Archival Paper Landscape Drawings and Watercolors

This Oil on Paper, named Peony Summer in Green is a part of Summer Bloom Series by Award winning British artist Shizico Yi. She created the painting in her garden painted plein air ...

This rare offer, Set of 9 latest collection of Garden Story in gold leaf and oil on oil paper board are a part of Le Bleu Series by award winning British artist Shizico Yi. She crea...

Original watercolor on archival paper of a group of local villagers washing their clothes by the sea. Done in an academic style. Great detail. Signed by the artist and dated 1970 lo...

Original watercolor and gouache of a colorful tropical sunset by the well known French artist, Paul Pascal. Pascal is known for his watercolor/gouache orientalist paintings. Signe...

Original post impressionist watercolor of Notre Dame in the rain by the well know French artist, Rene Leverd. Signed by the artist lower left. Condition is excellent. Circa 1920. Fr...

Ede Halápy (Hungarian, 1891-1962) Tavasfall (Spring wall), c. 1940 Watercolor on paper Sight size: 11 1/4 x 10 1/2 in. Framed: 22 1/4 x 21 1/2 in. Signed lower right: Halápy Hungar...

Rosarian, 2026 (After Van Gogh) is Shizico Yi's latest work, inspired by the lost seventh painting from Vincent van Gogh's celebrated Sunflowers series, often referred to as Six Sunf...

Original watercolor on archival paper of Gloucester Harbor in Massachusetts by the well known American artist, John Cuthbert Hare. Signed by the artist lower right. Titled in left ...

Original watercolor and gouache on archival paper of a winding old Paris street by the well known American artist, Henry Martin Gasser. Signed by the artist lower left, Paris. Circa...

"A Norman Peasant's Home," (Near Caudebec -en-Caux, Seine, France); and also identified as, "Peasant's Doorway." by Hezekiah Anthony Dyer. This area would be considered Normandy hence the title. Watercolor and gouache on archival paper. Signed lower left by the artist. Condition is very good. Included with the purchase is dated 1925 correspondence between the artist and purchaser of the painting with apologies from the artist for the painting not being shipped from Newport on time. Recently professionally custom double matted and framed under glass. Overall framed measurements are 19.25 by 15.5 inches. Provenance: Rhode Island collector. H. A. Dyer 1872 - 1943 Historical Rhode Island artist Hezekiah Anthony Dyer, son of Elisha and Nancy Anthony Dyer , was born into a prominent Rhode Island family, having both his grandfather and father serve as governor of the state. A descendent of the Hoppin family, known for their own artistic inclination, Dyer inherited both an interest in the arts as well as his father’s interest in public affairs. He fulfilled his destiny by becoming a notable figure in Rhode Island politics and public service as well as an accomplished artist. Dyer attended boarding school at St. Paul’s Church in Concord, New Hampshire and then went on to attend Brown University. Following his graduation from Brown in 1894, Dyer became serious about pursuing an art career and made the decision to travel abroad to Holland, Italy and France where he focused on refining his watercolor technique. Following his initial trip to Europe, Dyer returned to Providence and attended classes at the Rhode Island School of Design. By 1919 he received an Honorary Masters of Arts Degree from Brown University. Throughout his life, Dyer traveled to Europe for several months of each year to paint. He had a particular affinity for European seascapes and landscapes, as well as for picturesque scenes of old European villages. Dyer’s travels took him throughout the continent including Belgium, Brittany, Normandy, England and both the Swiss and Italian Alpine regions. Hezekiah was heavily influenced by the English School of painting, and in the early years of his career as a painter, worked exclusively in a deliberately realistic style. During this time, Dyer also began showcasing his paintings in exhibits that consisted of only his own work and which were very successful. As his painting progressed, Dyer allowed himself to experiment more in the field of watercolor. He developed a technique of painting on grey or tan paper and would paint everything lighter than the paper using an opaque gouache, and everything darker than the paper in transparent washes of color. This technique allowed Dyer to represent a great deal of detail not usually found in watercolor paintings. It also resulted in wonderfully vibrant colors that would not fade when dry. H. A. Dyer was a prominent member of both the art community and of Rhode Island public life. While he never held an office, Dyer became very involved in politics and from 1916 to 1919 was president of the Republican Club of Rhode Island. At the beginning of the First World War, Hezekiah was made chairman of the speaker’s bureau for the Food Administration of Rhode Island, and was later made chairman of the speaker’s bureau for the Council of Defense. Dyer also became a chairman for a philanthropic organization called Rhode Island of the Fatherless Children of France. In 1922, France presented both Hezekiah Dyer...

