17th Century Landscape Paintings

Figures in an Italianate Landscape Flemish, late 17th century oil on canvas, 11.5 x 18 inches condition: the painting, for its age is in very good and decorative condition. Obvious a...

Peter Bolckman (Gorinchem, Netherlands, 1640 – Turin, 1710) Fantastic view of a Mediterranean port with a market scene oil on canvas 88 x 119 cm. Contemporary gilded and lacque...

Figures in Classical Landscape Dutch School, 17th century unsigned, as is typical of the period oil on canvas, framed inscribed verso to label framed: 23 x 27 inches canvas : 20 x 24...

The Cavalry Skirmish Flemish School, 17th century circle of Pieter Wouvermans, unsigned oil on canvas, framed framed: 12 x 14 inches canvas: 9.5 x 11.5 inches Provenance: private col...

Berger with Animals in Classical Landscape 17th Century Italian Old Master, we cannot see a signature oil painting on canvas, unframed 23 x 27 inches condition: very old reline, mino...

French School, late 17th Century Mediterranean Harbour with Lighthouse and Shipping oil on panel, circular composition unframed 20 cm (7.9 in) framed 33.5 × 33.5 cm (13.2 × 13.2 in...

The Angelic Visitation Dutch School, mid 17th century circle of Rembrandt (Dutch 1606-1669) oil on wooden panel, framed in faux tortoiseshell style frame. framed: 25 x 28.75 painting...

Bonaventura Peeters the Elder (1614–1652) attr., Stormy Coastal Scene with Merchant Vessels, Galliot, and Dolphins Framed by rugged cliffs and illuminated under a dark, swirling sk...

Workshop / Circle of Philips Wouwerman (1619-1668) Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms oil on oak panel 12.40 x 14.17 inches (31.5 x 36 cm) wit...

Attributed to Giuseppe Zola (1672-1743) – "Landscape with Wooden Bridge and Figures" Medium: Oil on canvas Dimensions (Flat): 190 x 301 cm Description: This monumental 18th-century ...

The Resurrection of Lazarus Flemish Old Master, 17th century (unsigned as is typical for the period) oil on canvas, framed framed: 30 x 38 inches canvas: 19 x 27 inches Provenance: ...

Bathers by the Woodland Pool Dutch School, 17th century circle of Cornelis van Poelenburgh (1594-1667) oil on copper, framed framed: 13 x 15 i...

17th-century Tuscan painter The Last Supper After Pieter de Witte (c. 1548 – 1628) oil on canvas (89 x 134 cm – framed 100 x 145 cm) This delightful painting, depicting th...

The Hunting Party Attributed to Dirk Maes (1659-1717) Dutch. Figures in a Classical Landscape, Watercolour and wash on paper, Mounted, unframed image 6.75" x 9.75" (17.1 x 24.7cm)...

A follower of Abraham Brueghel (Antwerp, 1631 – Naples, 1697) Still Life with Flowers and Citrus Fruits Oil on canvas 70 x 52 cm. - Framed 85 x 67 cm. The composition depict...

The Rape of the Sabine Women Vincent Malò (Cambrai, c. 1595/1600 – Rome, 1649) attributed Oil on canvas 110 x 193 cm. In frame 122 x 206 cm. The ...

Abraham Begeyn (1637–1697), Italianate Landscape with Ruins and Herdsmen This atmospheric and finely balanced landscape by Abraham Begeyn presents a sunlit ruin beside tranquil wate...

Matthieu Van Plattenberg (Antwerp 1608 - Paris 1660) workshop of Stormy sea with ships Oil on canvas 90 x 120 cm - In antique frame 103 x 133 cm This evocative coastal view...

Lamentation of Christ Follower of Anthony van Dyck (Antwerp 1599 - London 1641) Late 17th-early 18th century Oil on canvas (64 x 51 cm. - Framed 77 x 65 cm.) This is a very...

