1930s Landscape Paintings

A charming large mid-century French Impressionist landscape, painted in oil on wood panel and dated 1935. The artwork is clearly signed "André Jallot" and entitled "Les Estérès, Haut...

Charming small pair of early 20th Century English Country Cottage Landscapes – Oil on Board in modern frames. A delightful duo/pendant pair of early 20th-century English Impressioni...

➡️ Landscape Woodland and waterfall⬅️ ⏩It is signed Degoul 1936⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐26x46cm /10.2x18.1 inch ...

This landscape from 1938 depicts the countryside around Ramsele in Ångermanland, northern Sweden. A winding country road leads the viewer into the composition, passing open fields an...

This landscape from 1931 is an outstanding example of Otto Lindberg's mature production. Painted most likely in the surroundings of his native Söderhamn, the composition captures the...

Luigi Corbellini (1901-1968) Vue d' Anvers (View of Antwerp), ca. 1950 Oil on canvas, 19.5 x 25 inches. Measuring 27.5 x 33 inches in original frame. Signed lower left. Titled i...

"Trois Pêcheurs" Louis Pastour (France, 1876-1948) Oil on board Signed l.l. 7 7/8 x 4 7/8 (8 1/8 x 11 1/8 frame) inches Louis Pastour was called the “The Painter of the Sun” (Le Pe...

Gordon Grant Hudson River View from the Palisades Oil on Masonite. Vintage American impressionist oil painting. Oil on board. Signed. Framed. Measuring: 42 by 60 inches overall, and...

ean-Luc Gérard Olive Trees, Côte d’Azur Circa 1930 Oil on Canvas Signed and inscribed on the reverse Presented in an ornate French-style frame This vibrant and richly textured lands...

➡️ Landscape Luminous Mediterranean ⬅️ ⏩It is signed Mieutaud⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐46x55cm /18.1x21.7 inch w...

Otto Lindberg (1880–1955) Sweden Lake at Sunset, 1934 signed and dated lower right Otto Lindberg 1934 oil on canvas unframed 60 × 120 cm (23.6 × 47.2 in) framed 75 × 135 cm (29.5 ×...

Raoul Millais (1901–1999) Horses in a Parkland Landscape Oil on canvas, signed lower left Circa 1930 An elegant and highly atmospheric equestrian landscape by the noted British spor...

Catalan Landscape Oil Painting Mollet Barcelona Fauvist Modernist Spain SPECIFICATIONS Artist: Albert Rafols Cullerés (Barcelona, 1892 – 1986)...

This American Impressionist painting is by listed artist Bernhard Safford Good. The artist was born in England in 1893. He came to Canada in 1910, moving west to Manitoba to work on...

This lively city view from Vadstena was executed over two consecutive days in late October 1930. Erik Tryggelin records the scene with remarkable immediacy, capturing the fleeting at...

William H. Eppens Pond lilies Signed lower right Oil on canvasboard 6 3/4 x 6 3/4 inches

A very beautiful signed and dated 1936 impressionist oil on canvas depicting the River Seine in Paris, by Lelia Caetani. Lelia Caetani is a fascinating female artist - an Italian...

This beautiful large impressionist oil on canvas by French artist Charles Cermak was painted in the 1930's. The work depicts colourful sailing boats in a harbor on the Côte d'Azur, m...

Signed, lower right, 'Mary B. Redfield' for Mary Bannister Redfield (American, born 1883) and painted circa 1925. Titled, indistinctly, on original card (a photo copy will accompany ...

'The Garden in Summer' by Olga Alexandrovna. Tsar Nicholas II, Queen Elizabeth II, Russian Imperial ---- Signed lower right, 'Olga' for Her Imperial Highness, Olga Alexandrovna, Gr...

Marc Aldine View in Venice, Looking toward St Mark’s Square Oil on canvas Circa 1930 Unsigned A warm and evocative Venetian view by Marc Aldine, capturing the timeless splendour of ...

Signed French Fauvist Beach Scene Framed Oil Painting. Vintage French oil painting. Signed. Framed. Measuring: 23 by 29 inches overall, and 18 by 24 painting alone.

Small Farm in the South of France by French Artist, Ely Laumonier (1895-1960) Art measures 24 x 18 inches Frame measures 28 x 22 inches (approx.) Antique Original Signed, Oil on ...

Pacific Grove Moonlight, Mid Century Nocturnal Coastal Landscape "Pacific Grove Moonlight", a striking and unique mid-century nocturnal landscape of the moon rising over the ocean a...