Night Roses-Rosarian, 2026 is Shizico Yi's latest work, inspired by her new rose garden with a nod to the visual language of Japanese woodblock print. In this series, Yi further ex...

Few artists captured the poetry of the French coast with as much sensitivity and immediacy as Eugène Boudin, widely celebrated as one of the precursors of Impressionism and an early ...

This original Ink/Charcoal/gouache drawing was created by Shizico at the transitional sunset light in early spring. Like a modern-day Monet, Shizico has built her own garden over the...

This Oil impasto on Georgian Paper board, named Summer Lilies, is a part of Summer Bloom Series by British artist Shizico Yi. She created the painting in her garden painted plein a...

This is an exclusive handprinted limited edition cyanotype of a Sandy Shore with Foam. Details: + Title: Sandy Shore with Foam + Edition Size: 100 + Stamped and Certificate of Aut...

This Ink and Gold Leaf on watercolour paper, named Rain Moonlight, is a part of Drawing Time Series by Award winning British artist Shizico Yi. She created the painting in her gard...

In *Paysage du Portugal* Capriccio, Alexandre-Jean Noël brings together a broad river landscape, imposing architecture and small figures at the water’s edge. A fortified complex rise...

Beautiful vintage watercolor of a coastal landscape with two figures walking along the beach by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson i...

Colorful watercolor landscape of a lake surrounded by mountains by California artist Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey,...

The artwork is double matted with an antique style contemporary gold leaf gallery frame in fine condition. Overall framed measurements are 24 by 31 inches. Provenance: A Sarasota, Florida collector. Guy de Neyrac was born in France in 1900 and is widely known for his impressionistic watercolor and pen drawings of Paris...

This 15" x 11.75" framed watercolor on paper by Belgrade, Serbia-born, Texas-based artist Vojna Bastovanovic Casteel features a ground-level view of four purple irises growing side b...

There is something compelling about drawings and sketches made by architects. Loose and full of life this delicious little study, made on the spot, beautifully captures the essence of place. Made during one of Patterson's early tours to India it shows the gloriously majestic Palace Museum in Udaipur, Rajasthan, which sits on the highest point overlooking Lake Pichola and the City. The delicate wash of terracottas, pinks and reds offers us the feel of sun on the old stones. India Palace Museum (Udaipur), watercolour & pencil on paper, image 9.5cm x 14cm, framed 21.5cm x 24.5cm, Artist Stamp, signed in pencil bottom left, 1990 Doug Patterson...

Abstract harbor scene with boats, in bold, vivid colors on heavy mould made paper. Hand signed and dated, 1980 22 X 30 not frame Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he was six. Early in his childhood, his love for drawing, painting and studying became apparent, and as an adult, he continued his studies in New York at the National Academy of Design, Pratt Institute, the Art Students League and the Parsons School of Design. In Paris, France he studied at the Ecole des Beaux Arts. Bob Freiman was especially focused on painting portraits and figures in motion in various mediums, especially the mixed-media combination of watercolor, acrylic and pen. Among his subjects were acrobats, ballet dancers, cyclists and other athletes. He as well focused on abstracts for a time, discovering new media in his works with quick brushwork and expressive movements. In the latter part of his career, his style became abstract and surreal with images of metaphysical landscapes with architectural elements such as arches, towers, pyramids and castles floating in the air. The famed art critic Pierre Rouve wrote: “It is therefore refreshing to see them revitalized by the colourist wealth and virile handwriting of Robert Freiman, probably the best American water-colorist since John Marin. He worked in Provincetown and Nantucket and regularly exhibited there. He showed at Doll & Richards gallery of Boston alongside John Chetcuti, Lloyd Goodrich, Tod Lindenmuth, William Meyerowitz, Dwight Shepler...

Beautiful original watercolor of Provincetown Harbor in first light by the well known artist John Cuthbert Hare. Signed lower right. Condition is excellent. The watercolor is hou...

Original watercolor and gouache on archival paper of a harbor scene with a large ship and several smaller boats by the well known American artist, Henry Martin Gasser. Signed by the ...

A Large, Dynamic 1950s Mid-Century Modern Watercolor of Lower Manhattan, New York City by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). The image is watercolor, pastel and c...

Forest Light, 2016 (Contemporary Impressionist Landscape in Watercolor ) by Susan Hope Fogel Abstracted landscape watercolor drawi...

Original watercolor and gouache on archival paper of Venice sailboats by the well known American artist, William Stanley Haseltine. Signed with the artist’s three initials lower rig...

