Skip to main content
Want more images or videos?
Request additional images or videos from the seller.

Ian Hornak
Ian Hornak, Sorcerer Series: Beast Head, Spider Web, 1969

1969

$48,000
$60,00020% Off
£36,448.17
£45,644.4920% Off
€43,717.71
€54,692.7920% Off
CA$68,744
CA$85,559.9320% Off
A$70,959.93
A$87,731.4220% Off
CHF 39,996.45
CHF 50,083.9420% Off
MX$918,057.33
MX$1,137,016.8720% Off
NOK 456,316.99
NOK 569,024.3820% Off
SEK 481,394.35
SEK 598,829.3920% Off
DKK 326,762.12
DKK 408,754.3720% Off

About the Item

Artist: Ian Hornak (1944–2002) Title: Sorcerer Series: Beast Head, Spider Web Year: 1969 Medium: Acrylic on canvas Size: 72 x 48 inches (182.88 x 121.92 cm) Condition: Well preserved, consistent with age and medium Inscription: Signed, dated, and titled by the artist, verso Provenance: Stable Gallery, New York, New York; Tibor de Nagy Gallery, New York, New York; Bernice Fox Weinstein, Washington D.C. Notes: This exquisite acrylic painting by Ian Hornak (1944–2002), titled Sorcerer Series: Beast Head, Spider Web, was executed in 1969. The masterfully conceived composition exemplifies Hornak’s early synthesis of Photorealism, Surrealism, symbolism, and metaphysical inquiry, presenting a haunting arrangement of human and animal forms suspended within a complex illusionistic environment. The floating nude figure, crouching beast-headed hybrid, geometric framing devices, and radiating spider web are rendered with extraordinary precision and dramatic tonal contrast, transforming the composition into a meditation on transformation, duality, consciousness, mythology, and the hidden structures that govern existence. Through his remarkable command of anatomy, spatial ambiguity, and symbolic imagery, Hornak creates a visual experience that transcends conventional realism, inviting contemplation of humanity’s relationship to instinct, imagination, and the subconscious mind. Executed during a pivotal period in the artist’s development, the painting reflects Hornak’s transition from the visionary and surrealist concerns of his early career toward the technical rigor and conceptual sophistication that would later establish him as a pioneering force in Photorealism and Hyperrealism. The composition demonstrates his lifelong fascination with illusion, symbolic narrative, and the integration of classical imagery with contemporary artistic innovation. IAN HORNAK (1944–2002) was an American painter, draughtsman, printmaker, and pioneering force in Photorealism and Hyperrealism whose extraordinary technical mastery, visionary imagination, and innovative approach to realism established him as one of the most distinctive and original artists of the late twentieth century. Widely recognized as a founding member of both the Photorealist and Hyperrealist movements, Hornak helped redefine the possibilities of contemporary realism by combining photographic precision with symbolism, romanticism, mythology, environmental awareness, art historical references, and metaphysical inquiry, creating a body of work that stands apart within postwar American art for both its visual brilliance and intellectual ambition. Born in Philadelphia and raised in Michigan before establishing his career in New York and East Hampton, Hornak emerged during one of the most transformative periods in modern art and developed a highly individual visual language that transcended conventional artistic categories. While many of his contemporaries focused on strict photographic transcription, urban imagery, or detached observation, Hornak utilized realism as a foundation for exploring profound themes of memory, beauty, mortality, spirituality, environmental fragility, and humanity’s relationship with nature, producing works that operate simultaneously as visual spectacles and philosophical meditations. His artistic vision reflects an awareness of the revolutionary innovations introduced by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, while simultaneously drawing inspiration from the Hudson River School, particularly Frederic Edwin Church, Martin Johnson Heade, Thomas Cole, and Albert Bierstadt, as well as the spiritual landscapes of Caspar David Friedrich and the botanical precision of Dutch Golden Age masters. Through this extraordinary synthesis of influences, Hornak created a visual language that united scientific observation, photographic realism, romantic grandeur, allegorical symbolism, and philosophical reflection into a form entirely his own. His highest recorded sale was achieved in 2017, when Large Orchid Bouquet (1988) was sold in a private transaction conducted in association with the heir of the Ian Hornak estate to the Van Andel family, co-owners of Amway, for US$165,000 ($219,168.11 USD, calculated for inflation in 2025). Ian Hornak Sorcerer Series Beast Head Spider Web, Ian Hornak acrylic painting, Ian Hornak surrealist painting, Ian Hornak 1969, Stable Gallery, Tibor de Nagy Gallery, Hyperrealist precursor, museum quality realism, symbolic American art.
  • Creator:
    Ian Hornak (1944 - 2002, American)
  • Creation Year:
    1969
  • Dimensions:
    Height: 72 in (182.88 cm)Width: 48 in (121.92 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Fairfield, CT
  • Reference Number:
    1stDibs: LU1342118553142

