Color Pencil Landscape Drawings and Watercolors

"Where do we come from? " This drawing (100 × 78 cm) unfolds as a visual ecosystem where human, animal, and botanical forms merge into a single composition. The artwork is created on...

A 1901 graphite & colored pencil drawing by important French Post-Impressionist painter Henri Le Sidaner, titled "La Barrière, Gerberoy". Signed "Le Sidaner", lower left. Artwork s...

Drawing of Fontainebleau Forest Barbizon, France Pierre Auguste Brunet Houard (1829 - 1922) 19th century Pencil, colored pencil, gouache, paper 8 x 4 1/2 (16 3/8 x 12 1/4 frame) inc...

Untitled_Remains. The Dead Body on the Field, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán em...

Title: French Woodland Trees Pencil Drawing Landscape Study Mid Century Artist: French School (mid 20th century) Medium: Pencil on artists paper, unframed Size: 4.75 x 10.75 inches (...

A beautiful drawing of the Aravis mountain chain in the Alps, including Mont Blanc, with all of the peaks identified by hand. Circa 1850 Graphite with white heightening on light card...

SOPHIA MILLIGAN 'Guijarros y Agua' Original Artwork (unframed*) ______________ Winter solstice light dancing on shingles and lapping tidal movements, towering rock formations rise ...

Welcome to P'town by Chaim Gross, 1904 - 1991 Date: 1965 Medium: Color Pencil on Paper, signed and dedicated Image Size: 13.25 x 16 inches Frame Size: 17.75 x 20.75 inches

Untitled_Body on the Field #4, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of t...

Wooded Landscape in Winter Graphite, colored pencils, mid 1970's Signed lwoer right (see photo) On a sheet of three ring binder heavy paper Condition: Excellent Image size: 8 5/8 x 1...

The Blue Street - Monochrome Rural Town Landscape in Colored Pencil on Paper Delicate drawing of a rural street by Alle Wijtze "Charles" de Somer (Dutch, 1869-1919). One of the arti...

A Striking, Colorful 1930s Modern Surrealist Abstraction by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Titled "Signal Set Up", the artwork is colored pencil...

Untitled_Dead Body on the Field #2, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in ...

A Striking, Colorful 1930s Modern Surrealist Abstraction by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Titled "To the Wind", the artwork is colored pencil a...

Sandy Litchfield’s “Lingerlin” (mixed media on paper, 30 x 22 in.) reflects her signature practice of transforming landscapes into lyrical, layered compositions. Drawing inspiration ...

Skillful pencil landscape drawing of travelers on the road bordering the small town of Villers-Saint-Paul north of Paris,France by artist Diogène Ulysse N. Maillart (1840-1926), 1908...

Sandy Litchfield’s "Latent" reflects her signature approach of transforming landscapes into lyrical, abstracted visions. Drawing from memory, walking, and direct observation, Litchfi...

Untitled_Body on the Field #7, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of t...

Untitled_Remains Body on the Field #1, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissoluti...

Landscape is a beautiful artwork realized by Jan Peter Verdussen. In good condition. illegible Hand-signed on the lower right margin. passepartout included ( 49 x 69 cm). The artwork represents a landscape river in sanguine drawing...

Artist: Richard Davies Title: One Green Wave Year: 1991 Medium: Watercolor, graphite, colored pencil, collage, signed in pencil Size: 60 x 40 in. (152.4 x 1...

"Sioux Camp," an original mixed media on paper by Tom Perkinson, is a piece for the true collector. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. The viewer is invited to step into the painting to explore the scene within and imagine gazing at an easel of a plein-air painter with the blue sky, clouds, and grasses in full view. Here, Perkinson chose to depict a Sioux settlement. A fire with smoke rising helps set the stage for day turning to night. The scene is filled with activity. Women watching over playing children. A father teaching a lesson. A group of three or more watching over the horses. Others occupy the settlement out of view. Perkinson describes his style of painting as "Romantic Realism," a technique that incorporates two iconic art movements. This style, in combination with the imagination of the artist, produces remarkable results, showcasing Perkinson's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with its carved, custom, antique-finish, gilt frame. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, impressionism, romanticism, realism, Southwestern Art, Native American themed art, plein-air painting, and nature. "The Sioux nation were the largest of all the Native American tribes and consisted of three divisions which were based on their location, dialect and their subculture. The Sioux tribe originally lived along the upper Mississippi in Minnesota, Iowa, and Wisconsin. They were forced west by the French and their Chippewa allies. During the migration west to the Great Plains, the tribe split into three divisions - the Lakota, Dakota and Nakota. The names Lakota, Dakota, and Nakota all mean "Allies" or "Confederates." The Sioux tribe fiercely resisted the white encroachment of the Great Plains. The names of the most famous chiefs who led the Sioux tribe into battle were Sitting Bull, Red Cloud, Chief Gall, Crazy Horse, Rain in the Face, and Kicking Bear. Famous conflicts included the Sioux Wars (1854-1890), Red Cloud's War (1865-1868), the 1876 Battle of Little Bighorn, and the 1890 Ghost Dance...