Original watercolor of Monhegan Island, Maine on archival paper by the well known American watercolorist, Ted Davis. Signed lower right and dated 1950. Cond...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while savouring for the summer left behind. Reflecting on the vibrant days spent painting en pl...

Original etching on archival paper by the well known New York artist, Leon Dolice. Signed in the plate middle bottom. View of New York City and the iconic Flatiron Building. Circa 1...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

Here for your consideration is a very well executed original watercolor by the American artist, Erhard Ericson. Signed lower left by the artist. Condition is excellent. The waterc...

Treesong (Contemporary, Realist Charcoal Landscape Drawing by Sue Bryan) 18 x 24 x 2 inches Charcoal and acrylic on Primed Arches Paper Mounted on Wood Panel Excellent condition, Ready to hang as is This contemporary charcoal landscape drawing on arches paper was completed in 2021 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees and wooded landscapes. The artist captures exquisite detail and luminous light with the mere use of black and white charcoal and carbon pencil. The artist creates this tree through a blend of light and shadow that demonstrates the artist's masterful technique. Dark leaves and winding branches in black charcoal contrast elegantly against a light filled sky. There is sturdy wire installed on the back for easy hanging. Artist Statement: "My work is drawing based. As a native of Ireland, the landscape there has certainly shaped and influenced my own history. Many of my drawings are of places that have a deep personal association for me; an endeavor perhaps to stay connected to my roots. My aim is not only to convey a sense of place and belonging, but also an attempt to capture the ineffable, to evoke a feeling or a memory, to invite the viewer to look beyond and beneath what they see. My process is one of building up tones and textures using a combination of charcoal, carbon and graphite, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. Much of drawing’s appeal to me lies in its very constraint, in its simplification, in the reduction of nature’s macrocosm to the coal-black char of organic matter. For me, the act of drawing is an end in itself." About the work: A native of Ireland, Sue Bryan explores the memories of youth rooted in her homeland's landscape. Employing charcoal on both paper and panel, these moody and misty studies reminds us that the water-locked terrain is not always sunny and green. Exquisite detail found in each tree branch or mass of tall grasses lining the horizon dominates the foreground. Light emulates from the background attempting to penetrate the density of opaque cloud cover. Bryan's small scale drawings convey an intimate and highly personal sense of place and belonging. SELECTED EXHIBITIONS 2019 'A Quiet Respite", Carrie Haddad Gallery, Hudson, NY 2018 'DRAWN',5th Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2018 'On Paper - An Exhibition of Drawings', Florence Academy of Art, NJ 2018 'MONOCHROME', Bo.Lee Gallery, London 2017 'Arboreal', Manifest Gallery, OH 2017 'Hudson Valley Landscapes', Carrie Haddad Gallery, Hudson, NY 2017 'Affordable Art Fair, Battersea, London, October 2017 'A Long Way from Home', Bo.Lee Gallery, London 2017 187th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2017 'Palette', Abend Gallery, Denver, CO 2017 'Summer Exhibit', Carrie Haddad Gallery, Hudson, New York 2017 'Exquisite Abandon : Contemporary Miniature Works', Laguna College of Art & Design 2017 8th Annual Drawing Discourse, University of North Carolina Ashville 2017 'Small is Beautiful', Le Salon Vert, Geneva Switzerland 2016 'Smart Dust', Group Show, Sla307, 307 West 30th Street, New York, NY 2016 'Inside Outside', Carrie Haddad Gallery, Hudson, NY 2016 7th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina Asheville 2016 186th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2016 DRAWN, 3rd Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2016 'Summer Group Invitational', George Billis Gallery, NYC 2015 'Radical Inventions', Carrie Haddad Gallery, Hudson, NY 2015 'Strange Paradise', First Street Gallery's National Juried Exhibition, Juror Steven Harvey 2015 185th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2015 'DRAWN' 2nd Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2015 7th Annual Juried Exhibition, Prince Street Gallery, NYC, Juror Robert Berlind 2015 Bradley International Print & Drawing Exhibition, Heuser Art Center, IL, Juror Beth Grabowski 2015 'Interactive Lines' Small Group Invitational, Cabarrus Arts Council, Condor, NC 2014 ‘Regarding the Sublime’, Small Group Invitational, North Park University, IL 2014 27th Northern National Art Competition, Nicolet College Art Gallery 2014 184th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2014 'DRAWN’ 1st Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2014 POP-UP : On and Off the Wall, Series 2, Invited Artist, First Street Gallery, NYC 2014 5th Drawing Discourse, University of North Carolina, Asheville, Juror Tim Lowly 2013 VISTA [landscape in contemporary art], National Juried Show, Manifest Gallery 2013 Marks, A National Juried Drawing Exhibition, Madelon Powers Art Gallery, East Stroudsburg University, PA 2013 American Art Today : Figures, The Bascom, A Center for Visual Art, Juror Jonathan Stuhlman 2013 First Street Gallery's National Juried Exhibition, Juror Donald Kuspit 2013 4th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina, Asheville, Juror Susan Hauptman 2012 Fort Wayne Museum of Art Contemporary Realism Biennial, Fort Wayne Museum of Art, Juror Frank Bernarducci 2012 25th Northern National Art Competition, Nicolet College Art Gallery, Juror Sarah McKenzie 2011 Salmagundi Annual Non-Member Open Exhibition, Salmagundi Club, NYC 2011 33rd Bradley International Print & Drawing Exhibition, Juror Robert E Marx