More From This Seller

View All
Ian Hornak, The Song of Zephyrus, Variation #2, 1979

Ian Hornak, The Song of Zephyrus, Variation #2, 1979

By Ian Hornak

Located in Fairfield, CT

Artist: Ian Hornak (1944–2002) Title: The Song of Zephyrus, Variation #2 Year: 1979 Medium: Acrylic on canvas Size: 71 x 45 inches (180.34 x 114.3 cm) Condition: Well preserved, con...

Category

1970s Photorealist Landscape Paintings

Materials

Canvas, Acrylic

Ian Hornak, Childhood of Hephaestus, Variation #5, 1985

Ian Hornak, Childhood of Hephaestus, Variation #5, 1985

By Ian Hornak

Located in Fairfield, CT

Artist: Ian Hornak (1944–2002) Title: Childhood of Hephaestus, Variation #5 Year: 1985 Medium: Acrylic on canvas with artist’s painted frame Size: 47 x 59 inches (119.38 x 149.86 cm...

Category

1980s Photorealist Landscape Paintings

Materials

Canvas, Acrylic, Wood

(Abstract Mythological Landscape) Untitled, 2001, Ian Hornak — Drawing

(Abstract Mythological Landscape) Untitled, 2001, Ian Hornak — Drawing

By Ian Hornak

Located in Fairfield, CT

Artist: Ian Hornak (1944-2002) Title: (Abstract Mythological Landscape) Untitled Year: 2001 Medium: Ink on archival paper Size: 11 x 14 inches Condition: Good Provenance: Estate of I...

Category

Early 2000s Photorealist Landscape Drawings and Watercolors

Materials

Ink, Archival Paper

Ian Hornak, Gabriel’s Pavilion: Variation #2, 1979

Ian Hornak, Gabriel’s Pavilion: Variation #2, 1979

By Ian Hornak

Located in Fairfield, CT

Artist: Ian Hornak (1944–2002) Title: Gabriel’s Pavilion: Variation #2 Year: 1979 Medium: Acrylic on canvas Size: 50 x 72 inches (127 x 182.88 cm) Condition: Well preserved, consist...

Category

1970s Photorealist Landscape Paintings

Materials

Canvas, Acrylic

Ian Hornak, Nocturne I: White Peacock, Black Cockatoo, 1990

Ian Hornak, Nocturne I: White Peacock, Black Cockatoo, 1990

By Ian Hornak

Located in Fairfield, CT

Artist: Ian Hornak (1944–2002) Title: Nocturne I: White Peacock, Black Cockatoo Year: 1990 Medium: Acrylic on panel, with artist painted frame Size: 58 x 48 inches (147.32 x 121.92 c...

Category

1990s Photorealist Still-life Paintings

Materials

Panel, Acrylic

Ian Hornak, The Angel Concert, Variation #2, 1979

Ian Hornak, The Angel Concert, Variation #2, 1979

By Ian Hornak

Located in Fairfield, CT

Artist: Ian Hornak (1944–2002) Title: The Angel Concert, Variation #2 Year: 1979 Medium: Acrylic on canvas Size: 36 x 48 inches (91.44 x 121.92 cm) Condition: Well preserved, consis...

