Mary A Brooks

In Fashion, Sgrffito Signed Portrait, 20th Century British

Etching, entitled bottom left and signed bottom right Image size: 5 1/4 x 7 1/2 inches (13.25 x 19 cm) Contemporary frame with ArtGlass anti reflective Plate No.17 August 1937 Hol...

Sheila Holland 1932-2002 Self Portrait Oil on canvas, signed lower right Image size: 30 x 22 inches This is a wonderfully dynamic self portrait by the female artist Shelia Holland. ...

Graphite on paper, signed bottom right Image size: 13 x 8 3/4 inches (33 x 22.25 cm) Original frame Dora Thacher Clarke, later Dora Middleton, (1895–1989) was a British sculptor and wood carver who also wrote about, and promoted African art. Clarke was born in Harrow in Middlesex. Her father, Joseph Thacher Clarke was an American architect. Clarke won a scholarship that allowed her to attend the Slade School of Fine Art. Aged fifteen, Clarke initially studied at the Slade on a part-time basis for three days each week throughout 1910 and 1911 but during 1915 and 1916 she studied sculpture there as a full-time student. Clarke first exhibited at the Royal Academy in 1923 and continued to do so until 1959. In the early 1930s she was a regular exhibitor in group shows at the Goupil Gallery and in March 1937 had her first solo show at the French Gallery. She also exhibited at the Paris Salon and with the Royal Society of British Artists. Clarke's works included bronze castings, memorials and wood sculptures, often of African heads. For example she was commissioned to sculpt the posthumous portrait bust of Sir Walter Morley Fletcher. The most notable of her memorials is the panel and medallion tribute to Joseph Conrad at Bishopsbourne in Kent, which was unveiled in 1927. Clarke also wrote about, and promoted African art and spent a year, between 1927 and 1928 in Kenya, where she made many drawings which when she returned to London she used as the basis for wood carvings and bronzes of tribal figures. Wood carving became her technique of choice, often working with hardwoods and, on occasion, sperm whale teeth. Clarke married Admiral Gervase B Middleton in 1938 but rarely exhibited work under her married name. During World War II, Clarke was commissioned by the War Artists' Advisory Committee to produce a portrait medallion depicting a serviceman who had been awarded the George Cross. This proved to be the only portrait medallion acquired for the WAAC collection. Sculptures by Clarke are held in various museums, including the Ashmolean Museum which also holds a 1936 portrait of her by Orovida Camille Pissarro.

John Westbrooke Chandler 1763- 1807 Oil on canvas Image size: 30 x 25 inches (76 x 63.5 cm) Original gilt swept frame This portrait is marked by its loose brushwork, which creates a...

Original - Mixed Media on Board Hand Signed by Joann Côté

An energetic portrait of a fashionable woman, likely dating to the late-1940s. Presented glazed in a distressed gilt-effect wooden frame. Unsigned. On board.

Mixed Media on panel. Homage to the famed Channel. Fashion. Artist Statement: "I am a self-taught artist who utilizes an experimental approach. I let the experience of creating...

An ethereal portrait of a mysterious woman with a gentle smile in a mix of pastel, pen and ink and watercolour wash..She is swathed in reddish hues. T...