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Joana Vasconcelos
Filament II, Contemporary, 21st Century, Pigment Print, Limited Edition, Edition

2014

$2,368.89
$4,888.8151% Off
£1,774.58
£3,659.8451% Off
€2,080
€4,30051% Off
CA$3,363.75
CA$6,899.8351% Off
A$3,444.03
A$7,114.1151% Off
CHF 1,956.11
CHF 4,011.1251% Off
MX$44,044.58
MX$91,055.8351% Off
NOK 22,501.78
NOK 46,247.7051% Off
SEK 23,382.33
SEK 48,372.3851% Off
DKK 15,859.19
DKK 32,796.6151% Off

About the Item

Joana Vasconcelos, Filament II Filament II, Contemporary, 21st Century, Pigment Print, Limited Edition, Edition Pigment Print Edition of 25 111.8 x 85.3 cm (44 x 33.5 in) Signed and numbered, accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. Joana Vasconcelos’ creative process is based on the appropriation and at the same time decontextualization of pre-existent objects and everyday realities in combination with the materialization of concepts that challenge the pre-arranged routines of the quotidian affinities. "I like to create a space for discovery, a first moment where you capture what is obvious in the piece, where you can consume it in the first instant. But as you come closer, you discover there’s more to it and you start to deconstruct it." — Joana Vasconcelos Filament I and II, with their sparkling colors and geometric thus unreal shapes, have a hypnotic allure that gently and subtly leads the viewer in an oneiric atmosphere in which he thinks to recognize familiar motifs which, however, cannot be fully comprehended. JOANA VASCONCELOS Joana Vasconcelos (born 1971, Paris) is a Portugeese artist whose main interest lies in reviving the surrealistic ready-made, mixing it with a certain sense of Noveau Réalisme and Pop, she often starts out from ingenious operations of displacement. The Portuguese artist Joana Vasconcelos was born in Paris in 1971. As an artist Vasconcelos is interested in reviving the surrealistic ready-made, mixing it with a certain sense of Noveau Réalisme and Pop, she often starts out from ingenious operations of displacement. This can be seen in her site-specific art shows which are artistic interventions over pre-existent areas. “I am inspired by everyday life and my perspective is led by a critical observation of the world around me. My creative process is based upon the appropriation, contextualization, and subversion of pre-existent objects and everyday realities.” —Joana Vasconcelos Joana Vasconcelos places her works in dialog and confrontation with different spaces, decorations, themes, and histories. In her art, Vasconcelos appropriates, decontextualizes, and subverts pre-existent objects and everyday realities to challenge the prearranged routines of daily life. Her work engages in an investigation of gender, class, and national identities through the media of sculpture, installations, assemblages, video, and photography. This way of conceiving art becomes particularly clear in her show in the gardens and the inside of the chateau of Versailles in 2012 and in her project for the 55th Venice Biennale (2013), which determined the affirmation of her career within the international art circuit
  • Creator:
    Joana Vasconcelos (1971, Portuguese)
  • Creation Year:
    2014
  • Dimensions:
    Height: 44.02 in (111.8 cm)Width: 33.59 in (85.3 cm)
  • Medium:
    Pigment
  • Movement & Style:
    Contemporary
  • Period:
    2010-
  • Condition:
  • Gallery Location:
    Zug, CH
  • Reference Number:
    1stDibs: LU1562212347662

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Crocheted Creatures - Haendel by Joana Vasconcelos, 2023, Archival pigment print

Joana VasconcelosCrocheted Creatures - Haendel by Joana Vasconcelos, 2023, Archival pigment print, 2023

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By Joana Vasconcelos

Located in Zug, CH

Joana Vasconcelos Crocheted Creatures Haendel 2023 Archival pigment print 146.3 × 111.76 cm (57.6 × 44 in) Edition of 25 In excellent condition Print is offered unframed With the use of crochet and the compartmentalisation of forms, Vasconcelos reiterates the concept that individuals frequently behave and exist separately from their conscience, showing a lack of sufficient scrutiny of their perceptions. The paradox of lace is highlighted, as it served as a means for Portuguese women to address the emptiness in their lives, representing the sole form of expression in response to an entirely passive social...

Category

2010s Contemporary Animal Prints

Materials

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