Category

1970s Photorealist Landscape Paintings

Materials

Canvas, Acrylic

You May Also Like

Theseus and the Minotaur II, Painting, Acrylic on Canvas

Theseus and the Minotaur II, Painting, Acrylic on Canvas

By Derek Overfield

Located in Yardley, PA

Title: "Theseus and the Minotaur II" Artist: Derek Overfield Revisiting a subject from 2016, this painting portrays the brutal encounter between the hero Theseus and the monstrou...

Category

2010s Contemporary Paintings

Materials

Acrylic

DEUTEROS II, 2016

DEUTEROS II, 2016

By Edward Povey

Located in Atlanta, GA

1972-73 Eastbourne College for Art and Design: Fine Art Foundation Course: studies drawing. Works through the South Coast Period of paintings. Studio: South Coast of England. 1974-81 University of Wales: studied painting under Welsh artist Selwyn Jones. Public and private commissions: twenty-five multistory murals in Wales and England: documented by the BBC and British National Newspapers. Studios: Bethesda and Bangor City, Wales. Studies composition and portraiture. Shows at the Royal Exchange, London; Bangor City Museum, Wales. 1981-82 Commission: The Trial of Saint Deiniol: 19-panel, 18 x 21 ft. painting. Studio: Shropshire, England 1982-86 The New York Times send photographer Dith Pran (on whom the movie The Killing Fields was based) to photograph Povey in New York with The Trial of Saint Deiniol painting at Art Expo New York 1986. Povey is advised by George Bush Senior’s former campaign manager Zena Temkin on shaping his public persona. The BBC film Edward Povey with former President of the Royal Academy of Art in London - Sir Hugh Casson KCVO, RA, RDI in which Sir Hugh interviews Povey about his art career. Public and private commissions for collections in the United States, London, Wales, Belgium, West Indies. Studies symbolism and trains in color with Jan de Maere in Brussels and works through the Tapestry Period of paintings Studio: Grenada, West Indies. 1987-91 Studies psychology and narrative in art whilst he builds the extensive Childhood, Illusion and Desire Period of paintings. Studio: Guisborough, England courtesy of the town mayor. Shows in Belgium, London, New York. 1992-93 Public commission: Hall of Illusion mural: 20 X 40 ft. interior oil painting in the Chamber Concert Hall of the University of Wales. The commission is followed by BBC Television, S4C Television; BBC Radio Four and regional and national newspapers. Studios: Guisborough, England; Bangor City, Wales. Designs the Hall of Illusion mural on the island of Grenada, West Indies. 1994-96 Deepens his studies in the relationship between art and the psyche. Researches new ways to evolve concepts with models using theaters...

Category

21st Century and Contemporary Realist Figurative Paintings

Materials

Linen, Plaster, Paper, Oil

"Nomos", Oil Painting

"Nomos", Oil Painting

By Christopher Remmers

Located in Denver, CO

Christopher Remmers' (US based) "Nomos" is an original, handmade oil painting that depicts a nude man hugging a glowing orb of light to himself as ...