This mid-17th-century Dutch landscape painting, executed in oil on canvas, depicts travellers moving through a broad river valley beneath dramatic mountainous peaks. Set within an ex...

Rebecca at the Well Follower of Pietro da Cortona (Cortona 1596 - Rome 1669) Oil on canvas (50 x 66 cm. - Framed 63 x 84 cm.) The painting depicts the biblical episode from the...

Fantastic Landscape with Mary Magdalene Paul Bril (Antwerp, 1554 – Rome, 1626) Workshop of First half of the 17th century Oil on canvas (76 x 96 cm - In antique frame 95 x 11...

This superb Dutch 17th century Golden Age Old Master cityscape oil painting of Amsterdam is by noted artist Jacobus Storck. Painted circa 1670, ...

This superb 17th century French Old Master oil painting is attributed to Jean Francois Millet. Painted circa 1670 it is a classical landscape with figures by a bend in a river in the...

Pier Francesco Garola (Turin 1638 - Rome 1716) Architectural capriccio with coastal view Oil on canvas 74 x 99 cm With frame 87 x 112 cm Reference bibliography: G. Sestieri,...

In the foreground, we see two conquistadors and three natives accompanying them landing on the shore, presumably on a reconnaissance mission in an unfamiliar bay. Perhaps they are in...

15 3/8 “x 22 1/8” (39.2 x 56.3 cm) – Framed : 20 5/8’’ x 28” (52.5 x 71 cm) Provenance: Sotheby's London, December 7, 1994, lot 165 Guilloché frame in blackened wood - 17th century ...

Piedmontese painter (18th century) - Landscape with ruins and figures. 97 x 138 cm (without frame) - 114 x 156 cm (with frame). Oil on canvas, unframed (not signed). The painting ...

Circle of Adam Frans van der Meulen (Brussels 1632 – Paris 1690) Equestrian portrait with battle scene in the background Oil on canvas? 81 x 103 cm.?In frame 105 x 124 cm. ...

A magnificent Flemish painting from the first half of the 17th century. This painting oil on canvas depicts a splendid landscape with figures, a lively genre scene of a Dutch village...

Bon Boullogne (Paris, 1649 - Paris, 1717) workshop of Episodes from the myth of Diana oil painting on canvas Dimensions: 84 x 114 cm. with antique frame 100 x 132 cm. The beautiful painting proposed shows a series of episodes taken from the myth of the divinity Diana, the Roman divinity of hunting, forests and wild animals, masterfully captured in this valuable painting, which shows a luxuriant wood, a favorite place of the divinity, as a theater of his adventures. The composition opens, on the left, with a sort of presentation of the divinity, portrayed as an attractive young girl, surrounded by her faithful Nymphs, one of whom holds her quiver with arrows, and by one of her beloved dogs. hunting her. The 'story' continues in the central part where we can see the divinity during a wild boar hunt...

Carnival in Rome in Piazza Colonna Roman school of bamboccianti (mid-17th century) - workshop of Michelangelo Cerquozzi (Rome 1602 - Rome 1660) Oil on canvas 74 x 96 cm. - Framed 88...

Jesus at the House of Mary & Martha Italian artist, 1600's oil on canvas, unframed Canvas: 32.5 x 56.5 inches Provenance: Private collection, England Condition: for a work of such mo...

Studio of Francis Barlow, English, late 17th century Birds on a Pond with Waterfowl and Birds in Flight Oil on canvas Un-signed Presented in an antique English carved wood frame A f...

Attributed to Ludolf Backhuysen Dutch Coastal Vessels and a Merchantman Off a Harbour Mouth Oil on canvas Canvas Size 22 1/4 x 30 in Framed Size 29 x...

Italian, 17th century Carved Wood Internal measurement (to house painting or mirror): 6 x 6 inches Overal outer measurements: 10 x 10 inches Provenance: from a collection in England ...

A highly atmospheric panoramic harbor capriccio painted in the Venetian tradition of the late 17th century, depicting an imagined Mediterranean port animated by sailing vessels, fish...

