Artist: RETNA
Title: Untitled
Medium: Original Acrylic Painting on Canvas
Size: 72" x 60"
Year: c. 2010
Documentation: Includes original certificate of authenticity from Iron Eye Fine Art Group
Provenance: New River Gallery in Fort Lauderdale, FL
Executed on a commanding 72 x 60 inch unframed canvas, RETNA's untitled painting exemplifies the artist's sophisticated integration of calligraphic abstraction, layered chromatic structure, and gestural surface construction at a monumental scale. The work asserts itself immediately through both its physical presence and its densely orchestrated visual language, positioning the viewer within an immersive field of rhythm, mark, and material tension.
The composition is organized around interlocking, ribbon-like linear forms rendered in a muted cream tone. These calligraphic structures traverse the surface in sweeping, continuous arcs, at times expanding into open, flowing passages and at others compressing into tightly interwoven clusters that obscure legibility while intensifying visual rhythm. Rather than conveying readable text, the marks operate as autonomous formal systems, emphasizing cadence, repetition, and spatial dynamism.
Underlying these forms is a richly variegated ground of oxidized reds, burnt oranges, and deep umber tones, across which vertical paint drips introduce a controlled element of material spontaneity. A pronounced band of saturated blue interrupts the otherwise warm tonal field, functioning as a deliberate chromatic counterweight that heightens structural contrast and reinforces the painting's layered spatial logic. The surface as a whole reflects a process of accumulation and revision, in which intentional design and incidental paint behavior are held in productive tension.
Created circa 2010–2020, the work aligns with RETNA's broader practice of constructing a hybridized visual system informed by typographic traditions, graffiti-based mark-making, and ornamental script forms. While suggestive of language, these elements resist translation, instead operating as abstract signifiers situated between writing and image.
Accompanied by an original certificate of authenticity from Iron Eye Fine Art Group and unbroken record of provenance from the artist to New River Gallery in Fort Lauderdale, Florida, the work is firmly grounded within established contemporary exhibition and commercial contexts. Ultimately, its monumental scale, complex layering, and disciplined yet expressive surface treatment underscore its significance within RETNA's evolving visual vocabulary, in which language is transformed into structure and meaning emerges through rhythm, density, and form.
Please note that digital renderings and photographs may feature frames, plinths, or other display staging for illustrative purposes only. Unless explicitly stated otherwise, artwork is sold unframed and without display fixtures. To inquire about framing options, custom display cases, or additional specifications, please contact us directly.
About RETNA
RETNA, born Marquis Lewis in 1979 in Los Angeles, is an American contemporary artist known for his distinctive script-like typography that fuses influences from calligraphy, street culture, and global writing systems. Emerging from the West Coast graffiti scene in the late 1980s and early 1990s, RETNA began painting at a young age and quickly gained recognition for his ability to combine raw street energy with refined, almost ceremonial, design. His moniker was inspired by lyrics from a Wu-Tang Clan track, chosen for its suggestion of vision, observation, and insight.
From the beginning, RETNA's work stood out for its unique visual language. Drawing from hieroglyphics, Arabic, Hebrew, Gothic, Old English, and Native American typographies, he developed an intricate, personal alphabet that feels both ancient and futuristic. This symbolic language is not directly translatable, yet it carries a powerful rhythm and presence that communicates beyond words. RETNA's letters and marks often appear arranged in tight, linear compositions, evoking both illuminated manuscripts and urban walls layered with decades of graffiti.
RETNA's early career was rooted in Los Angeles's graffiti crews, but by the 2000s he was gaining traction in the fine art world. His transition from the street to the gallery did not dilute his aesthetic; instead, it refined it. His paintings, murals, and mixed media works often employ a limited palette—commonly black, white, red, blue, gold, or silver—emphasizing form and pattern over figurative imagery. RETNA's ability to bridge the gap between street art and high art has made him a sought-after figure for both public commissions and private collections.
Over the years, RETNA's work has been exhibited internationally, including in major cities such as London, New York, Miami, and Hong Kong. His large-scale murals can be found on building facades across the globe, where their monumental presence turns entire walls into sacred texts. Beyond traditional art spaces, RETNA has collaborated with luxury brands, musicians, and fashion designers, extending his visual language into new cultural contexts. Notable collaborations have included working with Louis Vuitton, VistaJet, and creating album art for Justin Bieber's "Purpose".
Despite the global recognition, RETNA's work remains deeply personal. His script, while deliberately opaque to outsiders, is a reflection of his life experiences, cultural observations, and spiritual influences. By refusing to offer direct translation, he invites viewers to engage with the work emotionally and aesthetically rather than purely intellectually.
Today, RETNA stands as one of the most distinctive voices in contemporary art. His fusion of graffiti sensibilities, calligraphic traditions, and modern design continues to challenge and expand the boundaries of visual communication. In blending the past with the present, the street with the gallery, and the local with the global, RETNA has created a timeless artistic language uniquely his own.