Italy. Paper, mixed media, 33х24 сm

Christopher Ganz View of Florence with the Duomo 2016 colored pencil, pens, chalk, crayon 12h x 19w in 30.48h x 48.26w cm Frame: 18.25h x 24.25w in CG0060 -ARTIST STATEMENT- I dep...

Sandy Litchfield finds the consummate marriage of medium and subject in her latest enchanted landscapes. She narrows her focus to lake scenes, creating an almost palindrome-like comp...

George Elbert Burr (American, 1859–1939) Untitled (Storm over Desert Landscape, Arizona), 1924 Colored pencil on paper Signed lower right Image: 10 × 13¼ inch...

Early American modernist drawing on paper by pioneering modernist, Oscar Bluemner. Titled : Belleville - 1918 Dated 1918 Monogrammed lower left. Colored pencil on paper. 4.5 x 5.5, 1...

Mixed Media work of a Texas national park called Big Bend. The work consists of a landscape photograph with color pencil drawing around the photograph that continues the landscape. T...

A 1968 World Trade Center Plaza Intricate Architectural Illustration by Filipino-American architect and artist Bonhui Uy.

Firmado en la parte inferior "J.Mir" El estado de la obra es bueno Se presenta bien enmarcado el dibujo Medidas del dibujo: 14 x 16 cm. Medidas del marco: 31 x 33 cm. Buen estad...

August Frederick Biehle (1885-1979) Houses in Zoar, c. 1921 Gouache, litho crayon, colored pencil and graphite on paper Signed lower right 14 x 19 inches 20.25 x 25.25 inches, framed...

Untitled_Body on the Field #5, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of th...

Title French Woodland River Landscape Blue Ink Watercolour Drawing Artist Bernard Labbe French mid 20th century Medium Ink watercolour and coloured pencil on artist paper unframed Si...

Maria Deely Abbey Road Studios 2025 Original Drawing with Colored Pencils Size: 11 x 14 inches (27.94 x 35.56 cm) Signed COA provided This drawing captures Abbey Road Studios — one ...

This framed 33.75" x 20.5" oil and prismacolor on paper landscape painting by Oklahoma-based artist Mark Gilmore depicts a familiar stormy scene. "Indigo" is dark and brooding as sto...

Untitled_Body Remains on the Field, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution...

Maria Deely Positano 2025 Original Drawing with Colored Pencils Size: 14 x 11 inches (35.56 x 27.94 cm) Signed COA provided In this drawing, Maria Deely captures the vibrant spirit ...

Title: Lourmarin Luberon Provence Landscape Pastel Drawing Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Pastel and coloured pencil on paper, unframed Size (H x W): 19.75...

John Harris Wilmer (1947-2019). Landscape, 1976. Color pencil on paper measuring 9.5 x 12.5 inches. Matting measures 15.5 x 1`8.5 inches. Signed in pink pencil lower right. Addit...

Maria Deely When Life gives you Lemons 2025 Original Drawing with Colored Pencils Size: 14 x 11 inches (35.56 x 27.94 cm) Signed COA provided Inspired by the serene beauty of the La...

Title: Ansouis Provence Chapel Road Landscape Pastel Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Pastel and coloured pencil on paper, unframed Size (H x W): 22.25 x 30....

Nancy Charak Title: Bonitas Canciones 8726 Materials: Drawing on 90# Stonehenge Date: 2017 Dimensions: 11"x30" Nancy Charak makes paintings and drawings in her studio in Tucson, whe...

Two Navajo Colored Pencil drawings by Lois Rogers, New Mexico. Sight size: 3 x 4 2/3 in. Framed: 5 3/4 x 7 1/8 in. Both signed lower right, and inscribed verso: colored pencil, Lo...

Marcos Acosta's paintings beckon and beguile. His most recent collection of Colorado and Southwestern landscapes --paintings on canvas as well as works on paper -- are furtive medita...