A highly important Flemish Old Master oil painting by Peter Van Lint (1609-1690), titled "Preparing for the Hunt", the painting is dated & signed by the artist, 1620. The painting wa...

This fantastic Dutch Old Master marine oil painting is by noted Dutch marine artist Abraham Storck. Painted circa 1670 the composition is a number of ships heading out to sea, their sails billowing and banners and flags blowing in the wind. The sea is also choppy and clouds race over head. It is an ambitious, busy nautical scene and Storck has perfectly captured the energy and movement of the ships and smaller vessels. This is an excellent example of a 17th century Dutch Old Master oil painting. Provenance: Part of a private collection of Flemish & European paintings. Koller Auctions in Switzerland in 2011. Bonhams 2020. Condition. Oil on canvas, 25 inches by 24 inches and in good condition. Frame. Housed in an ornate 23 carat gilt carved Lely period frame with name plate, 32 inches by 31 inches and in excellent condition. Abraham Storck (1644-1708) was a Dutch painter, who enjoyed a reputation for his marine paintings, topographical views and Italianate harbour scenes. Storck was also an outstanding draughtsman. Storck was baptized in the Noorderkerk, a Protestant church in the Jordaan. His father was the painter Jan Jansz Sturck (or Johannes Storck) (1603-1673), from Wesel; his mother was Teuntje (Apolonia) Jacobs. The couple married in 1628. Storck had two brothers, who were also painters using the name Sturckenburch until c. 1688 after which they started calling themselves Storck or Sturck. It is likely they were all trained with their father in the family workshop and joined the local Guild of Saint Luke, otherwise it was impossible to sell any painting. Circa 1666 Storck established his workshop producing naval, harbor scenes as well as landscape paintings and city scapes. In 1670 he traveled with his brother Jacob and worked in Germany. In 1694, at age 49, he married the widow Neeltje Pieters van Meyservelt. At the end of his life he lived on Kattenburg near the harbour. Storck's marine and river scenes were influenced by the two Willem van de Veldes (the elder and the younger), Ludolf Bakhuizen...

Artist: Adriaen van Stalbemt (Stalbempt) 1580-1662 Title: Abraham and the Sacrifice of His Son Isaac “Das Opfer des Abraham” According to the Old...

Maarten de Vos (Antwerp 1532–1603) Workshop/follower Adam and Eve After the Fall/ The Sacrifices of Cain and Abel Oils on canvas 41 x 51 cm - In antique frames (with imperfecti...

This evocative Veronese School painting captures the moment in the Garden of Gethsemane when Christ, overwhelmed with sorrow, prays to God before his arrest and crucifixion. Supporte...

Allegory of the Four Elements Studio of Jan Brueghel the Younger (Antwerp, 1601–1678) The figures attributed to a student of Frans Francken II (Antwerp, 1581–1642) Antwerp, 17th cent...

ARTIST - Northern Painter Active in Italy // PERIOD - First Half of the 17th Century // ORIGIN - Italy // MEDIUM - Oil on Wood Panel // STYLE - Flemish-Dutch Italianate Landscape, La...

“The Kermesse of Saint George (A Village Festival)” is an oil on canvas painting by David Teniers the Younger (or David Teniers II) as opposed to his father, David Teniers the Elder....

Artist/ School: 17th Century Dutch School Title: An Extensive River Landscape with Figures in the foreground Medium: oil painting on canvas, framed Pai...

Antoine Monnoyer the Younger (Paris 1671 – Paris Saint-Germain-en-Laye 1747) attributed Pair of floral still lifes Oil on canvas 52 x 65 cm. - With carved and gilded wooden frames...

Flemish School, 1600s Landscape With Pan and Syrinx painted around the 1600s oil on copper 19 x 23.5 cm frame 29 x 34 cm Hand-made oak frame by Swedish frame maker Christer Björkma...

Oil on canvas attributed to Philipp Peter Roos Rosa da Tivoli, realized in the late 17th Century in Italy. Large work with very fine workmanship, in particular in the creation of an...