Category

2010s Realist Nude Paintings

Materials

Oil, Panel

Point nine recurring

Point nine recurring

By Edward Povey

Located in Atlanta, GA

1972-73 Eastbourne College for Art and Design: Fine Art Foundation Course: studies drawing. Works through the South Coast Period of paintings. Studio: South Coast of England. 1974-81 University of Wales: studied painting under Welsh artist Selwyn Jones. Public and private commissions: twenty-five multistory murals in Wales and England: documented by the BBC and British National Newspapers. Studios: Bethesda and Bangor City, Wales. Studies composition and portraiture. Shows at the Royal Exchange, London; Bangor City Museum, Wales. 1981-82 Commission: The Trial of Saint Deiniol: 19-panel, 18 x 21 ft. painting. Studio: Shropshire, England 1982-86 The New York Times send photographer Dith Pran (on whom the movie The Killing Fields was based) to photograph Povey in New York with The Trial of Saint Deiniol painting at Art Expo New York 1986. Povey is advised by George Bush Senior’s former campaign manager Zena Temkin on shaping his public persona. The BBC film Edward Povey with former President of the Royal Academy of Art in London - Sir Hugh Casson KCVO, RA, RDI in which Sir Hugh interviews Povey about his art career. Public and private commissions for collections in the United States, London, Wales, Belgium, West Indies. Studies symbolism and trains in color with Jan de Maere in Brussels and works through the Tapestry Period of paintings Studio: Grenada, West Indies. 1987-91 Studies psychology and narrative in art whilst he builds the extensive Childhood, Illusion and Desire Period of paintings. Studio: Guisborough, England courtesy of the town mayor. Shows in Belgium, London, New York. 1992-93 Public commission: Hall of Illusion mural: 20 X 40 ft. interior oil painting in the Chamber Concert Hall of the University of Wales. The commission is followed by BBC Television, S4C Television; BBC Radio Four and regional and national newspapers. Studios: Guisborough, England; Bangor City, Wales. Designs the Hall of Illusion mural on the island of Grenada, West Indies. 1994-96 Deepens his studies in the relationship between art and the psyche. Researches new ways to evolve concepts with models using theaters...

Category

21st Century and Contemporary Realist Figurative Paintings

Materials

Oil, Linen, Plaster, Paper

ADROGUE II, 2013-2016

ADROGUE II, 2013-2016

By Edward Povey

Located in Atlanta, GA

1972-73 Eastbourne College for Art and Design: Fine Art Foundation Course: studies drawing. Works through the South Coast Period of paintings. Studio: South Coast of England. 1974-81 University of Wales: studied painting under Welsh artist Selwyn Jones. Public and private commissions: twenty-five multistory murals in Wales and England: documented by the BBC and British National Newspapers. Studios: Bethesda and Bangor City, Wales. Studies composition and portraiture. Shows at the Royal Exchange, London; Bangor City Museum, Wales. 1981-82 Commission: The Trial of Saint Deiniol: 19-panel, 18 x 21 ft. painting. Studio: Shropshire, England 1982-86 The New York Times send photographer Dith Pran (on whom the movie The Killing Fields was based) to photograph Povey in New York with The Trial of Saint Deiniol painting at Art Expo New York 1986. Povey is advised by George Bush Senior’s former campaign manager Zena Temkin on shaping his public persona. The BBC film Edward Povey with former President of the Royal Academy of Art in London - Sir Hugh Casson KCVO, RA, RDI in which Sir Hugh interviews Povey about his art career. Public and private commissions for collections in the United States, London, Wales, Belgium, West Indies. Studies symbolism and trains in color with Jan de Maere in Brussels and works through the Tapestry Period of paintings Studio: Grenada, West Indies. 1987-91 Studies psychology and narrative in art whilst he builds the extensive Childhood, Illusion and Desire Period of paintings. Studio: Guisborough, England courtesy of the town mayor. Shows in Belgium, London, New York. 1992-93 Public commission: Hall of Illusion mural: 20 X 40 ft. interior oil painting in the Chamber Concert Hall of the University of Wales. The commission is followed by BBC Television, S4C Television; BBC Radio Four and regional and national newspapers. Studios: Guisborough, England; Bangor City, Wales. Designs the Hall of Illusion mural on the island of Grenada, West Indies. 1994-96 Deepens his studies in the relationship between art and the psyche. Researches new ways to evolve concepts with models using theaters...

Category

21st Century and Contemporary Realist Figurative Paintings

Materials

Linen, Plaster, Paper, Oil

"Effect-5 , " Acrylic on Canvas - Surrealist

"Effect-5 , " Acrylic on Canvas - Surrealist

By ivan Plusch

Located in Houston, TX

In his "Effect" series, we see how Plusch gives location - places and spaces resembling the world around us - the same treatment once reserved for his abstract human forms. Effective...

Category

21st Century and Contemporary Surrealist Figurative Paintings

Materials

Acrylic