This delicate drawing, attributed to Eugène Boudin, carries the quiet immediacy and observational sensitivity that define the artist’s approach to landscape. Executed in a soft, econ...

Here for your consideration is a beautifully executed watercolor of a bucolic New England series of village houses by the American artist, Gary Shepard. ...

From London with Love is a drawing series by Shizico Yi, composed of en plein air studies capturing quiet and private moment between the artist and the city in corners of London. Shi...

Mid-century pastel on paper of sailboats at anchors. Signed bottom right but undecipherable and presented in a wooden frame under glass. This artwork presents a vibrant maritime sce...

Very well executed original gouache on archival paper of a group of figures on an overlook viewing the Bay of Naples by the Italian artist, Maria Ada Gianni...

This atmospheric landscape watercolor painting on archival paper by Dodi Fredericks depicts a moody sky over a luminous wheat field. The softness of the wash creates a feeling of bei...

Vibrant abstract landscape watercolor titled "Sierra Country" by Erle Loran (American, 1905-1999), 1984. Titled, signed, and dated on verso. Presented in a painted metal frame, without glass. Image, 23"H x 31"L. Measures: 30"H x 37"W. Erle Loran was a modernist of urban and coastal views and geometric painting. Erle Loran was born in Minneapolis, Minnesota. He studied at the Minneapolis School of Art under the direction of Cameron Booth...

Bright floral landscape by Jean Harney (American, 20th Century). An interior courtyard is full of plants and flowers in bloom. There is a lush vine climbing over an archway, with blossoms in shades of pink and orange. Several other potted plants are displayed nearby. Signed "Jean Harney" in the lower left corner. Presented in a wood frame with a new cream mat. Frame size: 21.25"H x 17.25"W Image size: 13"H x 10"W Jean Harney (American, 20th Century) is an artist and illustrator from Ulen, Minnesota. Harney graduated from Pacific Lutheran University in Tacoma, Wash., with a major in Education and a minor in Art. After graduation, she moved to Arizona to take a teaching position. Since that time, she has taken art classes in Arizona at A.S.U., Scottsdale Community College, and privately. In the beginning, she painted in oils on canvas or masonite, then taking an interest in screen printing. Several years later she discovered acrylic paints and loved the quick drying properties of them. Eventually, she switched from painting in acrylics on canvas to painting on paper and gradually worked into painting in watercolor, which is now her medium of choice. Harney founded the Garden Art Show in 1965, which has been running yearly since that time. She has also been a participant in the Phelps Mill Festival for over two decades, as well as Phoenix’s Artist’s Studio Tour. She is a member of the Art of the Lakes Art...

Original watercolor on archival paper by the well known American artist, George Howell Gay. Signed lower left by the artist. Circa 1910. Condition is excellent. Great vibrant colo...

Watercolor and gouache on cream wove paper. Signed and titled in watercolor in the lower right image area. Small circular pea-sized damp stain in the top center image area (visible in the are of the sky), and some additional small spots of unobtrusive foxing in the upper left sheet area. Otherwise in very good condition with fresh colors and intricate brushwork. Henri Schäfer...

Rosbeg by Carol Pylant evokes the quiet expanse of the Irish coast through soft, fluid washes and a muted, natural palette. Rolling green dunes and sandy inlets unfold gently toward ...

Page Size: 8 x 4 in. Frame Size: 9 x 5 in. Signed, bottom left This evocative sepia-toned watercolor wash painting offers a minimalist and atmospheric interpretation of a Mediterran...

This original drawing by Fabien Granet, is created in 2025 with charcoal and pastel on paper (26 x 18 cm). This work is part of a series of contemporary landscapes inspired by the co...