Landscape with martyrdom of Saint Stephen is an old master artwork realized in 17th century. Mixed colored oil painting on canvas. Includes coeval gilded frame cm. 148x196. The artwork is attributed to Vincent Adriaenssen called il Manciola (Antwerp, 1595 - Roma, 1675) Among the painters who worked in the first half of the seventeenth century it is possible to indicate only the Neapolitan Scipione Compagno (1624-1680) as the author of scenes of martyrs set within a landscape or a view such as, for example, the Martyrdom of Saint Stefano recently hesitated at the Ansorena in Madrid on June 16, 2021. It should be noted, however, that the landscape represented in the painting examined here, characterized by luxuriant vegetation, meticulously represented "in the Flemish style", shows differences with the typical settings of the paintings di Compagno, characterized above all by urban views, visionary architectures or rather arid vegetation. Even the refined figures, so elongated and lanky, represented in our painting, in particular the group of knights in the foreground on the right, are not reflected in the production of the Neapolitan painter. These elements, to which we add the depiction of the Eternal Father amidst the clouds and the detail of the dog in profile in the foreground, instead recall a painter mainly known as a battle soldier, but who was also the author of many works depicting episodes from ancient Rome set within luxuriant landscapes, or rather Vincent Adriaenssen known as Manciola, a painter from Antwerp whose figure has been shed light thanks to recent studies. The group of horsemen represented to the right of the examined painting is, in fact, comparable with other groups on horseback present in numerous works by Manciola such as, for example, in the Triumph of Caesar (Rome, Babuino, 23-03-2010; formerly Florence, Collection Privata, 2006), while similar elongated and somewhat lanky figures, dressed in red, yellow, blue and white, can be found in the three paintings conserved at the Cassa di Risparmio di Pesaro, which in the past were erroneously attributed to the Umbrian painter Francesco Allegrini...

Flemish school, 17th century Orpheus and the animals Oil on canvas, 146,5 x 217 cm Provenance: South German private collection. On an impressive, room-filling format, this painting depicts "Orpheus and the Animals." The harp-playing Orpheus sits centrally in front of a tree whose trunk bifurcates above his head. This central tree frames with its crown the scenery towards the horizon and at the same time offers through branches the possibility for many birds to find space. The left half of the picture is characterized by a seascape, at the edge of which the ruins of a castle can be seen deep in the background. This seascape, framed by mountains on the horizon, is the only area where sky can be seen. On this side, waterfowl such as storks, swans and ducks can be seen. In the right half, the viewer looks into a deep European forest. On this right side, more land animals can be found, such as deer, rabbits and lions, among others. Orpheus wears opulent red and gold trimmed clothing, under his blue breastplate we see a white shirt. His feet are adorned by elaborate sandals. His head is surrounded by a radiant laurel wreath ("poeta laureatus"). The young man is clearly identifiable as the singer and poet of Greek mythology, Orpheus, by his harp, the laurel wreath and the animals surrounding him. Orpheus was one of the Argonauts who, under Jason, was searching for the Golden Fleece. He sang so beautifully that he even conquered the angry sea and enemies by the magic of his lyre. During the journey, Orpheus is said to have drowned out even the sirens with his singing. It is said that he was the greatest of all poets and charmed people, animals, stones and trees with his singing. In total, 51 birds and 37 different species are depicted in the painting. The animals are mostly depicted in great detail and, except for a few, can be identified. Mainly European species of animals are shown. Exceptions are the ostrich-like nandu peeking out from behind the deer, as well as the large parrot on the upper left, and the two lions. Similar is the case for the large animal directly behind Orpheus on the right. The shape of the head suggests an arctic fox from the polar regions, even though the body is much too large. The arctic fox was first described in 1555 by Olaus Magnus. However, it could also be a depiction of a brown or black bear. An unusual detail is the animal, which is relatively isolated in the right background and looks to the left. It is not clearly identifiable, but it shows certain similarities with the Australian kangaroo. This was first described by Vespucci in 1500 and further by Francisco Pelsaert in 1629. If it is indeed a kangaroo, this would be one of the earliest surviving pictorial representations. In this painting, Orpheus is accompanied by a small monkey playing a viola da gamba. This is an iconographic peculiarity. In general, this painting has some peculiarities compared to other paintings with "Orpheus and the animals". The central positioning of Orpheus is quite common, but he usually holds a lyre and is dressed in an antique style, but not as opulently. The choice of animals is also remarkable: European animals in particular are seen, hardly any exotic features, such as camels or elephants. The two lions in the right foreground are a quotation from Peter Paul Rubens and his depiction of "Daniel in the Lion's Den", which was realized in an engraving. The present painting can be classified as belonging to the Flemish School of the 17th century on the basis of its painterly and compositional conception. From the circle of Jan Brueghel the Younger are numerous representations of this Orpheus - theme, which take it as an opportunity to show as many exotic animals. There are also echoes of Spanish painters such as Juan de Arellano...

