Art by Medium: Charcoal

"""Spring"" From the series “Infinity Map” We all journey through our own inner world. Along the way, we encounter images that cannot be explained literally. They may evoke fear, h...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

The paintings of Bruce Rubenstein seamlessly marry sophistication with accessibility. Rubenstein’s original art merges the creative attitudes of New York and Los Angeles, combining s...

Cubist Reclining Male Nude in an Interior French Modernist Charcoal Drawing Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: charcoal and pencil on artist paper,...

Figure beside a Bridge on the Seine Paris French Modernist Cubist Charcoal Drawing Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: charcoal on artist paper, unf...

Reclining Male Nude Figure Study French Modernist Charcoal Drawing 20th Century Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: charcoal and pencil on artist paper, unframed. Artist paper: 19 × 25 inches. Provenance: from the artist’s estate, Paris. Condition: good overall condition. A strong and expressive Modernist figure study by French artist Laure Noetzlin-Azam, depicting a reclining male nude posed...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Cubist Reclining Male Nude in an Interior French Modernist Charcoal Drawing Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: charcoal and pencil on artist paper,...

Gerhard Henning (1880–1967) Swedish-Danish Flöjtspelaren (The Flute Player), 1904 signed with monogram and dated lower left charcoal and ink on paper unframed 33 × 24 cm (13 × 9.4...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist The...

The original paintings of Bruce Rubenstein seamlessly marry sophistication with accessibility. His expressive abstract artwork "Deconstructing Dystopia" brings together fragmented fi...

A Large, Striking, Post-War Studio Figure Study of a Reclining Young Male Nude Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). A well executed, intimate f...

Carbon Void Jade is a sculpture by contemporary artist Tom Price. This sculpture is made of coal, polyurethane resin, steel, dimensions are 46 × 155 × 71 cm / 18.1 × 61 × 28 in. Th...

A large, finely drawn Art Deco era, early Twentieth Century Modern figure study of a seated young female nude model by notable Native American artist, Joseph Theodore Waáno-Gano (Che...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This piece, titled "The Meanderer" is an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating structures h...

Weightless captures a suspended moment between control and release. His posture suggests not defeat, but acceptance, a letting go of tension, burden, and the unseen trials that pres...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His expressive abstract landscape artwork 'The Big Lebowski' features whimsical details and vibr...

Think twice before you make your decision. A slightly wrong action can lead to the destruction of your empire. Life is like a game of chess. Every decision you make can either bring ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist The...

“Mixed Feelings” is a visual series that captures the emotional complexity of Black womanhood, strength, softness, pride, visibility, and invisibility. Each portrait in this series h...

3580 Charcoal drawing Set in a vintage giltwood frame Image size 13x9"

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This special large drawing on wood board (ready to hang) created by Shizico in early autumn where her Cat and the garden take centre stage. The pictorial language in this series pays...

"Who Is Searching?" From the series “Infinity Map” We all journey through our own inner world. Along the way, we encounter images that cannot be explained literally. They may evoke...

A rare early lithograph by Jean‑Gabriel Domergue (1889–1962), titled Nuit blanche (Sleepless Night) and dated 21 March 1915. This atmospheric nighttime scene shows two elegant figure...

A Fine, Modern 1930s Academic Anatomical Figure Study Drawing of a Standing Young Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well exe...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

A striking 1930s American Modern, Art Deco era drawing, portrait of a young woman by notable Chicago artist, Walter Burt Adams (Am. 1903-1990). A wonderful, early example of Adams'...

A contemporary modern figurative painting combining expressive realism with geometric abstraction. The artwork brings together elements of Contemporary Art and Modern Art through its...

Large, charcoal and acrylic landscape painting on canvas featuring a detailed countryside wooded field and light blue sky "Dreamland" by Sue Bryan acrylic and charcoal on canvas 34 x 42.5 x 1.5 inches 35.5 x 43 inches with an ebonized walnut floater...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanie...

Soft, gestural and beautifully intimate, Judith Williams' A Secret Smile captures a fleeting moment through expressive charcoal line work. The downward turn of the figure's head and ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Unknown Artist (Sweden, early 20th century) Memento Mori inscribed in Swedish: “Tänk på att Jag har varit såsom Du, och att Du skall bliva såsom Jag.” pencil, charcoal and white he...

