carolyn Cann studied at Wimbledon School of Art (1955-59) and at the Royal Academy Schools (1959-62) where she was a Silver Medallist. At the Royal Academy Schools she met and later married her fellow student, John Sergeant. She had several one-man exhibitions in London, at the Fine Art Society, Colnaghi, Hazlitt, Gooden & Fox, the Waterhouse Gallery and Waterman Gallery. She also showed at the Leicester Galleries, Roland, Browse and Delbanco and elsewhere. In 1983 John and Carolyn bought an old run down farm house near Builth Wells in Powys, mid Wales. The house needed such extensive renovation that it took many years to complete. After their two sons...

Category