Black crayon and graphite with white heightening on blue handmade laid paper. Adhered at all four corners to a period support, on which the title and an illegible date (perhaps 1815) appear to be written in the artist's hand. ________ Aglio was born in Cremona is 1777 and his artistic talent was recognized early in his life. He was promised a place at the University in Milan by the Holy Roman Emperor, however, his formal education was upended before it even began by the invasion of Italy and Austria by Napoleon. Aglio joined the war effort and fought in a series of major battles near Venice before becoming seriously ill. At the age of about 23 he was released from duty, and traveled to Rome to focus on his health, and landscape painting. In Rome, Aglio studied with the renowned artist Campovecchio. At the invitation of well known British architect William Wilkins (designer of the National Gallery and University College London), Aglio relocated to London in 1803. He made London his permanent home, and married Letitia Clarke in 1805. He enjoyed a lucrative career painting frescoes in the interiors of high society townhouses, country manors, and major London concert halls and theaters. Most notably, Aglio painted multiple official portraits of Queen Victoria...

Untitled_Body on the Field #8, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of th...

Body in the Field #2, 2022 coloured pencils on canvas 25 H x 16 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of the human body through the prism of t...

Island for Umberto 07, 2014 Colored pencil on paper ( Signed and dated front left upper corner, framed) 11.6 H x 16.5 W in. 29.5 H x 42 W cm "Island for Umberto" has the literary so...

Body in the Field #12, 2022 coloured pencils on canvas 25 H x 16 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of the human body through the prism of ...

Body in the Field #4, 2022 coloured pencils on canvas 25 H x 16 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of the human body through the prism of t...

Untitled_Body on the Field #6, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of t...

Untitled 05, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of the human body throu...

Untitled_Body on the Field #3, 2022 coloured pencils on paper 39 3/8 H x 27 9/16 W inches 100 H x 70 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of t...

Maria Deely Blarney Flowers (Blarney Castle, Irish Gardens, Floral) 2025 Original Drawing with Colored Pencils Size: 11 x 14 inches (27.94 x 35.56 cm) Signed COA provided Maria Deel...

House of Dreams, 2013 Ink and colored pencil on paper 16.53 H x 11.69 W in 42 H x 29.7 W cm Signed Raluca Arnăutu creates a zoomorphic world, where an...

Titled "Perspective", this artwork created by Frank Girard, utilizes pigments, Chinese ink, watercolors, acrylics, and colored pencils on 400g/m2 neutral white paper. It remains unfr...

Lovely early 20th century colored pencil landscape sketch of Shoreham Downs by an unknown artist (United Kingdom, 20th Century). Signature i...

Detailed illustration of a sailor in a catamaran by Edward T. Liljenwall (American, 1943-2010). The sailboat is tilted at an extreme angle, with the sailor leaning out over the edge ...

This contemporary landscape depicts a weathered apple tree rising from a dense field of vines and milkweed, its bare, reaching branches contrasting with the surrounding vitality of s...

Poland (Glider) by Andrea Moreau colored pencil and postage stamp on paper 22 x 30 inches 25.25 x 32.5 inches framed To create her mixed-media artworks, Andrea Moreau selects a postage stamp to serve as the starting point for a piece on paper, then “completes” the image with colored pencil. This artwork, "Poland (Glider)," centers on a stamp that depicts an aircraft flying above a glacial horizon. Building on the style and environment established by the stamp art, Moreau extended this scene across land and sea in vibrant blue pencil. A statement by the artist: My drawings function as personal interpretations of political or commercial propaganda. I begin with imagery found on postage stamps or printed advertisements and, using the visual logic and graphic language of the image, I attempt to tease out a larger framework from which to consider it. Finished pieces often incorporate printed matter and cultural detritus, which gives them an immediate and tactile connection to the world of objects. I am particularly interested in the postage stamp as a geographical artifact, and through my drawing process I attempt to learn something about a place by studying its official imagery and then creating a world beyond the borders of its fragmentary scenes. The finished drawings and paintings are a record of this study; they are a dialogue between the printed and the drawn, the official and the personal, the real and the imaginary. They are a metaphor for the way in which we conjure the places we hear about on the news and read about in books, using the tiniest pieces of information to construct a reality that most likely bears little resemblance to any actual place. Andrea Moreau’s mixed-media works, on the other hand, walk a tightrope between context and isolation. Moreau selects a postage stamp to serve as the starting point for a piece on paper, then “completes” the image with colored pencil. These stamps may become lost in a frenzy of Moreau’s mark-making, as with “Mexico (Flowers) #15,” or left comically obvious, like in “USA (Barbershop...