Early 19th Century Landscape Paintings

A beautiful early 19th century British oil on panel depicting a moonlit river landscape with a water mill and figures. Excellent quality and highly detailed landscape which is very s...

Elegant Sporting Scene with Horse, Hounds and Figures Before a Country House painted circa 1830's by Augustus Samuel Boult (1798-1867) Signed oil on canvas, framed Framed: 23.5 x 27...

The Embarkation of the Queen of Sheeba British School, early 19th century, apparently unsigned though the previous owner insisted it was. after the earlier painting by Claude Lorrai...

Abraham Cooper 1787 – 1868 Monogrammed and dated 1824 Portrait of the Racehorse 'Don John' Provenance: Label on the reverse Galerie Art and Antiques Dr Christa Cackett Switzerland ...

"The Corn Field" by Alfred Bennet (British, 1861-1916) This beautifully executed oil on canvas painting titled "The Corn Field", signed and dated 1886 by British artist Alfred Benne...

Bull Terrier Dog in Landscape English School, circa 1800's circle of Francis Sartorius (England 1734-1804) oil on panel, framed framed: 12.5 x 14.5 inches panel: 7.25 x 9.5 inches Pr...

The Country Lane English School, circa 1830's period oil on panel, framed in period antique gilt frame framed: 19 x 17 inches board: 14 x 13 inches Provenance: private collection, En...

Classical Landscape English School, early 19th century, unsigned oil on canvas, unframed canvas : 19 x 27 inches Provenance: private collection, UK Condition: The painting is in very...

Horses Watering in a River, Early 19th Century English School oil painting on canvas, framed framed: 23 x 28 inches canvas: 17 x 22 inches provenance: priv...

‘Seacoast with an Approaching Storm and Several Sailing Vessels’, Signed lower right J.C. Schotel (Johannes Christiaan Schotel, 1787–1838), Oil on canvas, In gilt frame. Canvas di...

Artist: English School, early 1800's, circle of John Constable (British 1776-1837) Title: The Woodland Path Medium: oil on canvas, framed, unsigned Size: 12 x 22 inches Picture: 9 x 18 inches Provence: from a private collection in East Anglia...

A beautiful composition capturing one of the well known buildings of Rouen, a city that was very popular with early 19th century watercolour painters. John Sell Cotman painted this v...

Charming Courtyard Scene Simone Forge 1930's French Impressionist oil on board unframed board: 9.5 x 7.5 inches Provenance: private collection Condition: great condition For more ...

Pausing for a Rest English School, circa 1800, unsigned the painting is very close to the works of Thomas Barker of Bath (English 1769-1847) oil on canvas, framed framed: 29 x 39 inc...

Work on paper Light brown wooden frame with glass pane 70 x 94 x 1,5 cm

English School, circa 1800 Napoleonic Wars Period marine scene with soldiers on a French beach. oil on canvas, framed framed: 10.5 x 13 inches canva...

**Woodland Pastoral with Cattle and Figures, English Landscape Oil Painting 1833** by W. West (English, first half 19th century) signed and dated 1833, inscribed verso oil on canva...

The Arcadian View Italian School, circa 1800 Grand Tour subject oil on canvas, unframed canvas : 12 x 16 inches provenance: private collection, UK condition: very good and sound cond...

Atmospheric and dramatic seascape painted by two sisters from the famed Nasmyth family of 18th/19th century Scottish artists. The names of A G Nasmyth (Anne Gibson) and Jane Nasmyth ...

Charles Towne (1763-1840) A wooded landscape with a traveller on a path Signed "By CT" lower left Oil on canvas 23 1/8 x 19 1/2 in Provenance Private Collection, West Sussex Charle...

john Pairman (Scottish, 1788 - 1843) Signed: J Pairman 1820 (Lower, Right) " Portrait of a Gentleman in a Scottish Landscape ", 1820 Oil on Canvas 22 1/4" x 18 5/8" Housed in a ...

Shipping scene off the coast of Dover circle of Charles Martin Powell (British, 1775-1824) oil painting on board, framed framed: 12.5 x 11.5 inches board: 9.5 x 8 inches condition: ...

Fishing Boats Lined Along the Shore Simone Forge 1930's French Impressionist signed oil on board unframed board: 13 x 16 inches inscribed verso Provenance: private collection Condit...

La obra no va firmada, es de autor anónimo Se presenta enmarcada la obra El estado de la obra se puede ver, es aceptable, solo presenta alguna leve falta (apreciable en las fotogra...

US buyers pay no import tariffs on this item. This early 19th-century watercolour, attributed to English artist Samuel Owen (1769-1857), depicts several vessels buffeted by turbulen...