Antique 17th-century Flemish painting. Oil on panel artwork depicting the biblical scene of the casting of lots for Christ's tunic. The soldiers, after crucifying Jesus, took his clo...

Attributed to Bartolomeo Pedon (Venice 1665 – Venice 1732) – River Landscape with Fishermen. 93.5 x 127.5 cm (unframed) – 102 x 137 cm (framed). Oil on canvas, in a gilded wooden f...

Jacques Muller (Utrecht 1630 - 1680) Signed: 'J. Muller f(ecit).' Pupil of Abraham van Cuylenborch (Utrecht, 1620 - 1658) Diana and the nymphs bathing in a cave Second half of the ...

Isaac de Moucheron (Amsterdam 1667 - 1744) circle Renaissance garden with knightly festival Oil on canvas 70 x 98 cm. In frame 106 x 133 cm. We present this delightful compos...

This superb Dutch Old Master marine oil painting is attributed to the circle of Jacob de Heusch. Painted circa 1690 the setting is an Italian coast with fish...

Figures in Rocky Outcrop Circle of Philipp Peter Roos (German, 1657–1706) 17th century, unsigned oil on linen canvas, unframed canvas: 29 x 34.5 inches Provenance: private collectio...

Girolamo Bonini, called Anconitano (Ancona, circa 1600 - Bologna 1680) Annunciation (or Madonna of the Beautiful Angel) Oil on canvas (115 x 91 cm. - Framed 134 x 108 cm.) Work accompanied by the expertise of Prof. Emilio Negro The work, undoubtedly commissioned as an object of private devotion, shows the Annunciation to the Virgin Mary, a Gospel episode here set on the two figures portrayed in the foreground, the Archangel Gabriel with outstretched wings, a portrait of supernatural beauty, and the Virgin; We see her here absorbed in reading a prayer book with her eyes turned humbly downwards as a sign of devotion, while a small cherub hands her white lilies, a symbol of purity and chastity.   In the upper part of the composition is the austere image of God the Father, with the dove radiating with light, emblem of the Holy Spirit, surrounded by a flock of angels fluttering in the clouds charged with intense glow and play of light, in full Baroque style. It should also be noted that the image of the Saviour's mother in a delicately pious attitude, with her yellow veil, her broad blue mantle and her usual modest red dress from which the edges of her white blouse protrude, is to be interpreted as a kind of tender allegory of sacred love. The painting in question is an interesting replica with variants of the composition commissioned from Francesco Albani for the Fioravanti chapel in the ancient church...

Francesco Albani (Bologna 1578 - 1660) Follower of The Rape (or Abduction) of Europa Oil on panel 44 x 53 cm with gilded wooden frame (19th century) 61 x 71 cm The work de...

The Village Tavern, 17th Century School of Adriaen Brouwer (1605-1638) Large 17th Century Dutch village tavern scene with peasants merrymaking, oil on panel. Excellent quality and...