A Large, Striking, Post-War Studio Figure Study of a Seated African-American Male Nude Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). A well executed, in...

Title: Absolute Wealth Large Painting Absolute Wealth - Contemporary Abstract Colorful Maximalism Bold Invest Another soulful artwork by Karnish. Symbols and forms unfold in this m...

Leigh Ann Van Fossan's "Pleasantries" is a charming acrylic and charcoal painting, created on canvas, which depicts slices of mango resting on a plate Van Fossan was born in Vail, C...

Black Essence' captures the unbreakable spirit of every woman who has long been the pillar of strength in their community. With a steadfast gaze, the subject embodies determination a...

Reborn, renewed, a soul reborn, A life renewed, a path to adorn. Memories of a past life remain, Haunting, yet freeing, like a chain. A new life, a new chance to grow, To learn, to ...

A Finely Drawn 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, ea...

Alex (Cuban, b.1949). Indigenous Mexican Woman, 1982. Pastel and charcoal on wove paper, sheet measures 23 x 33 inches. 31 x 40.5 inches on backing board...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His expressive abstract landscape artwork 'Flourishing Fields' features whimsical details and vi...

Breathe (2025) is a contemporary figurative painting by Brazilian artist Ritchelly Oliveira, executed in charcoal and acrylic on canvas. The monochromatic composition depicts a human...

"Agbara Abo" portrays African women in all their natural beauty, radiating confidence and strength. The artwork captures the diverse physical features and skin tones that make Africa...

The central figure in Afobaje is a majestic and regal woman, representing the embodiment of motherhood. She exudes an aura of wisdom, strength, and grace. Adorned in traditional Afri...

oil stick, acrylic, charcoal on raw linen canvas

I realized that I have only two lives, the second one begins when I discovered my purpose, which made me hold up my bag of hope and dreams. Leaving the home that I belonged to for a ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Olu...

A Finely Drawn, 1930s Art Deco Modern Female Figure Study, Portrait of a Young Woman in Profile by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exquisite studio portrai...

John Thomas Young Gilroy (English, 1898-1985), "Untitled: Sideview of a Gentleman", Charcoal/Pencil on Paper signed and matted to original card stock, 20.75 x 12.75 (22 x 14), Early 20th Century, 1920 Colors: White, Black John Thomas Young Gilroy (30 May 1898 – 11 April 1985) was an English artist and illustrator, best known for his advertising posters for Guinness, the Irish stout. He signed many of his works, simply, "Gilroy". Born in Whitley Bay, Northumberland, England, Gilroy attended Durham University until his studies were interrupted by World War I, during which he served with the Royal Field Artillery. He resumed studying at the Royal College of Art in London, where he remained as a teacher. He taught at Camberwell College of Arts.[1] In 1925, he gained employment at S.H. Benson's advertising agency, where he created the iconic advertisement art for Guinness featuring the Zoo Keeper and animals enjoying Guinness.[2] He worked with Dorothy L. Sayers.[3] He was also an accomplished portrait painter, numbering Royalty, Politicians, Actors and many others amongst his sitters. He worked in his large studio at 10 Holland Park, London, the former home and studio of Sir Bernard Partridge. He was a long-standing and much loved member of the Garrick Club...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

French Modernist Charcoal Still Life with Bottles, Jug and Ceramic Bowl Laure Noetzlin-Azam (French, 1929–2024) Pupil of André Lhote. Medium: charcoal and pencil on artist paper, unf...

PaperLandscape paper and oil on canvas 80x100 cm original art Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Paint...

A Large, Striking, Post-War Studio Figure Study of a Seated African-American Male Nude Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). A well executed, in...

"A fierce spirit, a radiant glow, ‎woman's strength, it always shows. ‎Resilient, powerful, breaking through, ‎Indomitable, she shines anew." ‎When I create this piece, I don’t just...

A Fine 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930...

Melody This work is part of the Infinity Map series, dedicated to exploring the inner world and the search for personal points of reference. A young woman sits by an open window, lis...

Sluice Gate and Footbridge River Ember East Molesey Surrey Charcoal Drawing By Norman A. Olley (British, 1908–1996) Charcoal and graphite on artist's paper. Dated 1950. Image size: a...