This framed 27.25" x 33.25" oil painting on canvas by English artist George Chambers Sr. depicts a large sailboat floating down the Thames River alongside a much smaller paddleboat a...

Attributed to John Nost Sartorius (1759–1828) Fox Hunter and Hounds Oil on canvas, circa 1810 Provenance: Ackermann & Johnson, London A fine and spirited example of early 19th-centu...

An important and extremely rare pair of Italian landscapes from the Neoclassical period, painted using the refined technique of tempera. They depict views of the Tyrrhenian coast ne...

The port of Étaples, France Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16.5 inches inscribed verso Provenance: private collection Condition: great co...

Monastic Ruins by a Stream French School, early 1800's oil on canvas, framed Framed 15 x 19 inches Canvas : 12.5 x 16 inches Provenance: private collection, France Condition: very go...

Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...

Wonderfully painted early 19th-century English rural landscape with cattle in a cowshed. Very similar to the work of Edward Williams who was a very well-known English landscape pai...

Oil on Canvas. Signed lower right. Leonardo Roda, a landscape painter from Turin, was known as "the painter of the Matterhorn" because of his numerous depictions of the Alpine peak, ...

Curving Coastal Simone Forge 1930's French Impressionist signed oil on board unframed board: 13 x 16 inches Provenance: private collection Condition: great condition For more any...

Figures before Far Reaching View attributed to William Alfred Delamotte (English, 1775-1863) oil on canvas, unframed canvas : 24 x 36 inches provenance: private collection, England c...

Coastal Scene Simone Forge 1930's French Impressionist oil on board unframed board: 8 x 10.75 inches Provenance: private collection Condition: great condition For more any more in...

Courtier Presenting Himself Before Elegant Ladies in Parkland French artist, circa 1800 period oil on canvas, unframed canvas: 26 x 19 inches provenance: private collection, France c...

Boat Expedition Italian School, early 1800's period oil on canvas, framed Framed: 19 x 23 inches Canvas : 18.5 x 22.5 inches Provenance: private collection, France Condition: the fr...

British Schooner Ship Entering Jersey / Guernsey Harbour Port, 19th Century British School 19th Century Marine Oil study of a British Schooner entering the harbour of Jersey/Guerns...

US buyers pay no import tariffs on this item. This early 19th-century watercolour, attributed to English artist Samuel Owen (1769-1857), depicts several vessels approaching Portsmou...

The Bucolic Landscape English School, circa 1830 oil on canvas, framed Framed: 23 x 27.5 inches Canvas: 20 x 24 inches Provenance: private collection, UK Condition: very good conditi...

This captivating gouache on paper painting, dating from the early 19th century, offers a beautifully detailed view of St. Peter's Square in Vatican City, making it a likely relic of ...

The Castle on the Hill Scottish artist, early 19th century oil on canvas, framed unsigned framed: 21 x 27 inches canvas: 18 x 24 inches provenance: private collection, UK condition: ...

Storm Clouds over the River Yare *see notes below English School, circa 1830's circle of John Constable (English 1776-187) oil painting on canvas, framed canvas: 18 x 25 inches condition: relined canvas, overall very good and presentable condition provenance: private European Collection A very beautiful, period depiction of the Norfolk landscape, with far reaching views over Norwich Cathedral...

Early 1800s oil on canvas painting attributed to George Vincent (1796-1831/2) with monogrammed conjoined initials, V over g lower left and possible indistinct date 1825. This painti...

John Nost Sartorius (British, 1759–1828) Men Out Bird Shooting in a Woodland Landscape, circa 1820 Oil on wooden panel, in a fine antique gilt frame Unsigned A finely observed early 19th-century sporting picture by John Nost Sartorius, one of the most respected figures in the English tradition of animal and sporting painting. The composition depicts a quiet moment in the field: a sportsman advancing through woodland with his gun, accompanied by attentive pointers, their forms crisply picked out against the darker recesses of the forest. Sartorius was celebrated for his ability to combine accurate animal portraiture with atmospheric landscape settings, and this work is characteristic of his mature period. The dogs are rendered with anatomical confidence and individual character, while the surrounding woodland is handled with a restrained, naturalistic palette that lends depth and calm to the scene. The narrative is understated and refined, intended as much for contemplation as for sporting reference. Painted on a wooden panel, as was common for Sartorius’s smaller and more intimate works, the picture retains a pleasing surface quality and detail. It is housed in an antique gilt frame of appropriate date, enhancing its presence and lending a strong period feel. Works by Sartorius were highly sought after by country house patrons in the early 19th century and were often commissioned to record favourite dogs or shooting grounds. Today, paintings of this type remain especially appealing to collectors of British sporting art and sit equally well in traditional country house interiors or more formal libraries and studies. A confident and decorative example of English sporting painting...