Provenance Consigned to the gallery by private collectors Signed "Marion Kavanagh Wachtel" lower right Description Marion Kavanagh was a pupil of William Keith in San Francisco who, upon learning of her move to Southern California, urged her to contact Pasadena artist Elmer Wachtel. A romance blossomed and the two were married in 1904. During their marriage, out of respect for her husband, Marion Wachtel painted in watercolor, giving Elmer Wachtel the honor of painting in the more “serious” medium of oil. After the untimely passing of her husband and a period of grieving, Marion took up oil painting in 1930, working both en plein air and in the studio. This masterful plein air painting is a poetic interpretation of the snow-capped mountains in Grand Teton National Park...

Oil on canvas signed This oil on canvas by Georges Darel, titled The Hunters and Billy) depicts a quiet rural roadside scene animated by understated human presence. The composition ...

Lucille Blanch Eighth Avenue and 56th Street, 1930 Signed and dated lower right Oil on canvas 31 3/4 x 24 inches Provenance The artist Edwin A. Ulrich Museum of Art, Wichita State U...

1930's California Mountain Trail Landscape, Original Oil Painting, Signed A beautiful 1930's landscape titled "Trail into California Mountains" by Oklahoman artist Sidney Lorenzo Br...

A Vibrant 1930s American Scene Industrial themed painting, "Brick Kilns" by Notable Modern Artist, Harry Shokler (1896-1978). A colorful, well painted example of American Regionalis...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

A beautiful 1930's Italian oil on canvas depicting sunset on the coast with sailing boats and figures on the shore, by Luigi Salvi. Excellent quality and condition work, signed lowe...

Lucien Neuquelman, French (1909 - 1988) - Spring Walk, Year: 1938, Medium: Oil on Canvas, signed and dated lower right, Size: 13 x 9.5 in. (33.02 x 24.13 cm), Frame Size: 20.5 x ...

A very attractive California Impressionist oil on canvas painting by Charles L. A. Smith, "California Highlands", dated 1930. This very attractive large painting by one of the foremo...

Antique American impressionist winter landscape oil painting. Oil on board. Framed. Signed. Measuring: 25 by 21 inches overall, and 16 by 13 painting alone. Handsomely framed in wi...

Early 20th Century Redwood Forest Sunset Reflections Landscape Beautiful early 20th century landscape of sunset over redwood forest stream by William Lemos (American, 1861-1942). A ...

Artist: Joaquín Asensio Mariné (Barcelona, 1890 – 1961) Title: Catalan Farmhouse with Garden and Bare Trees Medium: Oil on panel Dimensions (unframed): 38 × 46 cm (14.96 × 18.11 in) Dimensions (framed): 52 × 60 cm (20.47 × 23.62 in) Signature: Signed lower left Period: Mid-20th Century Condition: Very good condition. Stable pictorial layer with well-preserved original impasto and no visible losses. Frame condition: Period gilt wooden frame with minor wear consistent with age. Presented: Sold with its current frame. Original oil painting by Catalan artist Joaquín Asensio Mariné, depicting a traditional Catalan farmhouse surrounded by a vegetable garden and winter trees. The composition is built with energetic, textured brushwork and visible impasto, giving the surface strong material presence and movement. The artist employs a rich Mediterranean palette of ochres, greens and blue-grey tones, capturing the rustic architecture and intimate atmosphere of rural Catalonia. Asensio Mariné constructs the scene with expressive confidence, balancing structural solidity in the buildings with freer gestural treatment in the vegetation and sky. The thick paint application enhances the tactile quality of the work, making it visually dynamic and highly decorative. Mid-century Catalan rural landscapes remain particularly appreciated by collectors for their authenticity, regional character and timeless Mediterranean appeal. An attractive and characterful example of 20th-century Spanish landscape painting. Joaquín Asensio Mariné (Barcelona, 1890 – 1961) was a Catalan painter known for his Mediterranean landscapes, rural architecture and traditional countryside scenes. Active in Barcelona during the first half of the 20th century, he exhibited in galleries such as Sala Rovira and Galería Jaimes. His work sits between traditional realism and a restrained impressionist language, characterized by textured brushwork and a luminous Mediterranean palette. His rural compositions share affinities with the broader tradition of Spanish landscape painting associated with artists such as Joaquín Sorolla, Eliseu Meifrèn and the Catalan post-impressionist school, while maintaining a distinctly regional character. Today his works are appreciated by collectors of mid-century Spanish and Mediterranean painting for their authenticity, decorative strength and connection to Catalan artistic heritage. Mid Century Painting Mediterranean Landscape Catalan Landscape Spanish Landscape Painting Rustic Farmhouse Art...

