Garth Evans

Forest Photograph with Intervention by Garth Evans

2019

Steve Waters Glen Park, 1995 Black and white photo print Sight: 11.75 x 7.75 in. Framed: 19 5/8 x 16 x 1 1/2 in. Provenance: The Artist

Daniel Lergon (German, b. 1978) Untitled, 2012 Lacquer on retroflective fabric 47 1/2 x 39 1/4 in. Signed verso: Daniel Legon 2012 Provenance: Galerie...

Jane Calvin (American, b. 1938) Untitled, 1990 Photograph Sight: 19 1/2 x 15 1/2 in. Framed: 26 7/8 x 22 1/2 x 1 1/4 in. Edition 2/10 Provenance: Collection of Robert Burge, New Y...

Suzanne Camp Crosby (American, 1948-2020) Enchanted Forest, 1989 Cibachrome Sight: 14 3/4 x 14 3/4 in. Framed: 23 x 22 x 7/8 in. Signed and inscrib...

Patrick Beaulieu’s most recent project Révélations uses installation and digital prints to explore how artistic manipulation can create shifts in one’s expectations of the visual exp...

Patrick Beaulieu’s most recent project Révélations uses installation and digital prints to explore how artistic manipulation can create shifts in one’s expectations of the visual experience. Beaulieu clearly acknowledges his artistic presence in the work through mechanical and digital manipulation of the objects and images he presents. He becomes more than a passive observer and recorder of his physical world; the alteration of conventional photographs implants his voice and vision into the work. This approach directly addresses and contrasts artistic practices which seek to conceal the artist’s hand. His method diverges from those that attempt to present an uninterrupted and uncontaminated record, such as some documentary and straight photography. In using these stylized techniques, Beaulieu makes a palpable proclamation regarding the subjective and flexible condition of images. In Révélations, images of trees, moss, leaves and other natural objects are presented in strict colour schemes of muted grays, browns and greens. Though these colours are familiar components of the natural world that we experience in day-to-day life and in photographs of nature...

Patrick Beaulieu’s most recent project Révélations uses installation and digital prints to explore how artistic manipulation can create shifts in one’s expectations of the visual experience. Beaulieu clearly acknowledges his artistic presence in the work through mechanical and digital manipulation of the objects and images he presents. He becomes more than a passive observer and recorder of his physical world; the alteration of conventional photographs implants his voice and vision into the work. This approach directly addresses and contrasts artistic practices which seek to conceal the artist’s hand. His method diverges from those that attempt to present an uninterrupted and uncontaminated record, such as some documentary and straight photography. In using these stylized techniques, Beaulieu makes a palpable proclamation regarding the subjective and flexible condition of images. In Révélations, images of trees, moss, leaves and other natural objects are presented in strict colour schemes of muted grays, browns and greens. Though these colours are familiar components of the natural world that we experience in day-to-day life and in photographs of nature...

'It's In The Trees I' by Stuart Möller Abstract capture of a trees in a wood.Abstract landscape. An exquisite Limited Edition Archival Pigment Print. Edition Size 3 only this siz...