1974
Dan Flavin, For Circular Fluorescent Light Of One Wall - Signed Print
By Dan Flavin
Located in Hamburg, DE
Dan Flavin (American, 1933-1996) For Circular Fluorescent Light Of One Wall, 1974 Medium: Lithograph on wove paper Dimensions: 18.5 x 31.5 cm Edition of 45: Hand-signed, titled and d...
Lithograph
Fred Sandback, Untitled (1979.03): Signed Lithograph, Abstract Print, Minimalism
By Fred Sandback
Located in Hamburg, DE
Fred Sandback, (1943-2003) Untitled, 1979 Medium: Lithograph on Japanese paper Dimensions: 35.9 x 35.9 cm Edition of 35: Hand-signed, numbered and dated in pencil Publisher: Edition ...
Lithograph
Dan Flavin, Untitled (Triptych): 3 Aquatint Prints, Abstract Art, Minimalism
By Dan Flavin
Located in Hamburg, DE
Dan Flavin (American, 1933-1996) Untitled (Triptych), 1996-98 Medium: Set of three aquatints on handmade rag paper Dimensions: each 50 x 40 cm (19.75 x 15.75 in) Edition of 60: Each ...
Aquatint
Richard Tuttle, Homesick as a Nail
By Richard Tuttle
Located in Hamburg, DE
Richard Tuttle (American, born 1941) Homesick as a Nail, 1998 Medium: Set of 1 drypoint etching on wove paper and 1 silkscreen, printed in five colors on acetate on both sides, with ...
Etching, Screen
François Morellet, Untitled - 1972, Signed Print, Geometric Abstraction, Op Art
By Francois Morellet
Located in Hamburg, DE
François Morellet (French, 1926-2016) Untitled (from 6. Kölner Kunstmarkt 72), 1972 Medium: Screenprint on paper Edition of 180: Hand-signed Dimensions: 45 x 65 cm Condition: Excellent
Screen
Daniel Buren, Untitled (Leporello)
By Daniel Buren
Located in Hamburg, DE
Daniel Buren (French, born 1938) Untitled (Leporello), 2009 Medium: 10-part leporello, digital pigment print on 188 g Hahnemühle Photo Rag paper Dimensions: 250 x 32 cm (98½ x 12½ in...
Digital Pigment
Dan Flavin "for Janette, affectionately" Aquatint in Colors
By Dan Flavin 1
Located in Stamford, CT
A Dan Flavin aquatint and etching in colors. Titled, signed and dated # 30/30 - 1988. Measures: Sheet 22 1/4 in. × 31 3/16 in.
Paper
Untitled by Bruce Nauman abstract black and white drypoint etching 70s
By Bruce Nauman
Located in New York, NY
A moody, evocative black and white abstract etching by pioneer Bruce Nauman. Bruce Nauman (born December 6, 1941) is an American artist. His practice spans a broad range of media inc...
Drypoint, Aquatint
Rare Albright Knox museum poster (hand signed and inscribed to renowned curator)
By Dan Flavin
Located in New York, NY
Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...
Pencil, Lithograph, Offset
Drawing Boards II (No.4)
By Richard Smith
Located in London, GB
Edition of 30, Set of 5 74.9 x 59.1 cms (29 1/2 x 23 1/4 ins)
Etching
Framed Invitation Card for Donald Judd Exhibition, Brooke Alexander Editions
By Donald Judd
Located in Brooklyn, NY
This original invitation card was produced for the exhibition Prints and Related Works by Donald Judd, held at Brooke Alexander Editions, New York, in 1990. Issued by the gallery fo...
Offset
1981 American Post Minimalist Abstract Art Lithograph Neon Series Keith Sonnier
By Keith Sonnier
Located in Surfside, FL
Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...
Paper, Lithograph