Erik Tryggelin (1878–1962) Sweden Cloud Study over Lake Vättern, Vadstena, 7 September 1935 signed and dated lower right E. Tryggelin 7/9 1935 inscribed Vadstena oil on canvas laid...

Original oil on board little gem of a small painting attributed to the hand of Norwood Hodge MacGilvery. Unsigned. Attributed verso by The Gallery at Juniper Hill. Condition is exce...

Antique European modernist landscape painting. Oil on board, circa 1930. Unsigned. Image size, 20.5L x 17.5H. Housed in a period giltwood frame.

Tyrus Wong Original set illustration from "Gone With The Wind", 1939 Signed lower right Oil on panel 6 x 8 3/4 inches Tyrus Wong’s life embodies a remarkable journey of perseverance, talent, and artistic achievement. Born in China, he immigrated to the United States at the age of nine after being separated from his mother, whom he would never see again. Reunited with his father in Sacramento, Wong later relocated to Los Angeles, where the two lived in modest circumstances within a boarding house in Chinatown. His father nurtured his artistic abilities by encouraging him to practice Chinese calligraphy and helping him secure small painting jobs in the neighborhood. Recognizing his exceptional talent, one of Wong’s teachers recommended him for a summer scholarship at the Otis Art Institute. He became the youngest recipient of the award and later earned a full scholarship, offsetting tuition costs through work performed on campus. After completing his studies in 1930, Wong supported himself through a variety of artistic jobs, including creating advertisements and working at the popular Dragon’s Den restaurant in Chinatown. During the Great Depression, he found employment through the Federal Art Project, producing paintings for government-sponsored programs. His career took a pivotal turn when he joined Walt Disney Studios. There, his atmospheric pastel studies for Bambi impressed Walt Disney and helped shape the film’s distinctive visual style. Wong’s contributions to the film’s backgrounds were instrumental to its success, earning him posthumous recognition as a Disney Legend in 2001. Following labor disputes at Disney, he left the studio before Bambi was released and continued his career at Warner Bros. and Republic Studios, creating concept art for films including Rebel Without a Cause, Around the World in 80 Days, Sands of Iwo Jima, and The Wild Bunch. He retired from the film industry in 1968. Alongside his Hollywood career, Wong remained deeply involved in Southern California’s art community. He exhibited regularly in galleries and museums and participated in artist-run initiatives such as Eleven Associated, a cooperative gallery active during the early 1950s. Best known for his watercolor paintings and ceramics, Wong developed a unique artistic language that blended traditional Chinese brush techniques with modern American aesthetics. Influenced by his teacher Stanton Macdonald-Wright, he combined expressive calligraphic brushwork with depictions of nature and movement. His artistic versatility extended beyond fine art into commercial design, where he created popular Christmas card imagery and dinnerware patterns for Winfield Pottery...

6067 WPA oil on board of the east river from Astoria NY Signed Whiteford 1939 Framed image size 13.5x17.5"

Impressive American impressionist winter landscape oil painting. Framed. Oil on board. Signed. Image size, 9H by 11L.

Downtown New York, c. 1930s, oil on canvas, signed lower right, 10 x 12 inches; label verso reads: "Harry Dix / Title Downtown New York / Medium Oil" Harry Dix was a 20th-century p...

A colorful, blustery painting of sailing off the coast of Martha's Vineyard by famed Chicago Modern artist, Francis Chapin. Painted in the early 1950s, the painting depicts a vibran...

A very attractive oil on canvas painting by the French Post-Impressionist painter Charles Picart le Doux (1891-1959), a beach scene in Spain, signed and dated 1933. The painting depi...

Antique American impressionist sunset river landscape oil painting by Lucien Biva (1878 - 1965). Oil on canvas. Framed. Signed. Measuring: 27 by 30 inches overall, and 18 by 22 pai...

Lewis Teel (1883-1960) El Paso Artist Image Size: 21 x 28 Frame Size: 27 x 34 Medium: Oil on Board Signed Lower Left and on original price tag on verso Circa 1930s "Sunset Glow" Guad...

Rugged California Coast, 1930's Impressionistic Seascape, Signed 18x24 Charming 1930's impressionistic seascape of blue waves crashing on a rocky shore with distant sail boats on th...

This charming landscape from 1933 depicts a farmstead on Fårö, the island situated north of Gotland in the Baltic Sea. In the foreground stands a characteristic stone barn with a tha...

High Desert Scene at sunrise circa 1930s by Herbert A. Schmidt (American, 1885 - 1930) Schmidt was a well known architect and designer of many San Francisco buildings and was a pupil at the Mark Hopkins Art Institute (SF) in 1899-1901. Graduated from the University of Pennsylvania in Architecture. President of the San Francisco Bohemian Club...