A bold and intensely striking 70x100 cm oil pastel on paper that explores the profound emotional power of a near-monochromatic palette. Against a rich, vibrating crimson background, ...

Work : Original Drawing, Handmade Artwork, Unique Work. Medium : Drawing with Charcoal and White pencil on Archival Fine Art paper 300Gsm. Subject : Alignements de Lagatjar par temp...

19th Century Watercolour Drawing of Autumnal Trees in Northern Ireland Forest, by 19th Century Artist, William Hume Art measures 11 x 8 inches Frame measures 17 x 13 inches Pres...

Original miniature watercolor and gouache coastal sunset on archival paper by the Vermont artist, Susanne Peck. Signed lower left “S Peck”. Condition is excellent. Circa 2015. The artwork is housed in a contemporary gold frame in fine condition. Overall framed measurements are 6.5 by 8.5 inches. Standup easel back frame. Under glass. Provenance: A Sarasota, Florida collector. Susanne Peck spent most of her professional life in the NYC area and relocated to Vermont in 2008. A classical singer, educator and conductor, she has always made art and has been drawing commissioned portraits for nearly 30 years. Largely self-taught and inspired by Renaissance draughtsmanship and drawing throughout the ages, her most valued instruction came privately from Elizabeth Steig in the Boston area, from portrait painter Laurel Stern Boeck at Katonah Art Center in New York, from Tad Spurgeon, Richard Weinstein and Mary Lower at the Middlebury Studio School. Ms Peck has taught clay and drawing/painting to children and adults at Katonah Art Center, Frog Hollow and Middlebury Studio School in Vermont. Her commissions have included New York City Federal Judge Colleen McMahon and family, opera singers Francois Clemmons and Beverly Myers...

Work : Original Drawing, Handmade Artwork, Unique Work. Medium : Charcoal and Graphite on Archival Watercolour paper 300Gsm. Artist : Fabien Granet Subject : Les Indestinés (series ...

Original watercolor on archival paper of a Portuguese fisherman with fishing boats in the background. Done in an academic style. Great detail. Signed by the artist and dated 1971 lo...

Sandy Litchfield’s “Lingerlin” (mixed media on paper, 30 x 22 in.) reflects her signature practice of transforming landscapes into lyrical, layered compositions. Drawing inspiration ...

NOT STRETCHED. You'll receive it rolled, in a tube. Ready for stretching. I recommend stretching your painting in a local custom framing shop or gallery. It will be the most affordab...

Subject : Doux Horizon (Title - FR) This original pastel by Gabriel Riesnert, a contemporary French artist known for his serene interior scenes, captures the gentle transition betwe...

"Tulips Red 4" is a vibrant floral painting where passion meets bold expression. Red takes center stage, brought to life through expressive strokes of oil stick on paper. The artist'...

Original India ink, watercolor and gouache artwork of a small harbor on the island of Mykonos in Greece but the Greek artist Manos Sofianos. Signed by the artist lower right. Conditi...

Beautiful original watercolor and gouache on archival paper by the famous American marine artist, Gordon Grant. The artwork depicts two rugged lobstermen bringing their catch ashore...

Beautiful watercolor and gouache on archival paper by the well known Maine artist Bill Paxton. The watercolor depicts what Portland harbor in Maine looked like in 1910 with sailing vessels of the era moored in the harbor. Signed lower right by the artist. Titled verso. Circa 1975. Condition is excellent and is finely matted and framed. The artwork is matted and framed in a thin gold leaf custom gallery frame. Overall framed measurements are 17.5 by 21.75 inches. Provenance: Sarasota, Florida estate. William (Bill) Paxton 1930—2007 William Paxton, born August 5, 1930 in Lewiston, was one of Maine’s top selling artists. He had a passion for painting and from a young age he was known for his talents in sketching. Paxton captured many popular Maine scenes with watercolor, acrylic, and oils. His work also includes historical scenes he referenced in books from as early as the 1920’s, painting locomotives, aircraft, and war scenes. Paxton’s art is sold all over the world. As a student at Bridgton Academy, he was featured in his yearbook. It states, “When artist Bill picks up his pen, we all stand at attention, for his remarks and pictures are certainly worth mention.” He wanted to pursue a career selling his art, but it was during the time of the Great Depression. Also in his younger years, Paxton had an interest in skiing and won a medal for Second Highest Ski Jump. From there he went to flying and received a certification for Second-in-Command, to fly alongside the captain in a C-46F type of aircraft. He then joined the Air Force in the 40’s, although his passion and talents for art were constant throughout his life. Paxton quickly became the front line military sketch...