Sarah Sophia Beale

Saltmarshes, Parkstone

1907

Watercolor on artist's board, 10 3/4 x 20 1/4 inches (273 x 515 mm), the full sheet. Signed and dated in black watercolor in the lower right on the recto. Some scattered light spots ...

Watercolor and graphite on watercolor paper, 5 3/4 x 11 3/8 inches (147 x 290 mm), the full sheet. On the verso is an unfinished sketch in graphite which is titled "Gardens, 3 Kent T...

Watercolor on card stock, 4 3/4 x 11 1/2 inches (120 x 292 mm), the full sheet. Signed in blue watercolor on the lower right recto, titled in black ink on the verso. Scattered light ...

A lovely coastal view of Dorset from the bluffs of what is now Parkstone Golf Club. 1895. Ink and wash on wove paper, 7 1/2 x 11 inches (190 x 280 mm), the full sheet. Signed in ink...

Eve Nethercott, American (1925 - 2015) - Salt Marsh (P6.29), Year: 1959, Medium: Ink and Watercolor on Paper, Size: 13 x 18 in. (33.02 x 45.72 cm), Description: Rendered with...

**Title:** Modernist Coastal Seascape Marsh Landscape Watercolour on Handmade Paper **Artist:** British School / European School, 20th century **Medium:** Watercolour on handmade paper, unframed **Size:** 7.75 x 11.25 inches **Signature:** Unsigned **Stamped verso:** Not shown / no stamp visible from the image provided **Provenance:** Private collection **Condition:** Fair to good vintage condition. The handmade paper shows age toning, surface marks, pinholes, handling wear, creasing and irregular deckled edges. There are small nicks, tears and areas of roughness to the outer edges and corners, consistent with age and the nature of the handmade sheet. The painted image remains atmospheric and decorative. **Description:** A subtle 20th century British School or European School watercolour landscape, painted on textured handmade paper and depicting a broad coastal seascape or marshland view. The composition is arranged in quiet horizontal bands of grey, blue, green and earthy brown, suggesting open water, tidal flats, low vegetation, distant land and a wide clouded sky. The painting is particularly appealing for its restrained modernist approach to landscape. The artist reduces the coastal scene into simplified strips of colour and tone, creating an impression of space, weather and atmosphere rather than a highly detailed topographical view. The pale grey sky dominates the upper half of the composition, while darker horizontal accents suggest a distant shoreline, reed beds, marsh edges or low coastal vegetation. The palette is muted and atmospheric, with soft blue-grey washes balanced by touches of green, brown and cream. These gentle tonal shifts give the work a calm, contemplative quality, evoking the quiet light of a coastal plain, estuary or wetland landscape. The simplified structure gives the piece a decorative modernist feel while still retaining the sense of an observed natural view. The handmade paper adds considerable character to the work. Its visible fibres, pinholes, warm natural tone and irregular edges give the piece a tactile, artisanal quality. The painted image sits within the sheet, leaving the surrounding paper visible and giving the work an attractive object-like presence. This original watercolour would appeal to collectors of coastal landscapes, seascapes, marshland paintings...

Colorful landscape of Moss Landing marshland (just north of Carmel, California by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed lower left c...

JOSEPH ARTHUR POWELL (1876-1961) Oast Houses and Windmill, Rye Signed l.l. Watercolour Unframed 38 by 55 cm., 15 by 21 ¾ in. (mount size 54 by 70 cm.,...