Antique American modernist equestrian landscape oil painting. Oil on board. Signed illegibly and dated. Framed. Measuring: 18 x 16 inches overall, and 12.5 x 10.5 painting alone. Ex...

An exceptional, large, early work by American artist Dorothy Eisner (1906-1984). This painting was recently exhibited at Gracie Mansion in 2019 as part of “She Persists” - a show de...

Signed impressionist oil on canvas figures in cityscape circa 1930 by sought after French painter Edouard Cortes. The work depicts a bustling evening street scene outside the Cafe Br...

Dramatic coastal scene by California artist Mabel Westphal (1892–1966). Powerful waves break against a rocky shoreline, rendered in broad, energetic strokes of blue, green, cream, an...

Hazel Guggenheim King-Farlow McKinley (American, London, New Orleans, 1903-1995), "Paris Rooftops" c. 1930 Oil paint on wood panel Attributed, dated and titled verso (I am not sure in whose hand not signed by the artist herself). Dimensions H.- 18 in., W.- 15 in., Framed- H.- 26 1/2 in., W.- 23 in. Provenance: From an estate New Orleans, Louisiana. Hazel Guggenheim King-Farlow McKinley (born Barbara Hazel Guggenheim; April 30, 1903 – June 10, 1995) was an American painter, art collector, and art benefactor. Hazel Guggenheim was born in New York City to Benjamin Guggenheim and Fleurette (Seligman) Guggenheim. The marriage united two wealthy German-Jewish families. Born into the well-known Guggenheim family, a niece of Solomon Guggenheim who founded the Guggenheim Museum, she grew up in New York, alongside her sisters Benita Guggenheim and Marguerite Peggy Guggenheim who would become the influential gallery proprietor, art collector, museum founder, and midwife to the Abstract Expressionism art movement. Her father Benjamin gave up much of his financial interest in the family's mining business to start his own business in Paris. With his business failing, in 1912 he set out to return to the United States in time for McKinley's ninth birthday on the Titanic. Following the shipwreck, he drowned aged 46; his body was not recovered. McKinley inherited $450,000. She later inherited money on the deaths of her mother, and of her older sister, Benita, who died in childbirth. The loss of her father haunted McKinley for the rest of her life, and in 1969 she recorded "In Memoriam, Titanic Lifeboat Blues." McKinley began painting as a teenager and was a prolific artist throughout her life. When she fled New York for Paris at age 19 she studied at the Sorbonne and became part of 1920's bohemian Paris, France, where she was taught by key modernism artists of the time. Her primary mediums were ink, water color, tempera, and crayon. Some of her work is hand signed and some is not. In 1928 her sister Peggy moved to London and mar­ried the British writer John Holmes. In 1931, McKinley married the Englishman Denys King-Farlow. They settled in Sussex, UK, and had two children, John King-Farlow, who became a philosopher and poet, and Barbara Benita King-Farlow, who became an artist in her own right. In 1938 Peggy opened Guggenheim Jeune, a London gallery of mod­ern art, starring Wassily Kandinsky, Henry Moore, Salvador dali, Constantin Brancusi, Max Ernst, Pablo Pic­asso and Jean Miro with whom they socialized. Whilst living in the south of England with Denys King-Farlow in the 1930s, McKinley was influenced by a group of avant-garde artists, and had her first solo exhibition in London in April 1937 at the Coolings Gallery. She received instruction from British artists Rowland Suddaby, Raymond Coxon, and Edna Ginesi, becoming associated with the London Group and the Euston Road School. She painted primarily in watercolor. Her work included still-life, portraits, townscapes and landscapes. Although her first work was done in a "slightly plain palette," her later work in the 1930s brightened, sometimes falling within the realm of fauvism. "Under the influence of the Surrealist artists, Hazel's paintings after the 1930's became freer, though her work was far more whimsical and humorous than many artists more closely associated with the surrealism movement." In 1939 McKinley fled Europe due to the impending war and returned to the US, living mostly in California. She took brief art lessons from her sister Peggy's one-time husband Max Ernst and much later attended several summer schools taught by muralist and renowned teacher Xavier Gonzalez. In her life in the United States and abroad, McKinley met many prominent artists of the Paris, London, and New York art scenes including Jackson Pollock. McKinley continued to paint, and ran a small gallery of her own in the late 1950s and early 1960s in West Cornwall, Connecticut. One show at her gallery featured the works of British and Irish painters including Rowland Suddaby, Frank Beteson, Tom Nisbett, and Patrick Swift. McKinley showed two of her own works in the same exhibit, a watercolor painted