A very dramatic marine scene with the translucency of the waves captured with incredible skill and vision. Attributed to Miles Edmund Cotman (1810-1858) Shipping in rough seas Oil on board 7 x 10 inches The eldest son of John Sell Cotman...

Autumn Landscape Simone Forge 1930's French Impressionist oil on board unframed board: 9.5 x 7.5 inches Provenance: private collection Condition: great condition For more any more...

The Close of Day English School, early 19th Century, unsigned oil on canvas, framed framed: 20 x 28.5 inches canvas: 16.5 x 24 inches Provenance: private collection, Surrey, England ...

Beached Fishing Boat Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection Condition: great condition For more any m...

Tranquil Coastal Scene Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection Condition: great condition For more any ...

Dutch/ Flemish School, early 1800's oil on canvas, framed framed: 19 x 24 inches canvas: 13.5 x 18.5 inches provenance: private collection, France condition: good and sound condition...

19th century French Barbizon School Painting, oil on canvas signed "Marin", Circa 1840. A very attractive bucolic, pastoral landsacpe scene with sheep grazing on the banks of a lake ...

English School, circa 1800 Napoleonic Wars Marine Scene oil on canvas, framed framed: 10.5 x 13 inches canvas: 8 x 10 inches private collection, England condition: The painting is i...

The Italian Landscape English artist, early 19th century circle/ follower of Joseph Mallord William Turner (British 1775-1851) oil on wood panel, framed in a delightful antique walnu...

The Italian Classical Landscape Italian artist, circa 1800's oil on canvas laid on board, framed framed: 9.5 x 13 inches board: 7 x 11 inches provenance: private collection condition...

Coastal Landscape Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection Condition: great condition For more any more...

Dimensions with frame: 39 x 49,5 x 4 cm This refined river landscape oil painting presents a serene European city view, centered on a stone bridge spanning a calm river, with histor...

The Amphitheatre of Loch Lomond from the Water Mill at Ross-Ben Lomond by John Wilson Ewbank, RSA (1799-1847) signed and inscribed with title verso oil on millboard, 24.5 x 35cms, plus frame provenance: private collection, Scottish borders Very fine and beautiful antique oil painting of this important view in Scotland, depicting the ever beautiful Loch Lomond. The painting is by the very well listed John Wilson Ewbank (1799-1847). John Wilson Ewbank (English, 4 May 1799–28 November 1847), was an English-born landscape and marine painter who was renowned for his naturalistic landscapes and seascapes of the Scottish borders and the North East coast of England. Ewbank was born at Darlington on 4 May 1799, the son of Michael Ewbank, an innkeeper. He was adopted as a child by a wealthy uncle who lived at Wycliffe, on the banks of the River Tees, in the North Riding of Yorkshire. Intended for the Roman Catholic priesthood, he was sent to Ushaw College, from which he absconded. In 1813 Ewbank was apprenticed to Thomas Coulson, an ornamental painter in Newcastle. In around 1816 he moved with Coulson to Edinburgh, where he was also taught by Alexander Nasmyth (1758-1840), a popular painter amongst the Scottish and English nobility. Ewbank found work both as a painter and a teacher. He was nominated in 1830 one of the foundation members of the Royal Scottish Academy. In 1833 he is listed as living at 7 Union Street on the eastern fringe of the New Town in Edinburgh. Sadly after the death of his wife he descended into depression and was stripped of his status as an academician in 1838 and died in poverty of typhus in Sunderland in 1847. Ewbank’s calm seascapes were strongly influenced by 17th Century Dutch artists, particularly Willem and Adriaen Van de Velde. Although his best work dates from his early years, Ewbank became a popular and wealthy art teacher in the capital where made a reputation with cabinet pictures of banks of rivers, coast scenes, and marine subjects. Ewbank’s sketches from nature were especially admired, and a series of 51 drawings of Edinburgh by him were engraved by W. H. Lizars for James Browne's Picturesque Views of Edinburgh (1825). He was also noted as a painter of landscapes and seascapes as exemplified in this painting. The busy port of South Shields is located on the south side of the mouth of the River Tyne, Northumberland. The settlement was founded by the Romans in AD80 when Agricola built a fort on the Lawe Top. The Romans used it as a supply base for Hadrian’s Wall and by the 5th Century, South Shields was a major Roman military stronghold and commercial centre. By 1500, South Shields had become an important seaport, trading primarily in timber, lead, coal and salt. The first shipbuilding yard was established by Robert Wallis in about 1720, he was soon followed by others, including Thomas Marshall...

The Farmers Market Dutch School, early 1800's period, unsigned oil on canvas, framed framed: 27 x 23 inches canvas : 23 x 19 inches Provenance: private collection, England Condition:...