at Positano, Italy and one painted at the Tuileries, Paris. Another featured work was a surrealistic water color portrait of McKinley by London artist Mervyn Peake. McKinley exhibited her work both in Europe and the United States throughout her long career, mostly at smaller venues. An incomplete listing of her exhibits and museum acquisitions of her work include: Berkshire Museum, the Galerie Raymond Duncan in Paris, Stendahl Galleries, the Jake Zeitlin Gallery, the Montgomery Museum of Fine Art, the Artists' Own Gallery in London, the Manchester City Art Gallery, and Santa Fe Art Museum. McKinley's work was only once included in a show by her sister Peggy. In 1943 McKinley was selected to exhibit a painting in Peggy's infamous show Exhibition by 31 Women in her New York gallery Art of This Century. The exhibition was radical at the time for being one of the first all-woman exhibitions, as well as showing only abstract or Surrealist works. The Exhibition by 31 Women was conceived by Peggy Guggenheim in collaboration with Marcel Duchamp, who is usually credited with suggesting the idea. The participating artists were selected by a jury that included André Breton, Max Ernst Duchamp, and Guggenheim. Advice was sought from Alfred H. Barr Jr., first director of the Museum of Modern Art in New York, who provided Guggenheim with five names, of which three were included in the exhibition, Suzy Frelinghuysen, Irene Rice Pereira, and Esphyr Slobodkina. Those already known to Guggenheim through their partners included Xenia Cage, wife of the composer John Cage, Frida Kahlo, wife of Diego Rivera, who was noted for his frescoes, Sophie Taeuber-Arp, wife of the sculptor, Hans Jean Arp, and Jacqueline Lamba, ex-wife of the surrealist André Breton. Guggenheim’s sister, Hazel Guggenheim McKinley and her daughter, Pegeen Vail Guggenheim exhibited. Also in the exhibition was the burlesque dancer, Gypsy Rose Lee, another friend of Guggenheim, who was possibly included more to help publicise the event than for her artistic skills. Other artists were friends of Guggenheim or of Max Ernst. One, Dorothea Tanning, was Ernst's lover, leading Guggenheim to say: "I realized that I should have only had thirty women in the show". Only one artist is known to have refused the invitation to submit works, Georgia O'Keeffe, who reportedly responded that she wished to be identified as a painter, and not singled out because of her gender. In the late 1950s, McKinley moved back to Europe for a while, before returning to the United States in 1969. She lived in New Orleans until her death in 1995. On her death, her only living son, John King-Farlow, wrote a poem in his mother's honor, entitled "Eulogy For My Mother (Hazel Guggenheim McKinley, Artist)." A short obituary distributed by the Associated Press noted she was a member of the illustrious New York Guggenheim family, that she was determined to make a name for herself as an artist, that her art works were shown in museums in the United States and Europe, and were in the collections of such celebrities as Greer Garson, Benny Goodman, and Jason Robards. In 1998 after her death, one of her paintings was exhibited in Peggy Guggenheim's Venice home museum the Palazzo Venier dei Leoni. Guggenheim’s work in various media and her connections to influential artists and collectors provide glimpses into the complex tapestry of the art world in the first half of the 20th century. In her later life she settled in New Orleans, where she continued painting, exhibiting, and studying art into her eighties at Newcomb College, New Orleans. She was part of a regional art scene that included Ida Kohlmeyer, George Rodrigue, Noel Rockmore and Hunt Slonem. Towards the end of her life while confined to bed, her last works were colored pen drawings and sketches. McKinley collected major contemporary artworks and she donated many of these works to public institutions. She donated over 15 works to Wakefield Art Gallery, UK, in the 1930s, and in 1938 presented the painting Cossacks...

Spanish Post-Impressionist Landscape Oil Painting with Sheep in Catalonia Artist: Josep Ventosa Domènech (1897–1982) Title: Navarcles Year: 1938 Origin: Catalonia, Spain Medium: Oil...

A 1930s colorful Modernist watercolor depicting a Chicago street scene by notable Greek American artist, Constantine Pougialis. Image size: 15 x 22 inches. Painting bears its origi...

Emile Albert Gruppe was a very well known Cape Ann, Massachusetts painter who founded his own Gruppe Summer School in 1942. He was born in Rochester, NY in 1896 and studied at the A...

Olof Walfrid Nilsson (1868–1956) Fjäll i aftonsol (“Mountain in Evening Sun”) circa 1933 oil on canvas signed Olof W. Nilsson and dated 1933? unframed: 102 x 82 cm (40.2 x 32.3 in)...

➡️ Moutain Landscape in Autumn) ⬅️ ⏩It is signed A Boulgaric⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐55x46cm / 21.7x18.1 inch w...